blogging, book promotion, marketing, Uncategorized

I Don’t Know Nuttin’

A writer’s confession

by Mike Van Horn

I don’t know what genre my stories fit into. Yeah, it’s science fiction. Not hard sci-fi, since my heroine flies off to other stars. I know what it’s not. Not dreary dystopian, not vicious alien invaders, not far fuzzy future. 

But what IS my genre? Maybe friendly first contact with personal journey? But try to find that in the Amazon categories. 

Someone called my stories space opera. But there’s not even a fat lady to sing at the end. 

I also don’t know who my target readers are. As I see it, my target readers are people who like my stories. But who are they? How do we even find out? It’s not like I’m writing romance or YA or steampunk or zombies, which all have definable audiences. 

When I look at my Amazon reviews, they seem quite diverse: women and men, American and European. Amazon gives us no info on who buys our books. I’d love to interview my readers to see who they are.

I don’t know what the market is demanding. All the gurus say, scan the other books in your genre and see what’s selling the most, then write that. Ugh. First of all, there are so many sci fi books out there that I think are just terrible, or full of clichés. Of no interest to me at all. 

Secondly, I don’t see many others that are “friendly first contact.” When one woman learned I was writing about friendly aliens who came as tourists and traders, she said, “That’s unusual.” I responded, “That’s why I’m writing it.” 

Thirdly, I write what turns me on. For a long time I’ve been annoyed by the hostile alien invasion trope, and I wanted to write something different. I did no market research on the demand for this topic.

I don’t plan out my stories ahead of time. What I’m writing now started out as a short story, then it metastasized into a trilogy. And now I’m writing Book 4 of the trilogy. And in Book 4, I have no idea what’s going to happen to my heroine at the end. I’m waiting for her to tell me. 

I don’t spend all my time reading other people’s stories, as gurus insist we should. Where would I get the time to do that? Most of my reading is non-fiction. And the novels I’m drawn to are often from years ago. 

I don’t know where my story came from. Interviewers ask, “Where’d you get the idea for your book?” My answer, “I don’t remember.” “Well, how come you have a woman as your MC?” “I dunno. She just popped up in my mind, like my anima or muse.”

I’m doing all these things wrong. I don’t know whether I even count as a real writer. 

But I’m having a great time doing it! 

Mike’s trilogy includes Aliens Crashed in My Back Yard, My Spaceship Calls Out to Me, Space Girl Yearning, and Alien Invasion: There Goes the Neighborhood.
GalaxyTallTales.com

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About Writers, blogging, Research

Pushing the Sci Envelope

Science fiction authors used to push the envelope of knowledge. Rocket ships dropped out of space to land on their tails. GORT, the robot, walked among us in The Day the Earth Stood Still. Arthur C. Clarke submitted a manuscript to Wireless World magazine proposing global communication through geostationary satellites in 1945. These concepts are major industries, today, of course. In fact, today’s science seems to have sprinted ahead of fiction.

I stumbled upon an article about “working memory.” That’s cognitive scientists’ speak for how many potentially conflicting bits of information we can hold in out head. If a point requires more working memory than I have, I just won’t “get it.” Take the example of face masks during a pandemic. There is conflicting information in the media about the usefulness of face masks. The article correlated working memory with face mask use and found that people with less working memory tended to not wear masks. When it comes to complex situations, not everyone “gets it.”

The working memory article gave me a simple idea for a story, that the world is becoming more complex and as it does so, more and more people just won’t “get it.” What happens, I wondered, when the world reaches a point where not enough people understand the complexity of it to keep it running? Does it all break down? Chaos? Lost in my own thoughts, I Googled “complexity and chaos.” And, whoops! I stepped in it.

Turns out, there is a body of scientific study called “complexity science.” Most of it is baffling mathematics. I’m a writer, not a mathematician. But I write hard science fiction, so I have to get the science right and present it in a way to make the fiction entertaining. Luckily, I found A simple guide to chaos and complexity. It’s a scholarly paper written in (mostly) plain English for the health services and I have (some) background in medical care. I now have an inkling of how little I know.

Maybe we should stick to writing stories about things we know? A simple idea is turning into a year or more of research and writing. I used to approach science through fiction and now, I have to approach fiction through science? But enough complaining. Curiosity is addictive. What if people really are limited in how complex a life they can handle? What if our civilization does continue becoming more complex? Will chaos result? What-if is how sci-fi pushes the envelope of knowledge.

