About Writers, book promotion, book sales, Uncategorized, Writers Co-op

$67,000 In Three Months

Adam Nicholls, Author
Posted on Facebook 13 Jun 18 at 5:16am / 20BooksTo50K
$67,300.88 earned between March 2018 and June 2018

I’ve been in two minds about doing this because it feels too much like bragging, but I was finally persuaded to suck it up and write this on the off chance that it might help someone. Please note, this is from an 8-book rapid release. With that out the way, here are some tips that you may or may not know already (and bear in mind this isn’t gospel – it’s just what I did):

– Use K-lytics to find a hot genre and then dig in deeper to find that niche. When you find something that interests you, hit the top 20 chart and read like it’ll get you out of jail. You need to learn those tropes and give readers what they expect when they buy your book.

– Write. Don’t make excuses, but don’t beat yourself up if you can’t do it 24/7. This is hard work for some people (myself included), but remember that in order to sell a product you must first create that product.

– Get a cover that fits the genre. A great cover can be a useless cover if it doesn’t fit the tropes. Again, check out the top 20 to look for common themes. At the end of the day you’re looking to recreate what’s currently selling, so why stray from the path?

– A decent editor is absolutely vital, and a good proofreader is, too. There are plenty here in the threads, and most come as recommendations rather than just self-promotion.

– Mailing lists are another commonly discussed topic. I use Mailerlite and I love it. You can use Instafreebie and Bookfunnel to build that list, as well as running Facebook ads (more on this below). What changed things for me? I started sending out an email every Monday, and I don’t keep trying to push sales. I talk about my dog, what I’m reading, and where I’ve been this week. Readers enjoy this. They email back, and you should, too. Be more than an author – be a friend. This part hurts to say because it feels like I’m betraying them, but those readers/friends are now guaranteed sales on release day.

– Rapid release. If you can, save up four or more books and then release one weekly. I don’t know too much on the science of this one, but Martha Carr has a great video on it, so search the files.

– KDP Rocket. Is it a must? It was for me. I personally only used it for my seven Amazon keywords, but it’s worth every penny spent. Others use it for Amazon ads, which I’m yet to explore.

– Network. Make friends. The more people you know, the more you can learn from each other. It could be that everything you needed to know was obvious to someone else, so communicate and be helpful. Which brings me to…

– Pay it forward. To put it bluntly, I was an introvert writer making no money. Since I started helping people out and doing favours (yes, even to those who were clearly using me) I’ve become an introvert writer who’s making lots of money. It pays to not be a total dick most of the time (it turns out my mother was right). I’ve learned so much from the people here, and giving some back is good karma, if nothing else.

– It never hurts to collaborate. I recently completed a book with another 20books author and it was a HUGE success. You split the work, you share the profits, and you find new readers in each other’s lists. Use this to your advantage and help each other out (by the by, I’m always looking for thriller authors to work with, so drop me a message if you’re interested).

– Advertising can be a chore, but I stick to the basics: Bargain Booksy, ENT Reader, Robin Reads, and Facebook ads. A quick Google search will give you the first three, and Mark Dawson’s Facebook course is a fountain of knowledge that can’t be ignored. Set yourself a budget and work at it. It took me 2 years to learn this stuff, but here I am.

– Most of all – and this is by far the most important thing – ENJOY IT. A love of writing doesn’t have to become a daily slog. Get up in the morning and put some words on the page. Open your email and talk to other writers. Communicate with your readers. Host competitions and look for places to get interviewed. You have one of the most interesting jobs in the world (especially if you moonlight as a Playboy photographer), so get out there and have fun with it!

Any questions? Ask away. I’ll do what I can to answer them, although I’m having a bit of a busy day so please forgive me if I don’t respond immediately.

Adam Nicholls, an urban fantasy author from the south-west of England, has been creating stories since before he could legally drink. Inspired by the works of Stephen King, Karin Slaughter and Gillian Flynn, Adam starts writing each new book by asking himself how best to shock his readers.

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About Writers, book promotion, inspiration, reading, Research, Uncategorized

Building the Legend

One SheetG.D. Deckard, the fun loving maniac, asked me to write a post about Legends Parallel. That’s a comic book I write, in case you didn’t know. And I will. But first, since this is a blog, I’d like to start with a story.

