About Writers, editing, Stories, writing technique

Show Me

While screening stories submitted to Sci-Fi Lampoon magazine, it occurred to me that editing means the opportunity to find new stories to share with others. What does that mean? It can’t mean only stories that the editor personally likes. Good stories appeal to a wider variety of readers than any one person can imagine.

So what makes a story appeal to a wide variety of readers? Common themes help, of course, because more readers will identify with the story. But I suspect the real key is participation. Think of it this way: Would you rather sit in an audience and listen to a comedian or a lecturer? The lecturer may tell you interesting things but the comedian will draw you in and make you participate. Would you rather laugh or be lectured?

Yup. I’m talking “Show don’t tell,” my favorite explanation of which remains the quote by Russian novelist Anton Chekhov.

“Don’t tell me the moon is shining; show me the glint of light on broken glass.”
“Show don’t tell” entices the imagination. That lets the reader participate in the story.

Writers have used many creative ways to draw readers into their stories and the ‘Net is full of examples. Chekhov’s is an immersive description.
Some are half-thoughts that invite the reader to complete the image.

“She said only, ‘He spent the night rocking my world.'”

Or juxtaposed images that show something of the character’s character.

“I drive way too fast to worry about cholesterol.”
-Steven Wright.

What is your favorite way to show the reader your characters, to draw then into your world?

Me, I favor dialogue. It can allow the reader to imagine the details.

“You had a vibrator?”
She nodded. “I pulled a lot of guard duty. You know how boring that is?”

It’s not enough to tell a reader anything. You have to show them something.

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About Writers, Freedom of Writing, inspiration, Uncategorized, world-building, Writers Co-op

JK Rowling Loves Minecraft

Novelist, screenwriter and film director Alex Garland is a big fan of BioShock, loosely based on Ayn Rand’ self-interest-championing philosophy of objectivism as outlined in her novels Atlas Shrugged and The Fountainhead.

Harlan Ellison collaborated with Cyberdreams and game writer David Sears to create “I Have No Mouth, and I Must Scream, “a PC horror game based on his short story of the same name.

Tom Clancy is well-known in the gaming industry, especially for his Rainbow Six military and espionage games.

Authors play video games for the same fun & relaxation reasons others do and they sometimes pick up tips on world building, scene progression, and character differentation.

I play video games to push thoughts of what I’m writing aside, to someplace in my mind where they’re free to evolve without me consciously picking at them. For me, much of life is like swinging through trees. You have to regularly let go to make any progress.

Do you play video games? Which ones do you prefer? And, do they in any way contribute to your writing?

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Uncategorized

You Are Invited

To formally join the Writers Co-op, simply submit a blog of up to 1600 or so words. The subject can be anything having to do with the writing life. Feel free to promote your own work. Or share an insight. Or opine. We’re easy.

Once your blog is accepted, we’ll post it on the first open Monday or Thursday. And, we’ll grant you author’s rights, allowing you to write, upload photos, and edit your own posts. Thereafter, you can put blogs into the draft section and they will be published on a first-in first-out schedule.

We are adults who write, edit, publish & market books. We believe strongly in supporting one another’s work. We have no formal set of rules. Just good people.

Submit your initial blog to
GD<at>Deckard<dot>one

And, Well Come!

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About Writers, inspiration, Writers Co-op

Hobby Anyone?

That’s a photo of Vladimir Nabokov chasing butterflies.
Ayn Rand collected stamps, Emily Dickinson baked, Dostoyevsky gambled, Tolkien was a conlang* wizard, Tolstoy played chess, and Franz Kafka amassed an extensive collection of pornography.

Mark Twain, friends with Nikola Tesla and Thomas Edison, obsessed over science and technology. He even patented three inventions of his own.

Why? Flannery O’Connor suggested, “Fiction writing is very seldom a matter of saying things; it is a matter of showing things. Any discipline can help your writing. Anything that helps you to see, anything that makes you look.” I couldn’t agree more.

That may be why E. E. Cummings painted daily, creating 1,600+ drawings, oil paintings, sketches, and watercolors. Other writers who used art to better visualize included Henry Miller, Kurt Vonnegut, Jack Kerouac, and Sylvia Plath. And of course, our own Mimi Speike comes to mind.

What about you? I use photography to “see” things I might otherwise not glance at twice.
What’s your hobby?

~

*conlang is a word used here in an attempt to pay back Carl E. Reed for constantly making me look up words.