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blogging, book promotion, marketing, Uncategorized, Writers Co-op

ATTN: Gamers, Writers & Editors

Video games have been around since the early 1990s when we played them over long distance phone lines. Gamers have been forging relationships for 30 years now, and we want to tell some of their stories.

You may have a story or two to tell, about yourself, your friends, or even your marriage, that could only have happened because of online gaming. We’d like to hear it. And so, we believe, would a lot of other people.

We are publishing an anthology of stories by gamers. No fan fiction. Just real stories about real people.

You can note your story in the comments below, or on our Facebook group Stories by Gamers for Gamers at
https://www.facebook.com/groups/932185130543024
or email it to GD<at>Deckard<dot>one.
Don’t worry if you’re not a writer, just say what happened, when, in what game. And if you are a writer or editor, maybe you can help us to ghost-write or edit the stories of others?

This is a brand new venture. So, if you’re interested join us. We’ll work out the details together. Help us to form a group of gamers, writers, and editors and create an anthology of our stories.

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About Writers, blogging, book promotion, book sales, marketing, Uncategorized, Welcome, Writers Co-op

Promote Yourself & Your Work on the Writers Co-op

Because some have asked, we are re-printing our first post, by Curtis Bausse, APRIL 26, 2016.

Here we are!

The first post. And to me has fallen the honour. Seriously, it is an honour. Firstly, because it’s a vote of trust from my fellow co-operators, secondly because this post is the first of a long, rich and innovative series (no point starting a blog otherwise, right?). As more posts come, this one will slip out of sight and mind, but it will always remain the first, the one in which the Writer’s Co-op became public. So thank you, Amber, Atthys, GD and Mimi for putting your trust in me.

Let me begin by explaining. The five of us ‘met’ on Book Country, a website where writers post their work for peer review and critiques. Though lately it’s become very sleepy, it’s not a bad site, and it has a discussion board where I’ve found many a useful piece of advice. And some time ago a thread was started by GD Deckard, in which he wrote the following: I’m thinking of a site that new writers can use to promote their books. How, exactly, depends on what the writers themselves want. Writers are creative people, so together we could come up with creative ways to help one another that we might not think of on our own. How would you like to see a Writers’ Co-op work?

Well, it took us a while, but here we are – The Writers’ Co-op. Five people who write in different genres but who all share a similar commitment to the craft and the graft of writing.

But why come together? What can this site do that a personal one can’t? Well, as GD says, for a project like this, many minds are better than one. And the method is in the title – cooperate. This is a site where we swap and share news, opinions and experiences about writing, from first paragraph to finished product and beyond. Especially beyond. Because who wants to write a book and then not promote it? That’s like a painter working for years on a picture, then turning it to the wall. So here in the Co-op we try things out, see what works and what doesn’t, and tell each other about it. And not just each other, obviously. We happen to be the five that started it off, but we don’t intend to stay whispering in our corner. The Co-op welcomes anyone who’s willing to invest a little time and effort into promoting books worth reading.

What can you expect to find here? Since there’s nothing new under the sun, I do admit the innovation bit could be a challenge, but we’ll try our best, I promise. There’ll be anecdotes and analysis, thoughtfulness and humour, awards and recommendations, opinions, rants and wackiness. We don’t expect to work miracles and we don’t take ourselves too seriously. But what we do take seriously is writing itself. Which means we’re also keen to help writers explore whatever path might lead somewhere interesting, and help readers find good writing. If that sounds like a programme you could tune in to, you’ve come to the right place. Drop us a line, tell us what you’re up to. Maybe we’ll end up travelling the path together. Whichever one it turns out to be.

Authors & Editors & AnyOne
at all in the Writing Life are invited to
Promote Yourself & Your Work at
The Writers Co-op.
Email
GD<at>Deckard<dot><one>

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About Writers, blogging, book promotion, book sales, inspiration, marketing, Uncategorized, Welcome, Writers Co-op

Marketing and Promotion—Musings, Madness, and Misgivings

Marketing and Promotion—Musings, Madness, and Misgivings 

In anticipation of an upcoming book release in August, I’ve been thinking more about marketing and promotion. I do not want to repeat past experiences where time and money have been largely wasted in some deep abyss. Of course, I would like to get the best ROI on the time and money expended (this second category has a very modest budget). As opposed to past book marketing and promotional efforts, this time I am working with a mid-press publisher that actually is devoting resources into marketing. I don’t want to duplicate their efforts, but our combined efforts will hopefully achieve some success. I have no misconceptions that this is their sole responsibility. In fact, I think more of the effort needs to come from me. What then is the best way to proceed?

