Legal, Uncategorized, Writers Co-op

The Author’s Lawyer

Lawyers, like doctors, are best avoided in their professional capacity but sometimes, even purveyors of the immortal word benefit from specific legal advice. If you think you might need it,  remember that the initial consultation is usually free of any cost or commitment on your part.

Do I Really Need a Literary Attorney?
Yes, I would say, anytime the potential rewards are high, you may want someone on your side who understands how best to protect your interests. Here’s Arielle Ford’s brief explanation in the Huffington Post:
https://www.huffingtonpost.com/arielle-ford/do-i-really-need-a-litera_b_927120.html

5 Top Legal Issues for Authors and Self-Publishers.
legalSara Hawkins points out some reasons why today’s authors do seek legal advice, including the current buggery-boo of “What if it’s your work that’s taken?”
https://www.thebookdesigner.com/2013/03/5-top-legal-issues/

FAQs: Working With A Literary Lawyer.
OKAY, just what is a literary lawyer? This short article by Laura Resnick covers “what, why & how do I find one.” Something to be aware of, just in case, someday, you want to Google it.
http://www.lauraresnick.com/writers-resources/faqs-working-with-a-literary-lawyer/

YaY!
Think positive. You just landed a movie contract for your book! Now, you do want an attorney, a literary attorney, someone who has the expertise and experience to protect you and to help you to get the most from this lifetime deal. How do you find one? Why, at Lawyers.com, of course.
https://www.lawyers.com/

A little knowledge about literary attorneys is worth filing away. Tuck it right next to the possibility that one day, your writing will be worth more than any attorney costs 🙂

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editing, Uncategorized, Writers Co-op

A Word About Editing

By Curtis Bausse

Not my own work, other people’s. I could write reams about my own – the various drafts, the juggling with voice, the search for the right rhythm in each sentence. But that would be like telling you my dreams – only a matter of time before you’re asleep yourself. So this is about how I edit other people’s.

You may be wondering what gives me the right in any case. Well, more than a right it’s a duty, an obligation. I have two anthologies on the go, Second Taste, the third (and final) Book a Break anthology, and (with the invaluable help of Atthys Gage and GD Deckard) The Rabbit Hole, the first volume (of what we hope will be a long and successful series) of weird stories produced by The Writers’ Co-op. As all writers know, a text can only benefit from the critical regard of a reader intent on helping it reach its full potential. To launch an anthology without editing the submissions would be remiss at the least. Closer, in fact, to irresponsible.

I’m not a professional editor, but I do have some credentials in the world of academia, where I peer-reviewed submissions to a number of journals in Applied Linguistics and Cognitive Psychology. I also submitted articles to similar journals myself. It’s not something I recommend if your ego is fragile. The articles are regularly savaged like a ferret set upon by a Staffordshire bull terrier. That’s when they’re accepted. Otherwise it’s a summary ‘Thanks, but no thanks.’

I eventually got used to it. But I took away a couple of lessons for use when reviewing myself. The first, more obvious one was to be meticulous, hunt down the slightest weakness of logic, unsupported argument or methodological flaw. The second was to be respectful, less bull terrier than Labrador. (I’m not an expert on the cognitive psychology of dogs, but I see Labradors as firm and rigorous, yet positive and constructive.)

Clearly, a research paper is not the same as a short story. But when I edit, I try to bring those two qualities to the task. Regarding the first, every editor has their own prism, a particular way they like to see things expressed. It’s a fine line between respecting a writer’s voice (which is essential) and accepting an awkward wording or a clumsiness. My own fixation is concision, by which I mean the elimination of any unnecessary word. When I read my own writing I ask myself if every word in the sentence contributes something to the overall effect or purpose. Redundancies get deleted without mercy.

So when they received my comments, a number of contributors to the anthologies may have thought, ‘Wow, this guy’s a nutter!’ My apologies if that’s the case. But faithful to my second principle of constructiveness, I always strive to keep in view what the writer is trying to achieve, and make suggestions to that end. Perhaps I’ve been lucky to deal with writers who are understanding and courteous, but so far the replies I’ve received have been almost all appreciative.

There may on occasion be tension between the two principles of rigour and respect. What happens if the story needs a radical overhaul? You might think that in that case it wouldn’t be accepted, but often I see potential in a storyline which could be brought out if the writing was stronger. On those occasions I won’t hesitate to send back a text that I have in places rewritten, with a comment explaining why. The writer can of course refuse the alterations, but again, the replies I get have so far always been positive.

At the end of the day, it’s like many other types of negotiation: sensitivity, subjectivity, attitudes and egos are involved. When writers defend their position with cogent arguments, it means they’ve thought about what they’re doing and come up with what they see as the best way of doing it. In that case I’ll generally defer, even if my own point of view is different. In fiction, voice and intention count for more than in scientific research, meaning there’s more room for flexibility. In both cases, though, editor and writer have a common purpose: the publication of a piece that’s as good as it can get. Which is why, on the whole, agreement is easily reached.