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book promotion, Freedom of Writing, marketing, Writers Co-op

Goodbye Facebook

In 2017 I discovered Facebook as a mecca for networking. Recently, Facebook has become a censored banality. In between, I was fortunate to find over 3,000 “friends” living the writing life. Many taught me, some edited and published my stories. I cannot thank Facebook enough for the opportunity to interact with so many talented people. But all things change and now the politicians have infested Facebook to get around the First Amendment and promote their own agenda while censoring that of opponents.

“U.S. Code § 230, (2)Civil liability, permits social media to censor content “whether or not such material is constitutionally protected.”
https://www.law.cornell.edu/uscode/text/47/230
Yet, the First Amendment clearly states “Congress shall make no law … abridging the freedom of speech.” Politicians have used their regulatory and financial relationships with big media to exert a control over public opinion that is otherwise denied to them.

The result is a leveling of public discourse to the lowest common denominator.

And then, of course, Facebook algorithms ensure that writers who don’t buy ads get scant exposure for posts promoting their books. I left Facebook after scrolling down my feed to find any “friends” book promotion to share on my own timeline. I spent literally forty-five minutes enjoying posts of pets, whines, humor, look-at-me-chit-chat, amazing science (I’m a sucker for amazing science,) and feel-good platitudes. Abruptly, it dawned on me: Not one book promotion! This is all gossip! Critical thinkers have crept away while I wasted my time pretending that I was still networking.

What a waste of time. Goodbye Facebook. Gossip bores me.

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book sales, self-publishing, Writers Co-op

SELF-PUBLISH BOOK SALES

Who makes money self-publishing? Probably, E.L. James’ 50 Shades of Grey sold the most copies. LJ Ross’ series about Detective Chief Inspector Ryan has a total of around 4.5 million copies. Rachel Abbott has sold over four million copies. Every one of her 11 crime novels hit six figure sales in its first year.

What genres dominate? Half of the e-book bestsellers in the romance, science fiction, and fantasy genres on Amazon are self-published!

Famous authors who self-published? E.L. James, of course. Margaret Atwood self-published her poems. Beatrix Potter first self-published 250 copies of The Tale of Peter Rabbit. And, of course, successful authors from Mark Twain to Stephen King cut out the middle man.

Do many authors make money self-publishing? According to Amazon’s 2019 review of its Kindle sales, thousands of self-published authors earn over $50,000, while more than a thousand hit six-figure salaries from their book sales.
‘course, In 2020, there were over 44.2 thousand writers and authors working in the United States,
https://www.statista.com/statistics/572476/number-writers-authors-usa/
Best estimates suggest the “average” self-published, digital-only book sells about 250 copies in its lifetime. By comparison, the average traditionally published book sells 3,000 copies, but only about 250-300 of those sales happen in the first year.

So should we self-publish? Obviously, we don’t need a publisher to publish a book. To earn their cut, a publisher must promote your book or they ain’t worth feeling good about. And once you’re famous, you just don’t need them. Feel free to treat publishers the way they treat authors: make me money or go away.

DISCLAIMER: Just my opinion here, but obsessing about money misses the point that life’s memories are made from other stuff. For example: Unlike money, an author’s book is never spent.

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editing, Literary critique, Uncategorized, Writers Co-op, writing technique

Purple Prose

Screen enough stories for publication, and the feeling that you know something becomes hard to shake. You read too many stories. The stories are bad, or good, or very good. Why? Bad stories, forget those. But good or very good? What detracts from the author’s best efforts to tell a very good story? I have the feeling that one culprit is purple prose.

Purple prose is prose that is too elaborate or ornate. Another way to explain this is: The extravagant phrasing of tedious prose really hardly ever enhances the mostly mundane meaning.
For those of you who winced at that, all I meant to say was that purple prose kills the clarity.

I see it too often. Here’s an example that glitters with purple prose.

Saphira’s muscled sides expanded and contracted as the great bellows of her lungs forced air through her scaled nostrils. Eragon thought of the raging inferno that she could now summon at will and send roaring out of her maw. It was an awesome sight when flames hot enough to melt metal rushed past her tongue and ivory teeth without harming them.
Note that I’m not talking about style. That’s Christopher Paolini’s style. But it’s still purple prose.

Let’s read that as the editors at Reedsy.com would have it, without the color purple.
Saphira breathed heavily, her nostrils expelling warm air. Eragon sat and marveled at her power. It was amazing that Saphira’s fiery breath could melt metal, yet she was immune to its harm.
[https://blog.reedsy.com/purple-prose/]

Don’t be afraid to tell your story without embellishment. If you edit unnecessary superlatives out of your work and what’s left is the story you want to tell, that’s very good. All that glitters may be mere distraction.