Prompted by an exchange with GD, I am going to list and comment upon a broad array of different tactics and strategies that I am aware of. Some are familiar in so far as I have gone down those roads before. Others are new attempts I plan to try as a way to increase book sales. This is the primary result I want to achieve with these marketing and promotional efforts. I understand that there are secondary goals such as networking, name recognition, media opportunities, film options (one can dream), but the primary focus remains as increasing sales.

Some of the things I list are only pertinent to a new release. I’m sure the list is incomplete. I will not shy away from giving biased opinions on some of the techniques and strategies. As an example, I am generally opposed to steeply discounting books to provoke sales; although, I see a limited role for that particular strategy when doing so as a “loss leader” to hook readers into a series. I’m sure things that have worked for others that I have not found to be helpful are worth considering. I will add that compiling this list only reinforces the morass that many of us are trying to wade through.

Here goes:

  1. Friends and family: an effective approach but the ceiling is low.
  2. Author email list: not a personal fan as I think it requires some effort to maintain and I think the usefulness in generating sales is limited. I do understand some authors will cross promote with each other using these lists. My personal list is small and I make no effort to build a fan base this way. I do have an author FB page (more on that later) and I think that’s my preferred venue to build and maintain a fan base.
  3. Press release: I’m letting my publisher handle this and I’ll blast it out on my modest social media network. Can be used to outreach to local press, radio stations, etc. but I’m not sure how effective that is.
  4. Speaking and presentations: Can be effective. May require some extra effort. Best if you can have a themed talk that somehow relates to your book. For example, chakras and charkra openings are an important element in my story, so speaking about this topic is a way to have a themed talk to provoke some book sales.
  5. Endorsements and blurbs: Great if you can get them especially from well-known authors writing in the same genre that your book is in. Does anyone have a direct line to Dan Brown (not just any person who happens to have that name, I’m talking about the author of The Da Vinci Code)? Please hook me up as this release is a suspense novel that involves secret societies. LOL!
  6. Contests: I think these can be helpful if you win an award and can leverage that into more sales. There are a lot of “fluff” contests out there and many readers cannot distinguish what is effectively a scam contest to prey on authors and what is a legitimate competition with qualified judges. I myself plan to apply for four such award competitions and am willing to devote some of my budget to try and obtain recognition with an award. If anyone is interested, I’ll be happy to share the specific contests and why I have selected them. My publisher may submit to other competitions. Some of the best awards require that your book be nominated. I’m not holding my breath for that.
  7. Goodreads: This has always struck me as a black hole of sorts. I think that authors who are active and “good citizens” of Goodreads groups can leverage that into sales. I am not in that category.
  8. Social Media: This is a big topic so I’m going to break it down. I’ll also cover ads on social media separately.
    • Twitter: I am reasonably active here, but I don’t think it results in many or any book sales. Occasionally some opportunity comes up with a follower, for example an invitation to do an interview.
    • FB: This is where I am personally active not only with posting on my own author site, but also cross promoting with my podcast FB page and other writing related sites. Impact on book sales is hard to judge. Whether or not to have a new FB page devoted solely to this new title is something I am debating. I am more in favor of author branding and not a single title and I really want the traffic and marketing efforts to be on my author page platform.
    • LinkedIn: I use this sparingly to post new content such as podcasts and will make announcements about the book release, share a press release, and that sort of thing.
    • YouTube: I have my own YouTube channel where I post podcast episodes, book trailers, and other content. I find it useful to use the YouTube content on my other social media platforms and I know this has been helpful in driving some sales.
    • I’m not using Instagram, Bookstagram, TikTok, Pinterest, Reddit , or other social media platforms. They may be effective but I haven’t explored and feel I am not inclined to try and go down another rabbit hole.
    • Influencers: If you can hook up with or somehow get picked up by someone with a big following, and have them promote your book for you, that’s probably a great strategy to use.
  9. Paid advertising: Again, let me break this down.
    • FB have used including targeting the right demographic. Waste of money in my opinion but other authors have had success.
    • AMS (Amazon Marketing Services). I’ve had more success with this than FB but not enough to set up and tweak ongoing ad campaigns.
    • Twitter promotions: way over-saturated and not worth the money
    • YouTube: I’ve had some limited success. The ads run through Google and are targeted. I think a well-produced book trailer can generate sales.
    • Promotions run through others. Here I am talking about things like BookBub, Fussy Librarian, etc. Unless you are willing to discount, I don’t think this is effective. I have used a number of different services (never managed to be accepted by BookBub), but I won’t be spending my limited budget this way. A big number of .99 sales has some merit, but coordinating this and getting agreement from my publisher is nightmarish without monetary return.
    • Print advertising. It’s expensive and difficult to track results.
  10. Book reviews: Here I distinguish between reader reviews, paid reviews, and other outlets.
