About Writers, Stories, Uncategorized, Writers Co-op, Writers Co-op Anthology

Featured Author, Paul Stansbury

NOTE: Paul Stansbury’s story,  The Scroll and the Silver Kazoo,
appears in the Writers Co-op anthology, The Rabbit Hole, Vol 1.
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I have been writing for some years because it provides me a creative outlet. I write about anything that strikes my fancy, though I tend to favor speculative fiction and the occasional humorous piece. People who read my work have learned to expect almost anything. The only caveat I have is any member of my family should be comfortable reading something I have written.

I admit I am a Twilight Zone child. I mean the original series – those grainy, black and white television shows where, after an introductory scene, the camera would pan to Rod Serling for his set up for a short stint “in the twilight zone.” I was just 10 years old when the first episodes aired in 1960. After I saw them, I was forever hooked.

From my viewpoint, speculative fiction places us in a world where the Laws, those regularly occurring or apparently inevitable phenomenon that govern what happens to us, operate differently than what we would expect. In this world, the rules as we know them do not always apply. Or could it be the rules as we thought we knew them?

Speculative fiction aims to explore our world as it would be altered by posing the question: What if? While surfing the net, I recently saw a brief video about a well known landmark. I asked myself: What if? That resulted in a flash fiction story. If you want to read it, send me an email request: paulsstansbury@gmail.com.

The most appealing and freeing aspect of speculative fiction is that, like the worlds it creates, it is not bound by the traditional genres of Science Fiction, Fantasy, and Horror. In fact, it is not bound by any genre. It is free to adventure anywhere it likes as long as anywhere is a creation of imagination and speculation.

My process for writing is simple. Start writing, keep writing. When I experience the doldrums in the middle of a project, I keep writing. I don’t fret if it’s not the best work, that can always be fixed with the delete button. I always seem to get back on track. If I can’t think of a subject or theme to inspire a story, I just surf the net asking: What if?

I also seek feedback every chance I get. I am a member of a great writers group. Writing takes practice. I am still honing my skills. I take on only manageable projects. I encounter more than a few would be authors who want to write the next great novel, but can’t get started because they are overwhelmed or they are worried about finding a publisher before the first paragraph is written.

I prefer to write short stories and flash fiction. I have never had the desire to write anything longer than a novelette.  My stories are plot driven. I let my characters grow and evolve to meet the plot’s needs. I am not suggesting that is the right or only way, only that it is my way.

I do self publish collections of my stories through my own Sheppard Press. My first book, Down By the Creek – Ripples and Reflections, is a collection of fictional stories and poems influenced by my experiences growing up along Fern Creek in Kentucky. My second, Inversion – Not Your Ordinary Stories is a collection of my speculative fiction stories, some of which have appeared in print and some which are original.

I also try my hand at being editor. I put together a collection of my Grandfather’s stories, letters and other writings entitled By George – A Collection Of Childhood Experiences and Anecdotes, published through Sheppard Press in June, 2017. Did all the work myself: editing, research, annotation, formatting, and artwork. I will say, I gained a new and increased respect for editors as a result of this process. I did find it a rewarding, albeit exhausting experience. Most recently, I finished a similar project for a good friend to publish his book, Migrant Times and Other Musings, which was published in October, 2018.

Right now, I am working on the final draft of Inversion II – Creatures, Fairies, and Haints, Oh My! I hope to publish it in November, 2018.

Paul Stansbury

www.paulstansbury.com

http://www.facebook.com/paulstansbury

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About Writers, blogging, inspiration, Uncategorized, world-building, Writers Co-op

If It Helps a Writer to Focus, It’s a Muse!

I bought a watch. It’s an automatic watch, the kind with no electronics. It’s all wheels, springs, levers, gears, screws, jewels, a dial and three hands working together in a case with a bezel, crown, crystal, two lugs and a wristband. The sum-total-effect of hundreds of parts is to cause the hands to advance 86,400 seconds a day.
That’s a lot for a little machine, isn’t it?

