It’s here, folks! Well, not fully until the official launch date on July 17th, but you can pre-order now at the special launch discount price of $0.99. That’s for the ebook – there’s no pre-order for the paperback.
Some people say that doing pre-orders on Amazon isn’t a good idea because unlike the other online retailers, Amazon doesn’t wait till the launch date but calculate the sales rank using pre-order figures. This means that on the launch date itself, you’re less likely to hit a top spot in the sales rank because the pre-orders have already been counted. But nice as it would be to be up with the bestsellers, I’m not that concerned about our sales rank spike on launch date. I’d rather see a steady number of sales spread over a longer period.
So go for it! A bunch of great stories for $0.99 – what’s not to like?
The world is weird. If any proof was needed, the first few months of 2020 provided it. But did we need proof? Didn’t we already know that you only have to scratch the surface to see the weirdness beneath? Sometimes it oozes out, suppurates, infects; sometimes it leaps out, takes root and blossoms.
We get used to it, carry on as if it wasn’t there. But we have it inside us – we are weird. What you see as normal is just the sum of abnormalities that you experienced last week, yesterday, this morning – so of course you’ll experience it tomorrow. Or will you?
Zero. Now, that’s a strange number. Its first recorded use was in ancient Babylon, but it didn’t reach Europe till the 12th Century. A round hole of nothing, containing everything. Black hole, wormhole, sinkhole, loophole… is it the beginning or the end? Welcome to the Rabbit Hole. Weird.
Volume Zero of The Rabbit Hole is a collection of texts from 12 invited authors who have also participated, with different texts, in the other volumes. Though published chronologically between volumes 2 and 3, it can be seen as an introduction, offering a good entry point to the series as a whole.
It’s due for release on 17th July, but if you want to read it straightaway, no problem – fill in this brief form and I’ll send you an Advance Review Copy so that you can post an honest review on Amazon when it is launched. Naturally we’re looking for as many reviews as possible, but please note that reviews from friends and family of contributing authors are not accepted.
The volume contains 3 poems and 10 stories ranging from 650 to 18000 words, 170 pages in all. Contributing authors are Art Lasky, Paul Stansbury, CB Droege, Tom Bont, David Rogers, Barry Rosen, a stump, S.T. Ranscht, Marc Sorondo, Mitchell Grabois, Curtis Bausse and Boris Glikman.
The Writers’ Co-op invites submissions of short stories (and poems) for the third edition of our yearly anthology, The Rabbit Hole, scheduled for release in September 2020.
This year marks a new departure, in which we explore how ‘weird’ fits into a genre. And we’re kicking off with ‘romance’. Do your aliens fall in love? Is your young hero consumed, swallowed and digested by desire? Does your ageing husband bring his passion back to life only to find it’s not what he thought it would be? The possibilities are endless.
Perhaps you never read romance. Perhaps you’ve never written it. So much the better! Who knows what lies outside the box? Couples who’ve escaped from it, couples desperate to get in. Couples who may not be couples at all, or if they are, they’re certainly very weird: Narcissus and his reflection, God and the Virgin Mary, Eija-Riitter Berliner-Mauer (who fell in love with the Berlin Wall, but when it got torn down started dating a garden fence)… Or male and female in one – what could be weirder than that? Do you know the Potter Angelfish? It starts life as a female, then switches over to male – a handy technique used by Virginia Woolf’s Orlando, though in the opposite direction.
I’ll stop there. You’ve got the idea. In fact I’m sure you’ve got plenty, and you don’t need me to give you more. Simply bear in mind that ‘weird’ doesn’t always mean outlandish – it can be subtle, discreet, even furtive. Witty too, or burlesque – we’re always open to humour. Or even, at a stretch, humor. We look forward to discovering whatever means you choose to warp, subvert, disfigure, disguise or otherwise befuddle the concept of romance.
There is a maximum word count of 5000. This is more a guideline than a strict limit – quality is the main criterion, not length. So a great story will be accepted, whether it’s 6000 words or 200 (flash fiction is welcome). But we’re looking for short stories, not novellas or extracts from novels – the story should be complete in itself. Though the anthology will be comprised mostly of stories, there will also be room for some poems or pieces of an experimental nature.
The deadline is 31st March 2020. Submissions should be sent in an attached file to curtis.bausse(at)outlook.com with the subject ‘Co-op submission’. They may have been previously published on personal websites (or elsewhere) but authors must have full rights to them when submitting. Authors will retain said rights after the story or poem is published in the Writers’ Co-op anthology.
Writers whose stories are selected will have the choice between keeping their share of the royalties or donating them to the Against Malaria Foundation.
Not long ago, I did a Freebooksy promotion for Mystery Manor, fourth in the Magali Rousseau series. To do it, I enrolled the book in KDP Select, then ran a five-day promotion during which it was free. For the second day, I booked a slot with Freebooksy, who promoted the promotion to their email list.
Now, the question of whether a book should ever be offered free arouses a lot of debate, and it’s not my intention to go into that here (I will in a forthcoming post). Suffice to say that although I didn’t recoup what it cost for a slot on Freebooksy, the result in terms of purchases of the other books in the series was encouraging enough for me to think that it might be a good idea to do the same with The Rabbit Hole (RH).
There’s one problem. Freebooksy doesn’t have a ‘weird’ genre, nor even one for anthologies. They stick to highly mainstream genres like ‘mystery’, ‘fantasy’ or ‘romance.’ Similarly, there’s no ‘weird’ category on Amazon, where RH1 is in Fiction: anthologies and Fiction: fantasy: collections and anthologies, and RH2 is in Fiction: anthologies and Fiction: short stories.