Perhaps, if anything, I err on the side of respect. Certainly that was the case when I started out. To overcome that, I have a simple expedient: when firmness is called for, I think of Raymond Carver and Gordon Lish, whose fruitful but fractious relationship led to the publication of stories widely hailed as among the best ever written.

Carver’s initial ending of One More Thing:

L.D. put the shaving bag under his arm again and once more picked up the suitcase. “I just want to say one more thing, Maxine. Listen to me. Remember this,” he said. “I love you. I love you no matter what happens. I love you too, Bea. I love you both.” He stood there at the door and felt his lips begin to tingle as he looked at them for what, he believed, might be the last time. “Good-bye,” he said.

“You call this love, L.D.?” Maxine said. She let go of Bea’s hand. She made a fist. Then she shook her head and jammed her hands into her coat pockets. She stared at him and then dropped her eyes to something on the floor near his shoes.

It came to him with a shock that he would remember this night and her like this. He was terrified to think that in the years ahead she might come to resemble a woman he couldn’t place, a mute figure in a long coat, standing in the middle of a lighted room with lowered eyes.

“Maxine!” he cried. “Maxine!”

“Is this what love is, L.D.?” she said, fixing her eyes on him. Her eyes were terrible and deep, and he held them as long as he could.

Lish’s ending:

L.D. put the shaving bag under his arm and picked up the suitcase.

He said, “I just want to say one more thing.”

But then he could not think what it could possibly be.

It takes a brave editor to do that. I think I have a long way to go.

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About Writers, book promotion, book sales, publishing, Research, self-publishing, Uncategorized, Writers Co-op

WRITING TRENDS

INDIE AUTHORS
Indie authors will continue to grow ebook share. Traditional publishers will continue to price their ebooks above market and will focus on print and audio sales in 2018. They will also continue to focus on their go-to franchises and signing authors who have a built-in audience (celebrities, politicians, successful indies). Indies will continue to fill the void by publishing high-quality, affordable ebooks and writing to niche audiences (something blockbusters cannot do as they require mass appeal). Bestselling romance author, Rachel Van Dyken says, “2018 is bound to be a year for books and a year for readers! Trends come and go but one thing I see coming back in a huge way is sci-fi and fantasy romance. Contemporary will always do well but I think readers are starting to get overwhelmed with the same old rom com with the similar fonts, colors, and titles. I say bring on the other genres—a great palette cleanser for 2018.” As authors like Rachel continue to stay ahead of the curve by innovating on content and design, and become ever more sophisticated at book publishing, readers will continue to shift ebook market share to indies. [Ricci, Written Word Media]
https://www.writtenwordmedia.com/2018/01/08/publishing-trends-indie-publishing/

SOCIAL MEDIA Relevancy
Social media has become the main source of information for everyone. It is logical that people tend to filter content relevant to them in these platforms and ignore junks. Current authors should learn how to utilize social media smartly to leverage the power of these media. For example, setting up a high profile where their target audience is many to capture majority while they interact with the platforms. For instance, if you are doing public relation for a company, you need to build trust and address customers’ concerns to avoid being flagged as a scam in Facebook, Linkedin and Google Plus among others.
https://www.topteny.com/top-trends-for-writing-in-2018/

SHORTER BOOKS
While longer books will never go away, shorter, focused content or short stories will pave the way for big new sales numbers in 2018. So what’s the average length of a short book or novella? Twenty-seven thousand words (give or take) or fifty pages. Book strategists insist that the reason these books take off is because, in the case of fiction, readers sometimes just like that quick story, with an uncomplicated plot and a quick reward at the end. In the case of non-fiction it’s generally very focused content.
https://www.amarketingexpert.com/18-exciting-book-marketing-predictions-for-2018/

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blogging, Stories, Uncategorized, world-building, Writers Co-op, writing technique

NEXT: Writing for VR

The Adventure
Among the many ways to make money writing is to write for the media. If you want to know how to write for magazines, newspapers, television or the movies, Google it. Or get a degree in it. It’s old hat. But to write for virtual reality productions, you must have the Star Trek spirit and boldly go. The attractive thing is, you’ll be one of the early pioneers in a future tech.

The Ship
First thing is, you’ll need a vehicle. I recommend an Oculus Go. At $199, it’s the starter headset in which to explore the worlds of VR. The Go comes with tons of free software. It seems evreyone with a message to share wants a presence in our heads.

The Markets
Put the headset on and your markets will appear before -er, all around your very eyes. Tourists bureaus world wide, governments and NGOs, news outlets like CNN and The New York Times, video game makers and all manner of commercial interests. I, who hate commercials, now have a favorite one: The Jeep VR video that takes me on a ride along the California coast. I am riding inside the Jeep with  two women talking about finding a good place to surf. The camera view pans out to give me a drone’s eye view of the terrain, an experience in itself because I seem to be flying and can look up & down & all around. I go with the surfers into the water, under crashing waves and then on top, surfing back to shore. I can’t come closer to surfing and stay dry.