The purely mechanical nature of the watch calms me because it is predictable. Move along, my watch tells time, there is nothing new to be seen here. The watch is from the old world of Isaac Newton – everything is put together by hand. It grounds me for world-building.

When I have an idea for a story, I have to build the world in which it occurs. The idea has a life of its own, but I have to create the background for it. A good background is one that seems natural, meaning, what is not described can be assumed by the reader. The watch itself reminds me of a time before Clerk Maxwell inspired Einstein’s special theory of relativity. The world was logical, not quantum. Just like the intricate mechanical train of the watch’s parts, everything in Newton’s world connected. And this, really, remains the world we actually live in today. Readers are comfortable with logical plots. So, I build a world out of natural assumptions people assume to be true, and I introduce the story idea in a train of connected plot bits.

I call the watch a muse because it reminds me that for a story to work, the plot has to be put together by hand, adjusted to fit perfectly and made to work with everything else in the story-world.
It’s a great muse.

P.S. This thoughtful blog was inspired by my Lady who asked,
“You bought what!?”

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book promotion, Uncategorized, Writers Co-op

Welcome to The Rabbit Hole!

The Anthology cover has been revealed and here it is.

This cover has been designed to stand out on a screen. It is unlike traditional book covers that are viewed by the light that bounces off of them. This one has been designed as a true electronic cover that is viewed in the glow of light coming through the image. The Rabbit Hole cover will pop out on web pages that list books for sale.

This stand-out image was created by cover artist – and author and musician – Ian C. Bristow. His works can be viewed, read and listened to, here:

https://www.DeviantArt.com/brokeman29
http://IancBristow.com/
https://SoundCloud.com/anristow

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About Writers, inspiration, Uncategorized, Writers Co-op

The Gift of Writing

Guest Blogger
Brandon Richards

Recently, I was reminded that the ability to write well is a gift to be used and nurtured as if it were a seed. This reminder sent my thoughts into a time machine of sorts and I reminisced on my greatest pleasures and accomplishments as a child. They include memories such as: reading every book I could get my hands on like the dictionary, books on Latin (the unspoken language) novels, articles, etc. I scored perfect marks on English standardized tests, wrote papers at the last minute with ease (even if it wasn’t my best work, it was still the best that my teachers and professors had seen.) I was reading on a college level in middle school and excelled in every AP English course. The list could go on and on. Since you are reading this, I am certain that you have had a very similar experience.

For the majority of my life I did not consider writing to be a gift. I just assumed that everyone could write well. After all, most people were taught (insert your native language) in school. There were already millions of blogs, books, and articles in circulation. As far as I was concerned, anyone could write, so how could this be a gift? That’s when the providence of thought kicked in. I realized that my initial conclusion was absolutely correct. Everyone “can” write, but most cannot write well. Therein lies the gift! Anyone can play basketball, solve a math problem, drive a car, or sing a tune. Can they do it well though? Are they gifted?

Food for thought: If the pen is mightier than the sword, then how mighty must the keyboard be?

Writing is both an art and a science. As a writer, we are taking intangible thoughts and translating them into something that can be understood by others (potentially millions/billions). This is powerful beyond measure!

There is almost no area in our society that writing doesn’t play a pivotal role. It is the words of a writer that a President reads when giving some of histories most powerful speeches. Books like The Art of War, Republic, I’Ching, The Wealth of Nations, Communist Manifesto, The Bible, Etc. would not be possible without gifted writers. Television, Movies, and Music are all the finished products of writers. Gifted writers can move millions of people to love or hate, start war or pursue peace, build or destroy. This gift is more than a gift. It is a responsibility. Writers create, influence, and dictate history. We are the gatekeepers of the soul, the translators of the unseen.

Use this gift. Nurture your talent. AND WRITE LIKE HELL.
Go change the world.