    • The more reader reviews the better up to a threshold, especially if they continue to come in a steady stream following release and especially if they are verified purchase reviews. The number, rate, and whether or not it comes from a purchaser affect the Amazon algorithm that affects your ranking. I am personally trying to get 10 people to commit to a pre-order of the book and a review in the first week of publication (I provide an ARC so they don’t have to rush to read as soon as the book comes out). There is a narrow window to generate hype following a book’s release so if you can line up some preorders and early reviews you get a jump start. [If anyone wants to be in this early group, please email me at victoracquista@victoracquista.com] Continuing to solicit reviews I believe is an important strategy. There are reviewers but in my experience there is a big gap in requesting a review and getting one. I do have access to information (via Where Writers Win https://writerswin.com/ through membership in their Winners Circle) that gives a listing of reviewers by genre and ranking by site traffic. I should also mention that winning  a legitimate award may give an advantage to getting a review.
    • Paid reviews from entities such as Kirkus are expensive but they have distribution to get eyes on your book from ancillary places like magazines, film executives, etc. Ten percent of Kirkus reviews are starred and getting that designation could open some doors. I’m hoping my publisher fronts this cost. It’s also much easier to get into libraries if you have a Kirkus review. I’m not a fan of other paid reviews but I think they can generate exposure and if they are from a credible site, they might provoke some sales.
    • There are other review outlets including magazines, trade journals, newspapers, Publishers Weekly, and who knows what else. I’m relying on my publisher to make these connections.
  1. Launch party: Not a fan
  2. Launch event: If you have a low-cost venue, are budgeted to provide some food, and believe you can get sufficient people, then why not? Book stores are potentially a place to host at no cost.
  3. Prize giveaways: Can be done on your own or in concert with other authors. I did this with my sci-fi novel and found the ROI to be negative.
  4. Personal author website: I have one and will update accordingly. I’m not sure if it drives any sales. Same is true for Amazon author page.
  5. Bookmarks: Low cost and useful to hand out at conferences and other events.
  6. Publicity company: Hiring a PR firm is expensive and putting together a formal campaign is a big undertaking. I’ve done this previously but do not plan to do so again.
  7. Media exposure e.g. TV, radio, podcasts: Potentially useful with the cost being time. Eventual sales depend in part on what audience is viewing/listening to the show.
  8. Book signings, bookstores, events such as trade shows: There are potential costs involved for some of these related to entry fees, vendor space, a booth with banners, business cards, etc. On top of this there may be travel costs, meals and lodging, the aggravation of set up and take down. I think the ROI is more in the category of networking and less so in book sales. I am committed to doing some of this. There are true benefits to having a relationship with a bookstore, particularly one that goes to these trade shows. Then you can attend and have a book signing without actually being a vendor.
  9. Professional organization: I think there are benefits to being part of a writing organization where you interact with colleagues, support one another, attend sponsored workshops, etc. I am a member of the Mystery Writers of America and we have a terrific chapter in Florida. I think promoting one another’s work is one of the benefits of membership.
  10. Celebrity outreach: great if you can get exposure through a celebrity. Celebrity book club selection (think Oprah, Reese Witherspoon) would be huge.
  11. Bloggers: Could be effective. Fortunately, my publisher has a network of bloggers that promote the titles. I’ll probably do some outreach on my own but sifting through the wheat from the chaff seems to me to be a difficult task.
  12. Virtual blog tour: I’ve heard mixed things. Not currently part of my marketing plan. There are companies that will set these up for a fee.
  13. Book clubs: This is something I am currently investigating. How to reach out effectively? I think this has the potential to drive up sales.
  14. Libraries: Fortunately, my publisher has a lot of experience in getting books into libraries.
  15. Advanced reader copies (ARCs): Again, this is something my publisher is very proactive with. They participate with NetGalley and LibraryThing. I know of a recent release that had over 90 very favorable NetGalley reviews before it was even published. Authors can get their books into NetGalley but it’s expensive. Creating a buzz and generating hype seems to me to be an important element in driving book sales. I am fortunate that my publisher has these connections.
  16. Book trailer: I’ve made my own and paid to have one produced for a previous novel. I plan to pay for a professional quality trailer and use it on social media, my website, Amazon author page, YouTube channel and ads. I’m hoping there is a ROI but recognize that might not be the case.
  17. Podcasts: I saved this to present near the end of my list because it seems to me to be a somewhat novel approach. Here I am not talking about appearing as a guest on a podcast show to be interviewed and talk about your book. I started a podcast series, Podfobler Productions, where I narrate my own and other authors’ works. I produce YouTube videos of the shows and use them in my social media posts, FB page for the show, and ad campaigns. For profiling guest authors, I only ask that they distribute the show to their network and when I eventually produce a show about my new book, they agree to distribute that show. Here I am trying to build a fan base and also use the networking power of fellow authors. Will it help to drive sales? I don’t know but it is part of my overall marketing strategy. I just wrapped up season 1 with twenty assorted shows two of which featured co-op members (GD- episode 11 and Curtis-episode 15). Here’s the season one playlist in case anyone is interested: https://www.youtube.com/playlist?list=PLpfls08qGbIsHnbp-2-C9r5I8fK8kw24j Incidentally, in case anyone wants to have their work narrated, drop me an email (address in #10 above). I’m currently working on a production schedule for season two.
  18. Fingers crossed for good luck: Napoleon said something to the effect of, “I would rather have lucky generals than good generals.” I know wishes won’t wash dishes, but I do think there is an element of luck that goes into this abyss of marketing and promotion.

