About Writers, Literary critique, Writers Co-op

Let’s Exchange Critiques!

Writers Co-op is about helping writers. We’re here to offer advice, resources, and experience about marketing, publishing, and the writing process itself. I’m sure there are other ways you can think of in which Writers Co-op can support its community, but I’m here to offer the one every writer needs even if they think they don’t: thoughtful, constructive, kind critiques.

How many of us are fortunate enough to have a dedicated set of beta readers who eagerly await each installment of our latest Work In Progress? Who among us has even one friend to call on who will read the 400 page draft of our brilliant literary fiction with an editor’s eye, sharing their thoughts in enough detail to help us polish our work to a professional gleam? How often have you wished a real writer would take a look at what you’ve written and offer a little free feedback?

Of course, it’s possible you are absolutely certain what you have spent months writing in the solitary mental confinement of your favorite room or coffee house or poolside bar is absolutely perfect just as you’ve written it. *snort* Guess again. Don’t get me wrong, there are probably many positive things to say about your manuscript, but there are probably at least a few things that need clarification or further description or a little rewriting to maintain continuity and interior logic. Sure, it’s all clear to you — you wrote it. But if you’re looking for a critique, you’re hoping for an audience. If a member of the audience says it’s not clear or it’s confusing, you’d do well to pay attention.

So here’s the deal:

If you have a piece of writing you would like a member of Writers Co-op to critique, whether it’s a short story, essay, poem, novella, novel, or a portion or chapter of a longer work, attach it as a .docx or .pdf to an email and send it to me at stranscht@sbcglobal.net. Please put “Critique Exchange” in the Subject line. (Just to be clear, by submitting your work for critique, you are agreeing to critique the work of the person who critiques your work.) I will match you with a critique partner who groks your genre and is able to take on a critique at that time, and they will send you their work to critique while they critique yours. The writer who needs the most time to complete their critique will set the deadline for both of you. Writers Co-op expects you both to honor that deadline or Writers Co-op will have the option of disallowing further participation of the author who fails to meet the deadline.

Now, a few words about writing and receiving critiques. Write the sort of critique you would find most helpful. Like I said earlier, thoughtful, constructive, and kind work for me. Snark and sarcasm might be fun, but they aren’t actually helpful or kind, so please restrain those urges. As for receiving a critique, first coat your skin with Armor All, then consider Neil Gaiman’s sage advice:

“Remember: when people tell you something’s wrong or doesn’t work for them, they are almost always right. When they tell you exactly what they think is wrong and how to fix it, they are almost always wrong.” ~~~ Neil Gaiman

We’re excited to invite you to take advantage of this service. You might even know other writers who are searching for this opportunity and would be grateful if you shared this post with them.

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About Writers, inspiration, Stories, Uncategorized, Writers Co-op

CONNECTIONS

A story can emerge into consciousness when we connect the dots in unexpected ways. Dead people have to outnumber the living. Can you put your sock on the wrong foot? What are the odds a computer will develop intelligence on its own? How in hell can a meat sack travel the interstellar distances between stars -maybe, we’ll just have to ride our planet and see where it takes us? In a society of adamantly diverse groups, can any be right, or are there universal truths to unite us? If you survive a nuclear war and the radiation doesn’t kill you, how do you not starve to death? How many NGOs are strictly for profit? Is slavery really immoral or simply economic? How do we personally change when we go from a normal life into a real war? Are we essentially a stupid species, using up our planet’s resources, knowing all the while this has to end badly?
That these are all story ideas, I know, having written each of them. Writers think the damndest things.

My condo overlooks a golf course here in Southwest Florida and early this morning, while watching the caretakers keeping it smooth and green, it occurred to me that a really challenging golf course would be one that is not maintained. Connect that thought to determined golfers, years into a post-apocalyptic world, and you have a story, maybe sad, maybe satirical, maybe uplifting -the writer decides.

How we connect our thoughts, the bridges between them, can build any story. Mimi Speike creates charmingly delightful illustrated works, Carl E. Reed slams the senses with intellectually-pointed outrage, Curtis Bausse has given us intricately devised detective stories, Perry Palin uses his sense of nature to inform his characters of their own nature. Connecting what we know in unexpected ways may be close to a definition of creativity and that applies to any genre.

What were you thinking, just before a story idea popped into your awareness?

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Uncategorized

Apple Pie in the Sky?

I’m not writing about Maisie. But ya gotta look at a picture, OK?

It’s a problem, isn’t it? What can I say that hasn’t been said multiple times, or that isn’t more me-me-me?

I could talk about Maisie forever, but you may not appreciate it. I’m doing my best to come up with alternative topics. GD is keeping his end up, and Sue is doing a marvelous job with Showcase.

We have a (possibly, don’t recall the name) new presence on the site. KMOSER56 has copied my last piece to the site ‘It’s All About the Journey.’ She writes on a range of topics, and has done so for quite a while. Archived material goes back to 2010! She’s given me an idea. I don’t recall if I’ve tried this before. Maybe I have, but I’ll try again.

I’m exploring what sites might be open to posting some of the writing-related articles I’ve written, and also what sites are dedicated to fiction. (I’ve placed all of Maisie on Medium, chapter by chapter, and snagged few readers. Medium is not the place for fiction.)

I’ve googled ‘Where to publish short stories.’ I have a list of sites to explore. I also came across a list of one hundred chit-chat blogs.