“If not us then who? If not now, then when?”
– JFK

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Uncategorized, Welcome, world-building, Writers Co-op, writing technique

Epistemology for Writers

 

I know, epistemology is the arcane study of knowledge. Epistemologists theorize how we know the difference between what is a justified belief and what is just opinion. And, I realize it originated way back before we mutually decided (against all reason) that everyone’s belief and opinion is equally valid. It is an old way of looking at what we know.

But, fiction writers have to know that, don’t we? Don’t we have to make our readers’ believe our story? People have been studying knowledge for so long that there are now many types of epistemology, but, luckily for us, three types suffice. To be believable, no element of our story can be obviously wrong, the story can’t contradict itself, and all the elements have to fit into the story -they have to “work.” Understanding these three basics makes our job easier.

Foundationalism: or, recognizing that all knowledge is based on accepted facts. Don’t write, “He leveled his semi-automatic rifle and held the trigger back until the clip was empty.” You’ll lose ex-soldiers, gun owners and anyone else who knows that you have to pull the trigger every time you fire a semi-auto.
Pro: Foundationalism is extremely precise. It draws a clear line between what is knowledge and what isn’t. As long as the facts are true and the logic is sound, we can be 100% sure of our reader’s acceptance.
Con: You have to be sure of your facts! If just one is false, then your reader may doubt more of the story.

Coherentism: Avoid contradictions. Don’t have your character “enter a triangular storage area” and then proceed to describe the contents of four corners. Actions are true so long as they are not self-contradictory.
Pro: Coherentism is flexible. It isn’t based on facts. It is the consistent logic of your creativity.
Con: Mere coherentism can fool you into too quickly believing your own “facts.” For example, you can write that unicorns are real and they live on Mars. This is not a self-contradiction. But it is a ridiculous claim unless other story elements strongly support it.

Pragmatism: If it works, it’s true. If your story elements work well for the purpose of your story, the reader will likely accept them. Otherwise, “Nope, that doesn’t make sense.”
Pro: Pragmatism avoids the problems of both foundationalism and coherentism. Pragmatists realize that human beings have limits and that our knowledge is always changing.
Con: It is hard to define “what works.” For example, the Greeks had many incorrect ideas about how the universe works, which we have since disproven. But the ideas were believed at the time, so they worked for then, but now, they are wrong. That’s pragmatism.

All of which is to justify saying that for your story to be believable, you have to know your facts, avoid contradictions and understand your readers’ beliefs.

Source: http://philosophyterms.com/epistemology/

Personally, I find Calvin’s approach appealing:

epist1

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Legal, Uncategorized, Writers Co-op

The Author’s Lawyer

Lawyers, like doctors, are best avoided in their professional capacity but sometimes, even purveyors of the immortal word benefit from specific legal advice. If you think you might need it,  remember that the initial consultation is usually free of any cost or commitment on your part.

Do I Really Need a Literary Attorney?
Yes, I would say, anytime the potential rewards are high, you may want someone on your side who understands how best to protect your interests. Here’s Arielle Ford’s brief explanation in the Huffington Post:
https://www.huffingtonpost.com/arielle-ford/do-i-really-need-a-litera_b_927120.html

5 Top Legal Issues for Authors and Self-Publishers.
legalSara Hawkins points out some reasons why today’s authors do seek legal advice, including the current buggery-boo of “What if it’s your work that’s taken?”
https://www.thebookdesigner.com/2013/03/5-top-legal-issues/

FAQs: Working With A Literary Lawyer.
OKAY, just what is a literary lawyer? This short article by Laura Resnick covers “what, why & how do I find one.” Something to be aware of, just in case, someday, you want to Google it.
http://www.lauraresnick.com/writers-resources/faqs-working-with-a-literary-lawyer/

YaY!
Think positive. You just landed a movie contract for your book! Now, you do want an attorney, a literary attorney, someone who has the expertise and experience to protect you and to help you to get the most from this lifetime deal. How do you find one? Why, at Lawyers.com, of course.
https://www.lawyers.com/

A little knowledge about literary attorneys is worth filing away. Tuck it right next to the possibility that one day, your writing will be worth more than any attorney costs 🙂

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