On June 13th I was at a meeting for the stakeholders in Chicago’s upcoming Juneteenth event. Juneteenth, a/k/a June 19th, is the anniversary of when slaves in Texas finally found out they were free. Two years after the Emancipation Proclamation became law. It’s a big deal in urban areas. The mayor will be there along with other luminaries. And me. I’ll be there promoting my web design business and selling copies of Legends Parallel. Which led to the following fun moment in my life.

Joan Hollingsworth, a force of nature and head of the committee, announced I would be there selling “adult comics.” She made that pronouncement because this comic series is rated “M for Mature.” It gets that rating due to language, sexual activity, violence, use of college level science, and some seriously adult themes. It hits racism and class warfare pretty hard and the LGBTQ community is represented throughout. Combined, it’s not for kids. But, it’s also not porn. After a brief explanation of the ratings we all had a good laugh and went back to work.

The elevator pitches for Legends Parallel vary based on the audience I’m facing. If it’s a general audience I go with “A man, his mom, and her lover, have to save the world. No one said this shit would be easy.” If I’m around college kids, or in a library, I run with “Just in case you thought quantum physics wasn’t violent, or sexy, enough, we fixed that.”

We use them both online.

Back in 2016 Brian Daniel, owner of Hadithi Sambamaba the company that publishes Legends Parallel,  reached out to me to see if I’d be interested in taking a series of unrelated characters and writing them all into a single story. And, boy howdy, were they unrelated. There were, also, about forty of them. Far too many for anything coherent. After a lot of back and forth we settled on a few characters and a basic story.

I began writing. I wrote words, used punctuation, checked my grammar, declared them all worthy, and sent my efforts to Dorphise Jean, author of Spirit’s Destiny and editor for Hadithi Sambamba. She sent them back, shredded and bloody. You see, I’d written a decent script for a movie, or TV show, but not for a comic. The skills are almost diametrically opposed to each other.

She took pity on the idiot she’d been handed and sent me several examples of properly formatted scripts.

A sample example of my errors. You can write “Bob walks to the window” in a movie script. But that makes no sense in a comic. There are too many ways the artist can interpret the instructions, which leads to confusion. So, instead, you need something like this; “Bob, mid motion, walking towards the open window, P.O.V. from behind Bob, the visible light in the window reveals that it’s dusk outside, there are curtains gently blowing.” This is after you have already set the scene by describing the room, in detail, what Bob is wearing, in detail, and so on.

I learned a lot.

I recommend any writer take a shot at writing a comic book script. Even if it never sees the light of day, they will learn a lot about how to set, and relate, a scene.

Back to Legends Parallel.

After the scripts I wrote passed muster for Dorphise Brian began assembling a team. Sherry Vanilla Hardy, owner of V.Yi.P. modeling agency, arranged for some of her models to be used as the basis for the characters. That was important since the artist, Leslie Tejlor, lives in Hungary and wasn’t well versed in drawing black people.  There aren’t many, as in almost zero, there for him to use for reference. Alexander Malyshev, the artist who is famous for his work on the Russian movie series “Guardians,” did the covers.

By late May the first issue was off to the printer.

I built a basic website and we started sending out copies, digitally and on paper stock, for review.

And we waited. And prayed. And drank. Sometimes contemporaneously.

And reviews started coming in. Good ones. From podcasts, well known blogs, and other creators.

As time went on we upgraded our website, released issue #2, signed a national distribution, and IP development, deal with Nerdanatix, and began finding fans. Lots of them.

Legends Parallel isn’t an easy story to wrap your head around initially. It tells the story of Tom Hill, billionaire inventor who inherited a super suit, and multi-national company, from his dad. His dad’s dead at the beginning of the book but his memory lingers on. One of the things his company has discovered is that the multiverse, first posited by Hugh Everett III in the 1950’s, is real and there are five earths which support human life. This discovery is the underlying premise for the whole series. Each earth has its own stories, its own legends, and they are eventually doomed to collide. Tom and, the only person he truly trusts outside his family, Arumar Singh, try and keep everything controlled.

If that worked I wouldn’t have a story, so you know that much now.

Tom’s mom, Sage Hill, wore the suit and used it to fight crime but, now, she’s in her 50’s and getting too old for that kind of lifestyle. Alicia Yang, Sage’s assistant and lover, knows all the family secrets and is a force to be reckoned with all on her own.