In terms of short stories: Wattpad, forget it (YA audience). Commaful, possible. Inkitt? StoryWrite? Several more I’ve never heard of.

Commaful looks promising: (These are comments by someone on one of the sites I visited today. (Once again, I didn’t bother to jot a name.)

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Stories on Commaful are in a unique format that people have called the multimedia fiction movement. The term multimedia fiction refers to fictional writing that involves more than just the written word, commonly some form of visual or audio. The most popular type of multimedia fiction is the picture book.

The Commaful Format: I am used to reading prose, not a picturebook layout. After trying it out, my opinion has changed. I think the format is one of the most genius features about the site.

The Audience: The site is growing very quickly. I don’t have real analytics about what the audience is, but my personal experience is that the audience is relatively young. I suspect this will change as the website continues to grow.

Story Trailers: I’ve never seen my writing shared nicely to Instagram as a video before. With a tap of a button, I had a pretty awesome story trailer that I could share to Instagram, Twitter, and Facebook.

Diversity: Not a huge library of stories yet, but I’ve come across a several LGBTQ and minority focused stories already. That’s more than I can say about many other sites. There are occasional sightings of bestselling authors. There are readers and writers from all backgrounds, age ranges, sexuality, and experience.

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I’m going to give Commaful a tumble.

Maisie is not a short story (you know that by now, right?)
but it does, with a bit of tinkering, work as a serial.
I’m going to explore that angle.

Apple Pie in the Sky? Maybe.
But I won’t know if I don’t try.

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Uncategorized

Writing is a Refuge. And, thoughts on Magical Realism.

We all have our reasons for writing. I’ve long told people that I write because I have stories to tell. But writing is also a refuge from my frequently frantic existence.

I’m googling Tennessee Williams, having been intrigued by posts on Facebook promoting Follies of God, by James Grissom, a series of interviews with Williams and people he worked closely with. Tennessee has said:

“Why did I write? Because I found life unsatisfactory.”

“I’m only really alive when I’m writing.”

“. . . living at a tilt against reality, because reality is simply too much to handle.”

Here’s the quote that first caught my eye:

“I once dreamed of escaping to magical places: Movie sets; fairy kingdoms; lovely homes with lovely people. I wanted to escape the abuses, the taunts, the grinding, onrushing tide of meanness that rolled over me all through my early years. I never got to the magic castle I insisted was deep in the woods, but I escaped through words, through images on a screen. Every day–and you need to remember this–you can sit before the pale judgment and strike words on its surface and escape and rise and find the magical places you wanted. The magical places that are within all of us broken, desperate people.”

Williams was born into a turbulent household. His father, a drinking, gambling father with little patience for his sensitive son, traumatized him and his sister Rose. He found his safe haven in writing. Poor Rose was given a prefrontal lobotomy in an effort to alleviate her increasing psychological problems.

His writing was a therapy for him. He wrestled with his demons in work full of grotesques, but also full of humor and compassion for the weirdos, the brokenhearted, the misfits, the losers, for those of us who can’t always cope.

My writing is also a therapy. Every one of my characters has a large portion of me in their makeup. I’ve slammed my upbringing through them, I’ve commented on my ongoing relationships, and I’ve softened my judgements of my own less than delightful traits by explaining them to myself through the lens of my weirdos, in whom I don’t fail to find redeeming qualities, though I admit many of them are creeps and scoundrels. Adorable creeps and scoundrels.

I’ve been telling people I write Magical Realism. But I honestly don’t know what to call it.

Magical Realism is a narrative strategy that is characterized by the matter-of-fact inclusion of fantastic or mythical elements into a seemingly realistic world. 

Matthew Strecher (Who dat? I googled him: Professor of Modern Japanese Literature and Chair of the Department of Liberal Arts at Sophia University in Tokyo) defines it as “what happens when a highly detailed, realistic setting is invaded by something too strange to believe, that is not explained, but treated as a normal occurrence.”

I have been under the impression it includes some kind of social or political relevance. Maisie is pure escapism.

In the end, what does it matter? That I am able to pigeonhole Maisie, position her in the literary landscape, that is. I’ve pretty much given up on trying to sell her to an agent or a publisher, the folks who insist on slapping a label on everything.

Tell people you’re writing about a talking mouse, they think Disney. Tell them it’s fantasy, they think wizards and dragons. Tell them it’s magical realism, they probably think Harry Potter, at this point.

Will anyone be debating whether Maisie is Magical Realism? I don’t think so. I hope folks are going to consider it absurd fun, featuring a character they care about.

I care about her. I live in her world. It’s a lovely world. I don’t want to live anywhere else. The real world is full of disappointment. Maisie never lets me down.

I write because it’s the best game in the world. I write because it’s a space I feel at home in. I write because I love the craft of writing.

Like–probably–most of you, I can’t get my family to read my work. I send them a chapter, hear nothing back, and think: I’m doing what you couldn’t do in a million years, you creeps. And you’re not smart enough to realize how good it is.

Does being dismissed deflate me? Not a bit. It strengthens my resolve. I’ve tried my hand at many a creative endeavor. I feel writing is the one area in which I’ve done outstanding work. It has improved my self-esteem tremendously.

I’m a pantzer. I start my tales without knowing where they will go. I create my characters, fall in love with them, and write to work out their destinies for my own pleasure, and to satisfy my own curiosity.

I don’t write because I hope I’m going to make money out of it. I write for the joy of it.

How about you?

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