Edison said, “1% inspiration and 99% perspiration.” I’m working this hard and may need to get crowdfunding for deodorant considering how much sweat equity I’m devoting to this. I don’t think success comes without effort unless your stars align in some magical way.

This is a very lengthy dive into a murky territory, a swamp and quagmire full of traps that can swallow you up. I’m sure I missed some categories beyond what I have listed. Comments, insights, disagreements, and commiseration are invited and welcomed. Wish me luck as I get ready to take the plunge.

 

 

 

 

 

 

 

 

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About Writers, blogging, inspiration, Uncategorized, Welcome, Writers Co-op

Social Media Distancing

– by Sara M. Zerig

As you’ve heard, the world is on lockdown for something called COVID-19. As a result, some of us have more time on our hands to contemplate the unprecedented (in our lifetimes, anyway) social distancing orders. Others, like first responders and the medical and grocer communities, have less time for this. But never fear, everyone has time for social media.

Early in the melee, a friend of mine posted a brief but thoughtful article to her Facebook page about how this could be our worst hour or our finest, and how we conduct ourselves will be the determining factor. The piece went on to list suggestions on how to do this. I “liked” the article because I thought it was a beautiful sentiment.

Later that day, I scrolled through a battlefield of comments on my friend’s post. Why don’t we do all these things during flu season? … Please educate yourself on the differences between Corona and the flu … Fact check, please! [link] … Yes, fact check! [link] [link] [link] You get the idea. Suffice it to say, the point of the article my friend had posted was lost.

I get it. We all have our opinions, and we have the right to express them. Some of us have unpopular opinions and at times become overly passionate about them. Do NOT get me started on bicyclists who fail to follow the rules of the road among cars. It isn’t pretty. Social media allows for an easy and engaging way to spark spirited debates, and the internet provides debaters a wealth of sources to support each side. I usually find it entertaining. Lately, though, not so much.

It seems every time I log on, someone is telling me how I should think or feel about all things Corona, and shame is the theme. Shame on you, if you are gullible enough to believe social distancing is the appropriate response; shame on you, if you are so arrogant that you don’t. Shame on you, if you are so ungrateful that you are are daunted by having to homeschool your children – you get to be with them, while essential employees don’t. Shame on you, if you aren’t on a ventilator and have the gall to fear for the economy. And for that matter, shame on you if you don’t fear for the economy, you elitist snob. We’re not all independently wealthy, you know.

I don’t know why I find this so different from political posts. Those are also aimed at dividing people through ridicule of different perspectives. Maybe it’s because political debates have been the norm as long as I can remember, while social distancing is uncomfortably new. Or maybe my friend’s early post landed too well with me. Turning on each other at a time like this feels like an embarrassment to the human race. In the immortal words of Taylor Swift: I would very much like to be excluded from this narrative.

Good news! I can practice social-media-distancing and spend that energy on more creative activities. And I’m gonna do it. Just as soon as I post this blog. Shakespeare is said to have likely written King Lear from quarantine (don’t challenge me – I will find three questionable sources for every one you send me saying he didn’t). No, I am not suggesting that my romance-in-fantasy-settings books equate to Shakespeare, but I can provide an escape for people who enjoy that genre. This seems like a more positive way to spend my time than scrolling through COVID posts.