Lastly there’s Stacy Lord, a powerful metahuman (a new breed of human that has been appearing more often lately) who Tom keeps calling Sassy, which becomes an ongoing joke in the series. There are a couple more people on the “good guys’ side” but these give you a basic idea.

On the other side are Oshun, a beautiful assassin and thief who is a mistress of toxins. Her henchman Bes, a metahuman dwarf with a twisted sense of humor. Jack of Spades, a charismatic killer who has a windsock for a moral compass. And Ms. Vin. An ancient metahuman who’s back story plays out over the series.  All she wants to do is rule everything and kill anyone who opposes her. Oh, and she controls a device, called the Gorgon’s Gate, which allows her to visit any of the five earths at will.

You kind of have to pay attention as you read or you’ll get hopelessly lost. Yet another reason it earned an “M” rating.

Issue #3 is in the capable hands of Leslie and we’ll be doing a Kickstarter for issue #4 just so we can get fans some of the cool stuff we’ve been hoarding.

If you want to know more just head over to our website and have fun. There’s neat stuff you can buy, links to the comics, and tidbits about everyone involved. Consider it your one stop shopping mall for all things related to Legends Parallel.

This has been an amazing amount of work but it has led to me working on numerous other titles, and meeting some incredibly talented creators from all over the world. On my Twitter page I say that I have an odd past and an unknown future. All true and I wouldn’t trade it for any of the worlds I’ve discovered.

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About Writers, book promotion, book sales, Research, self-publishing, Uncategorized, Writers Co-op

Kindle Unlimited

That is, is it worth it to the Author?
Kindle Unlimited (KU) is a subscription service. With Kindle Unlimited, customers can read as many books as they like and keep them as long as they want for a monthly subscription fee.

Author Jon Cronshaw recently asked the question, “Is there anything (beyond the usual wide versus KU debate) that makes wide or KU better?

Author Brian Meeks responded, “That’s a really good question. I’m not sure I can speak to your genre, but I do have some thoughts.

Over the last six months, I’ve noticed something. The conversions I track across all 5 genres in which I write, have changed. It used to be about 50% sales and 50% KU downloads. That’s not the case anymore. The shift has been toward KU.

My data shows 40% sales and 60% KU downloads. This tells me that more people are joining KU and enjoying it like we all do with Netflix. It also makes me think the shift will continue.

There’s one other point that often doesn’t get mentioned. It’s that the MOST voracious readers, naturally, gravitate toward KU.

I hope these thoughts will help you a bit. Good luck.”

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About Writers, inspiration, publishing, Uncategorized, Writers Co-op, writing technique

Insights

Secrets of Bestselling Authors

INSPIRATION & IDEAS
“Good writing is remembering detail. Most people want to forget. Don’t forget things that were painful or embarrassing or silly. Turn them into a story that tells the truth.”
– Paula Danziger

GETTING STARTED
“Two questions form the foundation of all novels: ‘What if?’ and ‘What next?’ (A third question, ‘What now?’, is one the author asks himself every 10 minutes or so; but it’s more a cry than a question.) Every novel begins with the speculative question, What if ‘X’ happened? That’s how you start.”
– Tom Clancy

STYLE & CRAFT
“What a writer has to do is write what hasn’t been written before or beat dead men at what they have done.”
– Ernest Hemingway

PURPOSE
“The only obligation any artist can have is to himself. His work means nothing, otherwise. It has no meaning.”
– Truman Capote

CHARACTERS
“The writer must always leave room for the characters to grow and change. If you move your characters from plot point to plot point, like painting by the numbers, they often remain stick figures. They will never take on a life of their own. The most exciting thing is when you find a character doing something surprising or unplanned. Like a character saying to me: ‘Hey, Richard, you may think I work for you, but I don’t. I’m my own person.’”
– Richard North Patterson

PLOT & STRUCTURE
“The problem for me is finding my own plots. They take a long time. … I like to have it happen, just like in our own lives. We don’t always know where they’re going, and if we make formal decisions on a given night, if we sit down and put a list of things we’re going to do on a piece of paper, they almost never work out right.”
– Norman Mailer

RITUALS & METHODS
“The conclusion to be drawn is that I am happiest writing in small rooms. They make me feel comfortable and secure. And it took me years to figure out that I need to write in a corner. Like a small animal burrowing into its hole, I shift furniture around, and back myself into a cozy corner, with my back to the wall … and then I can write.”
– Danielle Steel

