I dreamed a great change but of course forgot it on waking up. All I have left is the vision of being in a red brick building watching men move stacks of books on forklifts. Light from dirty windows illuminate dust in the air. Cries of anguish ring from a pot bellied man in a three piece striped suit and bowler hat, “Out, damned Kindle! out, I say! – Nook: Kobo: Publishing is murky!”

Not murky at all. Book publishing has been replaced by book marketing: This Notebook I write on can publish what I write and distribute it worldwide tomorrow. No factory of men and equipment are needed, no shipping, no bookstores. Just ereaders. Writers no longer need publishers, we need marketers. And, they must have a commissioned revenue model to be trusted. Amazon does. Anybody who wants paid up front to try to sell your books should offer you a free bottle of snake oil because that’s all you’ll get for your money.

Which brings up a question: Who, out there, actually markets books effectively?
Please comment if you know anyone!

blogging, Research, Uncategorized, world-building, Writers Co-op

Being There

Seeing something helps a writer to describe it. Actually being in a setting lets the words choose themselves. Take the inside of the International Space Station, for example, one of the most advanced miracles of modern technology to have ever been built by mankind. It’s a mess. The room I’m in now is maybe 20 feet wide by 20 feet high by, maybe, a little longer. The white and grey walls are totally covered with color-coded cables, cases, boxes and storage packs. And there are wall panels that slide out like file cabinet drawers to allow access to the experiments being conducted inside. Not a spec of space is wasted on the four walls. You can’t walk on any of them. No floors needed here. Just float between the walls. I guess that explains the four laptop computers fixed at impossible angles. No up or down. Just float over and use one. The panel sections lining the walls are marked by metal strips to which, as astronaut Samantha Cristoforetti, of the European Space Agency, showed me, she can attach shower safety hand bars (OKAY, she called them something else.) She uses the bars to hold onto when she’s working. She can also slip her stocking feet (no shoes needed here) under the bar to hold herself in place while she completes an appointed task. Or, attach a camera like the one giving me this inside view.

Yes. It’s virtual reality. But how else am I getting aboard the ISS to see what kind of socks astronauts wear? Or watch the sun rise over the rooftops of London, from a rooftop in London, and turn to see the The Shard sticking up a thousand feet into the sky? Or stand among Parisians in a little park and be the only one rubbernecking the Eiffel Tower towering above me? All without leaving my writing desk.

The little tripper lets you describe settings by putting you inside them. It’s cheap. A $20 viewer will let you use your cell phone to watch YouTube 360 videos of just about any place people can get to today. I recommend virtual reality to any writer without a twenty million dollar travel budget for a ticket to the space station.


What’s Up, Pussycats?


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I’m worn out, on my website ever day, trying this, trying that.

Which is why I’ve had so little to say lately.

My apologies to here, and to the TSU and Rabbit Hole threads on Facebook.

That guy up there is Sly. (And who else would it be?) In my half completed drawing he is wearing his pharaoh costume that he dons for John Dee’s séances. I tried to find my image of Dee in his pharaoh garb, but as usual, I can’t lay hands on it. (My files are a mess.)

I’ve been building my website. I finally have a format that will work with a light use page, excerpts, come-ons, a brief intro, etc., and will also do for full chapters. I’ve created a background to underlay all. The images will change with the various sites but the configuration will remain pretty much as is. I am snaking type around images on the background – that left/right/centering of images with a type runaround never works for me, never works as well as I could wish.

I have registered names of six sites in case I decide to put the whole thing up. That would be two novellas to a site. More than that and the menu gets too crazy.

I can always lasso and marry images in Photoshop, but my next task is to learn how to create a clipping path. (I have never figured that out.) So that (ideally) I can place images in the text layer and not have unused areas blocking out what lies behind.

I follow the discussion on Facebook in a thread populated by designers. Someone said: I create my design in (some software I never heard of) and hand it off to the developers to write the code. Here am I, trying to cheat and trick my way around WordPress, getting it to do things it doesn’t want to do.

WordPress could make life so much easier for us with a few small changes. A way to indent first lines. A way to right indent paragraphs. No, they save that stuff for the upgraded plans. You gotta pay for that convenience. Irritating.

Why do I like WordPress? Over Wix, I mean. I love Wix. In Wix you can do anything you want to do, almost. That’s the problem. WP forces me to rein in my more extreme design-y tendencies.

GD’s a whirlwind of activity over on Facebook. I’m trying to wrestle WordPress to the mat. What’s everyone else up to? Or are you sitting back, watching the money roll in?





About Writers, inspiration, Uncategorized, Writers Co-op


Facebook Writers Cafe, Mainstreet Earth:

Lydia Caatt: Whatever it’s is you are describing look up a similar description or something. I look up photos online and decipher how I’d describe it to a blind man.

Ernest Van Horn: Write in such a way that you feel that you’re in the skin of the character. You are not “angry”, your heart is pounding, face is burning, and thoughts are fast but focused on who wronged you.

Watson Davis: Put yourself in your POV character’s head and then write what they experience, what they see, what they smell, what they hear, what they feel inside and outside. Stay in their head as they move through their world. Don’t write “I began to feel the wind against my skin”, don’t write “I felt the wind against my skin”, instead write “The wind brushed against my skin.”

Christy Moceri: Everyone, no matter how well they write, has moments of doubt. It’s not a reflection of your skill or potential, it’s a reflection of the fact that you’re an artist. I’ve learned to think of my opinion of my own work as just background noise.

Niki Bond: Make sure you’re in-tune with the characters’ emotions.

Ian Bristow: There is a limit with setting descriptions though, IMO. I think those should be reserved for the more long term settings, as I personally don’t like to be reading and get a detailed description of something I will only see the once. It is not only misleading about how important that setting will be, but descriptions are not generally story movers, so I’d rather engage in conversation or get the thoughts of the MC as they move through that setting.

Edward Buatois: Just always remember, ALL writing is about emotion. In action, your character(s) want something. They worry that they won’t get it or will be injured or killed or will be left in a worse position than before or if they fail something terrible will happen. Salt your action scenes with that and they will never be boring.

JM Chandler: Take my voice out of it.
Tap into the emotion of the scene/character. Kurt Vonnegut was genius at this.
Lazy writing will tell you what the emotion is. Insightful writing will describe it.

Lance Cargopants: Realize your reader is intelligent and picks up clues. And what would be an unmistakable clue to you? Example: Like that scene in Sum Of All Fears, where the president does this humorous speech before the press corp, and a phone goes off. Then another. Then all of them

& finally, Hunting Down the Pleonasm
Take a look. 🙂 You will not regret knowing this.

Photo: Left Bank Writers Retreat in Paris. Hemingway, memorialized with a plaque at the bar, once lived just down the block and made the cafe his unofficial office, writing in a red leather booth and drinking with fellow writers F. Scott Fitzgerald and Ford Madox Ford. In Hemingway’s day, cafes were the social hub for the Left Bank Writers – providing an inspirational mix of food and wine, companionship and all-day office space.