This is not a blog telling you to quit social media and create. It’s just a thought. An idea. An update on what’s going on over here, from one quarantined writer to others who have my virtual support and online respect. As my twelve-year-old daughter says too frequently: You do you, boo. Imma do me.

Friendly wave from at least six feet away,

Sara

Sara M. Zerig is author of the contemporary fantasy-romance AoX Series. “Unearthed” now available in eBook format on Amazon for Kindle (and Kindle app), Apple iBooks, and Barnes & Noble for Nook (and Nook app).
View more posts: https://saramzerig.wordpress.com/

Photo by Thought Catalog, http://www.upslash.com

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blogging, book promotion, Publisher's Advice, publishing, Uncategorized, Writers Co-op

How to Publish a Quality Anthology… and Survive!

– by DW Brownlaw and PC Darkcliff

The cast of characters: P.C Darkcliff and DW Brownlaw, Indy writers and critique partners since 2018 – plus forty six other Indy Writer friends.

DWB: In April 2019, PC suggested the idea of publishing a collection of stories written by us and some of our writing community friends as a good way for us to ‘get our names out there’. We finally got DRAGON BONE SOUP published in mid-December. These reminiscences of what happened in between shows what we got right, what we got wrong, and what we learned from publishing arguably the best quality anthology of fantasy and light sci-fi stories.

PCD: In summary, the process involved the following steps:

> Setting up a group on Facebook.
> Coming up with rules and deadlines.
> Accepting stories and dealing with authors.
> Choosing the best stories and announcing the winners.
> Editing the stories.
> Doing author interviews to post on social media and at the back of the book.
> Formatting and publishing the anthology.

DWB: We found we had complementary strengths apart from being good editors. I was prepared to deal with administration, finance and design, while PC had the recognised name, contacts and experience with book formatting and publishing.

PCD: We started a Facebook group and invited a few friends. The idea was a small, selective group of about sixteen writers, with each contributing one story. But as the group was initially open, our friends invited their friends, who invited their friends… and overnight, the group had fifty members, all asking questions for which, at that time, we had no answers.

DWB: Rather than turn people away, we decided to invite submissions from the fifty and run a selection process. It took us weeks (mainly due to other commitments) to agree how to do that and get started. We spent the whole of July reading & discussing 30 submitted stories and whittling them down to the required 16. (To show you how fair this process was, I rejected my own story!)

PCD: Although we braced ourselves for a backlash from those who hadn’t made the cut, there have been no hard feelings or grudges. Thank you all for being so professional!

DWB: PC and I talked about what to do with the revenues from sales and neither of us felt comfortable about making money off our friends’ efforts. We agreed paying our authors would be a powerful incentive to attract the very best writing, but deciding how we would pay them wasn’t so easy. The ‘obvious’ solution was to pay them a share of the royalties, but we abandoned this when we realised we would have to administer the share-out for many years to come.

DWB: We opted for an up-front token payment… which reminds me of my biggest–and most expensive–mistake. I was advising a member of our Facebook group when I accidentally quoted the payment offered by top magazines, double the token amount that we’d previously promised. While it delighted our members, it certainly means I will never get my money back. Luckily, I never saw this as a money-making exercise.

PCD: Since each story had a title, byline, editor’s intro, and an author bio, formatting the anthology was a nightmare. What made it even more difficult was that each contributor sent their stories in different fonts and with different spacing and margins. Some of them even used tabs, which I had to remove manually. It made me understand why many professional editors impose very strict formatting rules on their contributors.

DWB: Surprisingly, one of the longest tasks concerned the cover art. We first tried asking for art submissions, but we slipped up in not specifying that we were looking for original work. Consequently, we got about 6 submissions (all from the same person) that we found existed elsewhere on the web, some being used for multiple books. Eventually, we opted to design our own cover and pay an artist to realise it. Andjela Vujić, PCD’s usual artist, liked our concept and I sent her a mock-up made from stock images slapped together in an art package. What we got back from her was breathtaking. Of course we wanted changes, but she was very obliging.

DWB: With all these delays, we finally published DRAGON BONE SOUP in mid December 2019, which was too late for catching the peak of the Christmas market. Despite this, we sold more copies than we anticipated and gained some five star reviews. We think the book will continue to sell modestly for years to come.

PCD: During the eight or so months of working on the anthology, I often wanted to kick myself for getting it started. But now when we’re done, all regrets have disappeared and I feel proud and happy.

DWB: They say you learn more by trying and making mistakes, and consequently we learned so much!

