Facebook Writers Cafe, Mainstreet Earth:
Lydia Caatt: Whatever it’s is you are describing look up a similar description or something. I look up photos online and decipher how I’d describe it to a blind man.
Ernest Van Horn: Write in such a way that you feel that you’re in the skin of the character. You are not “angry”, your heart is pounding, face is burning, and thoughts are fast but focused on who wronged you.
Watson Davis: Put yourself in your POV character’s head and then write what they experience, what they see, what they smell, what they hear, what they feel inside and outside. Stay in their head as they move through their world. Don’t write “I began to feel the wind against my skin”, don’t write “I felt the wind against my skin”, instead write “The wind brushed against my skin.”
Christy Moceri: Everyone, no matter how well they write, has moments of doubt. It’s not a reflection of your skill or potential, it’s a reflection of the fact that you’re an artist. I’ve learned to think of my opinion of my own work as just background noise.
Niki Bond: Make sure you’re in-tune with the characters’ emotions.
Ian Bristow: There is a limit with setting descriptions though, IMO. I think those should be reserved for the more long term settings, as I personally don’t like to be reading and get a detailed description of something I will only see the once. It is not only misleading about how important that setting will be, but descriptions are not generally story movers, so I’d rather engage in conversation or get the thoughts of the MC as they move through that setting.
Edward Buatois: Just always remember, ALL writing is about emotion. In action, your character(s) want something. They worry that they won’t get it or will be injured or killed or will be left in a worse position than before or if they fail something terrible will happen. Salt your action scenes with that and they will never be boring.
JM Chandler: Take my voice out of it.
Tap into the emotion of the scene/character. Kurt Vonnegut was genius at this.
Lazy writing will tell you what the emotion is. Insightful writing will describe it.
Lance Cargopants: Realize your reader is intelligent and picks up clues. And what would be an unmistakable clue to you? Example: Like that scene in Sum Of All Fears, where the president does this humorous speech before the press corp, and a phone goes off. Then another. Then all of them
& finally, Hunting Down the Pleonasm
Take a look. 🙂 You will not regret knowing this.
Photo: Left Bank Writers Retreat in Paris. Hemingway, memorialized with a plaque at the bar, once lived just down the block and made the cafe his unofficial office, writing in a red leather booth and drinking with fellow writers F. Scott Fitzgerald and Ford Madox Ford. In Hemingway’s day, cafes were the social hub for the Left Bank Writers – providing an inspirational mix of food and wine, companionship and all-day office space.