Literary Agents, publishing, Satire

The Future Is Here

Lisa

You receive too many unsolicited manuscripts and cannot review them all? You still do not want to miss the next bestseller? Then LiSA is the right solution for you.

LiSA, if you’re wondering, is German and stands for Literatur Screening & Analytik. For publishers, LiSA is a boon – in 30 seconds flat it will tell them if the manuscript they’ve just received has any chance of success. “Based on Artificial Intelligence (AI), our software establishes a connection between the insights gained from existing works and their sales and bestseller ranking. This relationship is applied to new manuscripts and a probability of success is determined.”

And authors can sign up now for a beta version, soon to be released, which will let them know if they’ve written a dud or a blockbuster. Wunderbar!

Details can be found at the Qualifiction website: https://www.qualifiction.info/ (It’s in German, but Google will obligingly translate).

It won’t be long, of course, before LiSA is analysing texts not from authors but from another AI programme. In fact the only reason she isn’t already doing that is because the release of the programme in question, OpenAI, has been delayed due its being too good: Fake text generator too dangerous to be released.

But take heart, writers! There are still a few literary agents who are humans just like us, and are even so kind as to reveal some great tips on how to get your manuscript accepted. One such is my good friend Sydney Lushpile, who a few years back gave me some precious insights into how it’s done the old-fashioned way. Before LiSA.

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About Writers, reading, writing technique

The bestseller recipe

chef

If you want to write a bestseller, what will you choose as your main ingredient? Sex? Murder? Action? Suspense? They probably won’t do your chances any harm, but according to Jodie Archer, a former publisher, and Matthew Lockers of Stanford University, you’d be better off choosing ‘human closeness’. They stress that ‘this doesn’t mean romance – it could be talking with someone you are intimate with or shopping with a parent.’ In other words (as I see it) the depth and believability of relationships: antagonism mixing it with affection, tension alternating with tranquillity.

How do they know? They scanned 20,000 books, built an algorithm, and were able to predict with 80% accuracy those that made the bestseller lists. Of course, there’s a precondition, which their algorithm took for granted: the book first has to be published and noticed. But once that little obstacle is cleared, you’re all set.

Don’t overdo it, though. Human closeness for 30% of the book is enough. Then 30% on a different topic (technology, climate change, whatever) and the rest a sprinkling of miscellaneous details. There you go. Easy, eh?

That’s my simplified summary of an article in the Guardian, The secret DNA behind bestsellers. Hardly secret, I thought when I read it. Human closeness arouses our emotions. Aristotle wrote about that a while ago. But still, it’s worth thinking about when we create our characters. And getting it right, as always, is easier said than done.

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