> To produce a quality anthology takes professionalism and planning. We just dove in and muddled through.
> Making & correcting mistakes is an effective way to learn anything, but the project took far longer as a consequence.
> Numbers count. Don’t expect to make money from any anthology, collection, magazine or journal until (a) you have a recognised name as a publisher, and (b) you have several on sale. Luckily, making money was never our intention, or that could have caused problems between us.
> Get involved deeply with the design of the cover; don’t leave it entirely to the artist. The cover is both the branding of your book and the first point of attracting your readers, so its design is critical. Most artists are happy to discuss your vision for the cover and give you exactly what you want. If you come across one who gives you the ‘hard sell’ (we had one), just walk away.

About Dragon Bone Soup:
Sixteen fantasy and light science fiction stories. The best indie writing talents from three continents invite you to peer into the dystopian future and enter their worlds of dragons, witches, spirits, elves, trolls, and magicians.The contributors are: Carmen Baca, Brandy Bonifas, David Bowmore, Steve Carr, P.C. Darkcliff, R.A. Goli, Shawn Klimek, Mark Kodama, Giuseppina Marino Leyland, Zhen Liu, Lynne Phillips, Sam M. Phillips, Daniel Craig Roche, Copper Rose, L.T. Waterson, and G. Allen Wilbanks.

Order your copy online here.
https://www.amazon.co.uk/Dragon-Bone-Soup-showcase-international/dp/1673703976

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About Writers, blogging, inspiration, Uncategorized, Writers Co-op

A Year In Review

 – by Adam Stump

Looking back over 2019, it was a pretty successful year for me, as a writer. I had eight pieces of fiction published and edited several works, including an anthology that spent a month as the #1 bestselling anthology on Kindle (I wasn’t the sole editor, or even head editor on that project, though). 

However, when 2019 was chugging along, it certainly didn’t seem very productive. Eight published pieces doesn’t even equal one per month, which means that there were far more rejection letters than acceptance letters. To add insult to injury, my family of six spent 18 weeks and 3 days (but who’s counting?) homeless because our previous house was filled with toxic mold and chemicals. In the first two months of 2019, my family lost our health and nearly all of our possessions due to contamination. We literally lived out of a garbage bag suitcase that contained two outfits each.

But we got through it. We received a lot of support and encouragement from a handful of very good, very true friends. We were able to stay in two rooms of a home that belonged to people who started 2019 as acquaintances but ended 2019 as family. We were able to put a down payment on a safe house that was free of mold and other toxins. I was able to remodel said house (some projects still aren’t completed–just ask my wife), and we were able to move in and start replacing some lost possessions (we still don’t have dressers and lamps or bookcases in most rooms, but that’s ok).

Through all of this, I carried my laptop with me and faithfully clicked away at the keyboard, sometimes at 2AM while my family slept. I definitely produced more than a dozen stories during 2019. Some of those are some of my best (in my opinion), but all have a different feel to them than the stories I wrote in 2018 or even the ones I’ve written so far in 2020. They’re raw, gritty, dark, and often pessimistic. They’re not a reflection of who I was in 2019. In fact, I would say that, through everything, I was pretty optimistic and hopeful in 2019. I had to be for my family. However, those stories allowed an outlet for the terror, anger, and frustration that I felt so that my family didn’t have to experience it.

Looking back at that time, I can honestly say that it was not just productive, but therapeutic. I would never want to relive 2019, but I’m glad that I lived it once and that I made it through. In hindsight, it was just as bad as it seemed while living through it, but it produced a phenomenal amount of personal growth.

Perhaps you’re going through a difficult time or a dry spell. Maybe you’ve experienced staggering loss. I would encourage you: don’t give up. Don’t stop writing. Don’t stop living, even if you feel like you’re dying. If you bottle everything up, you probably won’t make it–I know that I wouldn’t have made it. Let it out. Hammer away at the keyboard. It’s cathartic. Not only that, your writing will produce a psychological journal of your life’s journey that, on the other side, will produce a cohesive whole.

In retrospect, 2019 was like living through the testing of purgatory, but the benefit of going through purgatory is that it purifies you for heaven. I’m a stronger person and, I believe, a stronger writer because of 2019. I hope that my readers will feel the same way and be encouraged to keep writing their stories. On the other side, I think that they’ll be glad that they did.

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About Writers, blogging, inspiration, Research, Uncategorized, writing technique

On Falling in the Name of Research

by George Salis 

The act of writing a novel elicits a series of revelations punctuated by epiphanies. I will share with you two major eureka moments that occurred during the writing of my debut novel Sea Above, Sun Below.