The Stories
Door No. 1 is Hulu’s live-action multiple choice comedy adventure about a ten-year high school reunion. The show puts the viewer into the middle of the action by making her or him a protagonist of the show.
Think about writing that short story for a sit-com. Your main character is one of the former students attending the reunion. He or she can see and hear everything around them, but can’t talk. You have to present multiple paths for your character to take. Your viewer will make the decisions for you by clicking on other characters with whom they want to interact during the story. And, of course, make many bad decisions along the way – it’s a high school reunion, after all.
For more details, see: https://variety.com/2018/digital/news/door-no-1-hulu-vr-trailer-1202798528/
And VR novels movies? Mind boggling. But that’s only because VR is an unexplored medium.

Introductory Offer
Available for a brief time only! Writing virtual reality stories is a chance for today’s writer to become a known writer in tomorrow’s history of writing. Be one of the first.

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blogging, inspiration, Research, Stories, Uncategorized, Writers Co-op

Story Fodder (Writers Musings)

How will we identify criminal A.I.? It is all programming and easily changeable. “Nope. I never even thought that. Nothing to see here.”

Cell phones record your fingerprints. That is a positive ID across platforms. Does the NSA capture our fingerprints from our phones?

Voices. “I wonder what they’re saying when I’m sleeping?”

When we awaken, the real world floods in and the world of dreams fade. Just like the real world fades when we dream. Could both worlds be real?

Unreasonable urges: “I must teach my cat to play the piano.”

During the Roman Empire, the Palace Guard often chose the next emperor. Recent reports suggest that our intelligent intelligence community interferes in our presidential elections. Hmmm.

My neighbor just informed me that the Soviet Union beat the US to the Moon… but their cosmonauts never got home.

I read the news again today, oh boy. China’s launching robotic military submarines. Imagine that A.I. going rogue.
Drudge Report links to an article about “Mysterious creatures frozen for MILLENNIA holding lost secrets of past…”
The UK Daily Star headlines, “Sex robot human CLONES: Chinese firm using 3D printers to scan and make replicas of REAL PEOPLE.”
Newspapers print these articles as bait. They know many many people will read them.
The market for such stories already exists.
Hmmm.

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About Writers, book promotion, Uncategorized, Writers Co-op, Writers Co-op Anthology

Ian Bristow

Meet novelist and cover artist Ian C. Bristow. Ian is creating the cover illustration for The Rabbit Hole, Weird Stories Volume One, A Writers’ Co-op Production.

He is also creating the cover for the anthology, Gods Of Clay, coming out later this year. Ian’s own published works include the Conner’s Odyssey series and Hunting Darkness (The trailer that he created for this book can be seen here.)
Some of his art can be viewed on his own website gallery and on Deviant Art.

Ian Bristow2CAPTURING IMAGINATION
Ian C. Bristow

The Writers Co-op exists as a forum where members of the writing community can meet, promote their work and help one another. We welcome Ian Bristow.

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book promotion, Uncategorized, Writers Co-op

The Writers Co-op: 2018 Liebster Blog Award Nominee

Liebster2The Writers Co-op has been nominated for the 2018 Leibster Blog Award.
The Liebster Award is an award that is given to bloggers by other bloggers. We were nominated by former Liebster winner, novelist Stephanie Barr.
Entries start 1st Jan 2018 and end on 25th Dec 2018. The winner will be picked on the 31st of December. (This year, the prize will be a BioLite Camp Stove worth £150.)

As a member of the Co-op, you may submit your individual blog according to the rules outlined below.

Liebster3
What to Do if Nominated for the Liebster Award

Source: https://theglobalaussie.com/liebster-award-2018/
Back in 2011 the rules were a simple case of acknowledgement of the nominator and to nominate 5 more. Now in 2018 it is a little more involved and will continue to evolve as blogging becomes more accessible.

If you have been nominated for The Liebster Award AND YOU CHOOSE TO ACCEPT IT, you should do the following:
1. Thank the person who nominated you, and put a link to their blog on your blog. Try to include a little promotion for the person who nominated you. They will thank you for it and those who you nominate will also help you out as well.
2. Display the award on your blog — by including it in your post and/or displaying it using a “widget” or a “gadget”. (Note that the best way to do this is to save the image to your own computer and then upload it to your blog post.)
3. For the 2018 Liebster Award, I will be shaking things up! Write a small post about what makes you passionate about blog posting.
4. Provide 10 random facts about yourself. (Again this year I’m making this optional. If you wish to engage with your readers it’s a great idea to include random facts about you.)
5. Nominate 5 – 11 blogs that you feel would enjoy blogging about this award.
6. List these rules in your post (You can copy and paste from here or simply link to this post.) Once you have written and published it, you then have to:
7. Inform the people/blogs that you nominated that they have been nominated for the Liebster award and provide a link for them to your post or mine if you don’t have all the information so that they can learn about it (they might not have ever heard of it! Post a comment in the comments below so I can view your post and check out your blog. I personally visit each and every one. I visited a few hundred last year!!

If you have been nominated before at any time please share the love. Many people believe the Liebster award is similar to a chain email/letter and sure it shares similarities but the underlining idea is to help promote each others’ blogs.

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