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About Writers, blogging, Research

Pushing the Sci Envelope

Science fiction authors used to push the envelope of knowledge. Rocket ships dropped out of space to land on their tails. GORT, the robot, walked among us in The Day the Earth Stood Still. Arthur C. Clarke submitted a manuscript to Wireless World magazine proposing global communication through geostationary satellites in 1945. These concepts are major industries, today, of course. In fact, today’s science seems to have sprinted ahead of fiction.

I stumbled upon an article about “working memory.” That’s cognitive scientists’ speak for how many potentially conflicting bits of information we can hold in out head. If a point requires more working memory than I have, I just won’t “get it.” Take the example of face masks during a pandemic. There is conflicting information in the media about the usefulness of face masks. The article correlated working memory with face mask use and found that people with less working memory tended to not wear masks. When it comes to complex situations, not everyone “gets it.”

The working memory article gave me a simple idea for a story, that the world is becoming more complex and as it does so, more and more people just won’t “get it.” What happens, I wondered, when the world reaches a point where not enough people understand the complexity of it to keep it running? Does it all break down? Chaos? Lost in my own thoughts, I Googled “complexity and chaos.” And, whoops! I stepped in it.

Turns out, there is a body of scientific study called “complexity science.” Most of it is baffling mathematics. I’m a writer, not a mathematician. But I write hard science fiction, so I have to get the science right and present it in a way to make the fiction entertaining. Luckily, I found A simple guide to chaos and complexity. It’s a scholarly paper written in (mostly) plain English for the health services and I have (some) background in medical care. I now have an inkling of how little I know.

Maybe we should stick to writing stories about things we know? A simple idea is turning into a year or more of research and writing. I used to approach science through fiction and now, I have to approach fiction through science? But enough complaining. Curiosity is addictive. What if people really are limited in how complex a life they can handle? What if our civilization does continue becoming more complex? Will chaos result? What-if is how sci-fi pushes the envelope of knowledge.

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About Writers, inspiration, Uncategorized

Behind the Story

Authors are creative people. Give us an interesting idea or a memorable experience, and we’ll create a world, populate it with believable characters, and tell their stories. Not that you have to wait for the gift. Jack London famously said, “You can’t wait for inspiration, you have to go after it with a club.”

A WWII a bombardier dealt with the horrors of war in his memories for years before a line suddenly popped into his head: “It was love at first sight. The first time he saw the chaplain, [the as yet unnamed main character] fell madly in love with him.” Joseph Heller began writing a short story that gripped him for years before it became the novel, Catch-22.

One of many women growing up in the deep south of segregation watched her father defend two black men against a charge of murdering a white businessman. They were hanged. That father and son had no chance in 1919 Alabama. Harper Lee turned her childhood experiences into To Kill A Mockingbird.

Creativity is sometimes reaction. J.D. Salinger wrote The Catcher in the Rye as a personal reaction against war. He had several chapters with him when he landed on D-Day. It can also be misleading. Russian and American novelist Vladimir Nabokov read German and lived 15 years in Berlin, beginning in 1922. He could have read the short story, “Lolita,” written by prominent Berlin author Heinz von Lichberg in 1919. The similarities with Nabokov’s Lolita are numerous.

What about you? What lies behind your stories?

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blogging, book promotion, marketing, Uncategorized, Writers Co-op

ATTN: Gamers, Writers & Editors

Video games have been around since the early 1990s when we played them over long distance phone lines. Gamers have been forging relationships for 30 years now, and we want to tell some of their stories.

You may have a story or two to tell, about yourself, your friends, or even your marriage, that could only have happened because of online gaming. We’d like to hear it. And so, we believe, would a lot of other people.

We are publishing an anthology of stories by gamers. No fan fiction. Just real stories about real people.

You can note your story in the comments below, or on our Facebook group Stories by Gamers for Gamers at
https://www.facebook.com/groups/932185130543024
or email it to GD<at>Deckard<dot>one.
Don’t worry if you’re not a writer, just say what happened, when, in what game. And if you are a writer or editor, maybe you can help us to ghost-write or edit the stories of others?

This is a brand new venture. So, if you’re interested join us. We’ll work out the details together. Help us to form a group of gamers, writers, and editors and create an anthology of our stories.

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