publishing, Stories

Would you like to be a literary judge?

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Before we started The Rabbit Hole here at the Writers’ Co-op, I edited three anthologies called the Book a Break. They contained stories selected from submissions to a literary competition I ran, which attracted a fair bit of attention. I’ve now compiled all the stories into a bumper edition called 83 because, well, there are 83 stories in it. The aim now is to produce a Best of the Book a Break compilation. For that, the 83 stories will be whittled down to 40 or so, comprising those already commended plus 20 to 25 others, selected from the 58 other stories.

I could of course decide myself which stories to include. But as these things are subjective, I’d feel more serene if I had a few other opinions. So here’s your chance to be a literary judge. It’s very simple – all you need do is give a mark out of 5 to each of the 58 stories.

What do the judges get? A list of simple criteria to help them decide (see below), a free copy of the 83 stories, plenty of time to read them (the stories have a 2000 word limit, and the deadline is 31st April) and their name credited in the Best of the Book a Break compilation. The proceeds go to the Against Malaria Foundation.

Interested? Drop me a line via the contact page on this site.

 

Guidelines:
5: Yes! Took me straight into its world and left me thinking about it afterwards.
4: Great story – characters, dialogue and narrative all very well done. Comic, dramatic or disturbing, it hit the mark.
3: Good story, nicely told, but lacking that extra bit that would make it sparkle.
2: A bit hit and miss but enjoyable all the same.
1: Mildly interesting, but didn’t really work for me.
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humor, Uncategorized, writing technique

WRITING FUNNY

 – from the editors of Sci-Fi Lampoon Magazine

Humor is as spontaneous as slipping on a banana peel. At the core of every joke, somebody is hurt who didn’t see it coming.

Humor is cathartic. 9/11 happened right after the staff of the online satire newspaper, The Onion, moved to New York. They worried, “Can we be funny?” Their writers satirized the hijackers as being tortured in Christian Hell by demons. The God Angrily Clarifies ‘Don’t Kill’ Rule issue was a smash hit. Fan mail showed that readers found release in ridiculing the terrorists.

Humor has sharply defined limits, as a French comedian discovered when he was charged with “defending terrorists” for his comment about a video. The video showed ISIS beheading a Frenchman. The comedian quipped, “It’s in the French tradition.” Now, I thought that funny because I’m not French. But know your readers. Don’t pull a Gilbert Gottfried. A couple weeks after 9/11, he performed at the roast of Hugh Hefner telling a New York audience, “I have to leave early tonight, I have a flight to California. I can’t get a direct flight — they said I have to stop at the Empire State Building first.” Gilbert immediately knew he’d blundered, “I don’t think anyone’s lost an audience bigger than I did at that point. They were booing and hissing.” Being offensive is not funny. Keep in mind that humor must be perceived as funny.

The dictionary first defines humor as a quality that makes something laughable or amusing. Duh! A more useful definition follows: “The ability to perceive, enjoy, or express what is amusing, comical, incongruous, or absurd.” Not much better, but at least it shows that funny requires agreement. The author perceives something funny and the reader finds it amusing. Show your work to others before deciding it’s funny.

Two things on “how.” Humor has to connect with your audience. George Carlin knew this. “There was about a two-year period at the end of the ’60s, when I realized I was in the wrong place and entertaining the wrong people with the wrong material and that I was not being true to myself.” It can’t be forced. Steven Wright knows this. “I don’t go off and sit down and try to write material, because then it’s contrived and forced. I just live my life, and I see things in a word or a situation or a concept, and it will create a joke for me.”

So, our advice to authors is to simply relax. Write funny speculative fiction that offers your readers some cathartic release in this fucked-up world. And remember, you can’t know something is funny until you laugh at it. Humor is as spontaneous to the writer as it is to the reader.

Sci-Fi Lampoon Magazine
Issue 2 is at the publishers!
Now accepting stories for Issue 3 http://scifilampoon.com/submissions/

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Writers Co-op, Writers Co-op Anthology

Rabbit Hole 3: Call for Submissions

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The Writers’ Co-op invites submissions of short stories (and poems) for the third edition of our yearly anthology, The Rabbit Hole, scheduled for release in September 2020.

This year marks a new departure, in which we explore how ‘weird’ fits into a genre. And we’re kicking off with ‘romance’. Do your aliens fall in love? Is your young hero consumed, swallowed and digested by desire? Does your ageing husband bring his passion back to life only to find it’s not what he thought it would be? The possibilities are endless.

Perhaps you never read romance. Perhaps you’ve never written it. So much the better! Who knows what lies outside the box? Couples who’ve escaped from it, couples desperate to get in. Couples who may not be couples at all, or if they are, they’re certainly very weird: Narcissus and his reflection, God and the Virgin Mary, Eija-Riitter Berliner-Mauer (who fell in love with the Berlin Wall, but when it got torn down started dating a garden fence)…  Or male and female in one – what could be weirder than that? Do you know the Potter Angelfish? It starts life as a female, then switches over to male – a handy technique used by Virginia Woolf’s Orlando, though in the opposite direction.

I’ll stop there. You’ve got the idea. In fact I’m sure you’ve got plenty, and you don’t need me to give you more. Simply bear in mind that ‘weird’ doesn’t always mean outlandish – it can be subtle, discreet, even furtive. Witty too, or burlesque – we’re always open to humour. Or even, at a stretch, humor. We look forward to discovering whatever means you choose to warp, subvert, disfigure, disguise or otherwise befuddle the concept of romance.

There is a maximum word count of 5000. This is more a guideline than a strict limit – quality is the main criterion, not length. So a great story will be accepted, whether it’s 6000 words or 200 (flash fiction is welcome). But we’re looking for short stories, not novellas or extracts from novels – the story should be complete in itself. Though the anthology will be comprised mostly of stories, there will also be room for some poems or pieces of an experimental nature.

The deadline is 31st March 2020. Submissions should be sent in an attached file to curtis.bausse(at)outlook.com with the subject ‘Co-op submission’. They may have been previously published on personal websites (or elsewhere) but authors must have full rights to them when submitting. Authors will retain said rights after the story or poem is published in the Writers’ Co-op anthology.

Writers whose stories are selected will have the choice between keeping their share of the royalties or donating them to the Against Malaria Foundation.

To get an idea of type of stories published so far, you can get The Rabbit Hole volume one and The Rabbit Hole Volume two at a special discount price of $1.99 (until 31st January).

web cover                           Rabbit Hole V2 jpeg.jpg

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