REVISION & EDITING
“I do not rewrite unless I am absolutely sure that I can express the material better if I do rewrite it.”
– William Faulkner

PUBLISHING
“Publishers want to take chances on books that will draw a clamor and some legitimate publicity. They want to publish controversial books. That their reasons are mercenary and yours may be lofty should not deter you.”
– Harlan Ellison

READERS
“In truth, I never consider the audience for whom I’m writing. I just write what I want to write.”
– J.K. Rowling

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About Writers, blogging, inspiration, Uncategorized, Writers Co-op, writing technique

Advice from the Front Lines

Current Writers on Writing Today

But first, an editorial comment:
“I’ve been an editor for a very long time—let’s say several lifetimes in dog years—and I’ll let you in on a secret. Although your workshop colleagues will (ideally) read your entire manuscript carefully, generously, and kindly, an editor will begin making a decision in about a minute.
What the editor is really looking for is presence on the page—a feeling that you, the author, are in control; that you have a deep respect for language and a well-made sentence, no matter how plain or ornate; that something is at stake; and that in addition to whatever plot you are hatching, you can create friction in the simple act of rubbing two sentences up against each other.
– Dawn Raffel

“Great writers play to their strengths. If you’re hilarious, let yourself be funny. If you have an ear for dialogue, keep your characters talking. If you have a sixth sense for plotting and suspense, write a mystery.”
– Arlaina Tibensky

“By writing about your experiences, you transform your memories into tangible monuments. You validate what happened to you from your own perspective, with your own creativity.”
– Alissa Torres

How to Write a Sex Scene: “‘But what if I’m not filthy enough?’ you think. What if Bruce Springsteen is busy? Most sex scenes are read and forgotten. Readers go on with their lives. You’re competing with the entire internet. You’re competing with sex itself.”
– Rebecca Schiff

“Very often, the most effective humor in writing doesn’t come from a clever concept, or a turn of phrase, or a one-liner, or a bit of killer dialogue. Instead, it comes from the manipulation of carefully built structures, from the ways in which you introduce well known patterns, then undermine those patterns with revealing character action.”
– Mike Scalise

“The best bit of that advice, and one I would take to heart as a novelist, is the idea of keeping your readers off kilter whenever possible. If they know what’s coming, there’s a good chance they’ll put down your book and move on to something else.”
– Duane Swierczynski

To me, the most memorable insight into the motivation for writing may be Vladimir Nabakov’s,
“I shall not exist, if you do not imagine me.”

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Phillip Roth, Thank You.

At my job – I work for a compositor, we set books for publishers all over the country – I see, and marvel at, first books by young authors. I always wonder, how did this one catch the eye of an agent? And, subsequently, snag a publishing deal?

The answer has to be – through connections forged in a writing program, winning references from people with friends in high places. This is beyond most of us. Maybe Kris has connections, she teaches writing, I believe. The rest of us, that train has left the station.

But references go only so far. A book still has to sell itself. I handled a mystery a year or two ago, set in Boston, interesting to me for the local detail, I lived in Boston for twenty years. That author had been a consultant on a TV crime show, and had gotten a book accepted on that basis. I can’t remember the name, but I don’t see that it’s made waves. And I haven’t seen a second book in what was plainly meant to be the kick-off to a series. All the right moves, the big publisher, the front-sales touts, presumably, an actual advertising budget, and the market, apparently, has not come to Mahomet. The author, a former Boston DA, for all her sexy insider detail and her familiarity with Beantown’s mean streets, has not created another Friends of Eddie Coyle.

Some good news: At least we haven’t spent big money on an MFA, only to see our work submerge in a sea of cute. (“The powerhouse mother/daughter team has done it again, bringing you the laughter of their lives.”) Bestseller shtick is not my thing, for all its charm. (Haven’t read Scottoline, but I have to assume there’s something appealing there.)

How does one become a Phillip Roth?

From Wikipedia: “Roth’s work is known for its intensely autobiographical character, for philosophically and formally blurring the distinction between reality and fiction, for its “sensual, ingenious style” and its provocative explorations of American identity.”

Hey!

* intensely autobiographical character * philosophically and formally blurring the distinction between reality and fiction * a sensual, ingenious style * a provocative exploration of American (in my case, catly) identity.

I’m there already!

 

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