Connected to the myth of Icarus and other vertiginous tales of yore, my novel features a group of skydivers who fall, metaphorically and literally. I’m afraid of heights but I felt like I needed to skydive in the name of research for my novel. As it happens, I loved the surreal experience so much I would do it again. Strapped to my instructor, we waddled to the plane’s open door, and he stood on the edge while I dangled unfathomably high above the earth and with fear I reached out to grip the metal portal, but the instructor gently pried me from even that precarious perch, and then the insensate suck, the slip from everything into nothing, and I realized this was it, that I was truly falling, skydiving, and the wind felt as though the sky wanted to make my mouth and lungs home, palate-scouring, and the seconds were drawn out into a brief infinity, an eternal moment. From there, the world below struggled between a two-dimensional illusion and the reality of three.

Yet, for all that that’s worth, I was fairly surprised to discover, once my feet were on the ground and I was back at my writing desk, that my skydiving description was quite accurate before I had conducted my research and so I ended up adding only a single sentence afterward: “Up here, while the wind became a chorus of tragic furies, the sun detached from the sky, letting the earth revolve like an orrery.” This is one example in which I learned to trust my own instincts, my own imagination. Was skydiving worth the effort, the confronting of fear? Absolutely. Research still has many benefits and can be a delight in and of itself. I should add that while the experience of falling conformed quite uncannily with my predescription, as it were, I did add a plethora of details from my experience within the skydiving hangar, such as the almost anachronistic bowling balls littering the hangar floor which I learned are used to push out air from the parachutes while folding them back into their packs for the next fall. So, aside from personal development, research can give you all those minute details which enhance a fictional scene, but if you cannot afford to go to Japan, for example, then you should rest easy knowing that you have the power to evoke your own germane version of the country.

Also, do not underestimate academic research, which is often less expensive and no less simmering with potential details, for one’s picture of a place or person will always be incomplete and eventually all that’s left for you to do is continue writing.

Mentally juggling and tallying the oftentimes ambiguous constituents of a novel in one’s head, even with the aid of notes and miscellaneous marginalia, can cause a daunting dizziness. To lessen the vertigo, I offer this lesson: I learned that it’s much more manageable to write each chapter as a short story (with chronology being far from a priority). There are certain aspects the short story is known for, yet there is no reason such aspects should be exclusive to it: an ensorcelling first sentence; a strategic entrance into the very story of the story; a self-containment that can feel like a certain tightness, which is not to suggest that you should avoid digressions (they can be, as Ray Bradbury said in defiance of Shakespeare’s Polonius, the soul of wit); an immediacy of image or action or development; and it allows you to weave your novel as if it were a tapestry, depending on the type of novel you are writing. I’m enamored with stories within stories, stories besides stories, in the vein of The Thousand and One Nights or Cloud Atlas, so my novel contains around ten different threads which were written with the mentality, the focused lens, of the short story, connected thematically, genetically, and more. An additional benefit to this method/perspective is that while you work on your long project, you might be able to send out some pieces of it for potential publication. Before Sea Above, Sun Below recently came out as a whole through River Boat Books, I was able to publish ten pieces from it, and in a few cases I received edits on the stories which ultimately helped the final vision.

It is worth noting that you should rage against my advice as you see fit. By all means, do the opposite of what I say if it works for you. Or better yet, use your finger to write your novel in the fog on a mirror; spin around quickly ten times before you sit down for the day’s quota; whisper your sentences backward to yourself; write your dreams then dream what you wrote. Who truly knows what will help?

George Salis is the author of Sea Above, Sun Below (River Boat Books). His fiction is featured in The Dark, Black Dandy, Zizzle Literary Magazine, The Sunlight Press, Unreal Magazine, and elsewhere. His criticism has appeared in Isacoustic, Atticus Review, and The Tishman Review, and his science article on the mechanics of natural evil was featured in Skeptic. He is the editor of The Collidescope and is currently working on an encyclopedic novel titled Morphological Echoes. He has taught in Bulgaria, China, and Poland.

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About Writers, blogging, book reviews, Poetry, Uncategorized

Carl E. Reed’s review of Spectral Realms #11

Carl E. Reed has now published four poems in Spectral Realms (issues #10 and #11), with more poems scheduled to appear in issue #12. He has just published an exhaustive and picturesque review of Spectral Realms #11 on John O’Neil’s Black Gate website.

An earlier poem of Carl’s was published in The Iconoclast a decade ago.

Thanks, Carl, for suggesting that we post this link:
https://www.blackgate.com/2019/11/19/terror-existential-dread-and-surprised-laughter-a-review-of-spectral-realms-11/

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