Nor is there any BISAC (Book Industry Standards and Communications) for ‘weird’. Draft2Digital, which incidentally does a great job if you’re going ‘wide’ (i.e. not giving Amazon exclusivity), uses the BISAC categories; RH there is in Fiction, anthologies (multiple authors) and I recently added it to Fiction: Absurdist. Whether that’s accurate is debatable, but authors as diverse as Sartre, Vonnegut, Murakami and Kafka have been classified as absurdist, so it could be said that it’s a very broad church. Besides, it doesn’t hurt to be in company like that. I could also add dark fantasy, humorous or alien contact, as each of those pertains to at least a couple of stories in the two volumes so far published. But with multiple authors, there are multiple themes and topics, and no single category covers them all.
For RH2 we defined different themes: weather, science and entertainment. But although these produced some excellent contributions, they don’t fit into a genre. Of course, it’s not because you do fit into one that you make your life any easier, because it’s then that the competition gets fierce. But for RH3, I’m thinking it’s worth a try.
So here’s the idea. When the call for submissions for RH3 goes out in January, it will be for a specific genre, one of three I’ve selected from the Freebooksy list: thriller, romance or horror. Many thanks, then, if you could fill in the poll below. To test this isea out, which of those genres would you like to see adopted in RH3?
Note that whatever genre is chosen, ‘weird’ remains the defining feature of The Rabbit Hole. So if, say, horror is the genre, a story about a psycho hacking people to pieces won’t make it. Because weird as that may be by the standards of normal behaviour, it doesn’t include the surreal, wondrous or out-of-this-world element that makes a story qualify as weird. Similarly, there are many ways for romance to be weird, but a kinky sex story might not be the best way to set about it. Not that we’re averse to sex, kinky or otherwise, but if that’s the only weirdness in the story, it’s not enough. Weird romance, of course, wouldn’t be the same as mainstream romance, so that would need to be made clear in the blurb, but at least it would fit somewhere into the genre. As for thriller, plenty of scope there, though I must admit that handling a thriller, weird or not, in a short story is quite a challenge. But hey, all writing is.
Over to you, then. And feel free to chip in with your own thoughts.
The second volume of The Rabbit Hole is every bit as flumbiferous as the first. Which is just as Alice likes, because weirdness abounds and the warren never ends. Are you out for revenge? You’ll need the right app. Or perhaps you’ve done something foolish? Never mind – it can be undone. Would you like to be in a video game? That too can be arranged – at a cost.
All this and more in 29 stories to leave you pondering realms beyond our perception. Unless, perhaps, they’ve been there all along but we just weren’t looking the right way.
Contributing authors: Edward Ahern, Marie Anderson, Édgar Avilés, Curtis Bausse, E.F.S. Byrne, Steph Bianchini, Jon Black, Glenn Bruce, GD Deckard, Rhonda Eikamp, Brad Fiore, J.G. Follansbee, Steven Gepp, Boris Glikman, Geoff Habiger, Jill Hand, T.A. Henry, Jessica Joy, Simone Martel, Dennis Myers, David Rae, Alistair Rey, David Rogers, Barry Rosen, Kim Ross, JJ Steinfeld, Mack Stone, Stanley Webb, Tom Wolosz
The Writers’ Co-op invites submissions of short stories (and poems) for an anthology to be released later this year. No theme is set, but stories should broadly fall into the category of ‘weird’ (see below).
There is a maximum word count of 5000. But this is more a guideline than a strict limit – quality is the main criterion, not length. So a great story will be accepted, whether it’s 6000 words or 200 (flash fiction is welcome). But we’re looking for short stories, not novellas or extracts from novels – the story should be complete in itself. Though the anthology will be comprised mostly of stories, there will also be room for some poems or pieces of an experimental nature.
The deadline is 31st March 2018. Submissions should be sent in an attached file to curtis.bausse(at)outlook.com with the subject ‘Co-op submission’. They may have been previously published on personal websites (or elsewhere) but authors must have full rights to them when submitting. Authors will retain said rights after the story or poem is published in the Writers’ Co-op anthology.
All proceeds will go to the Against Malaria Foundation. Why? Because the (hopefully not meagre but probably far from spectacular) royalties can make a big difference: $3 buys a long-lasting insecticide-treated mosquito net which protects two people for up to three years.
That’s for the practicalities (if you have further questions, don’t hesitate to get in touch via the contact page). But what is meant by ‘weird’?
The question is addressed in the previous post, but since I’m here I get the chance to add my two cents’ worth (or grain of salt as they say in French). Like many categories, it’s fuzzy, because it stands in distinction to ‘normal’, and there’s no common acceptance of what is normal. Not all writers will approach it the same way, and so much the better – we hope for plenty of variety. At the core of weirdness, though, is the upsetting of expectations: normality, in the sense of what we’re accustomed to, doesn’t follow the course that led to us form those expectations. Where it goes – somewhere disturbing or hilarious – is entirely the writer’s choice. Or why not hilariously disturbing? Indeed, one advantage of ‘weird’ is that it allows for humour as much as for horror, so go for it!
How weird does it have to be? Anything from full on, over-the-top freaky to subtly odd and unsettling. So no worries if weird isn’t your usual style – a few deft touches can suffice. Those little moments of strangeness that don’t fit into what we know of the world or the people around us, those hints of a deeper mystery that defies explanation. Give us writing that shifts our perceptions, leads us to experience, bubbling up through the regularity and routine, the fundamental weirdness of life. To quote the Count of Lautréamont, author of the Chant de Maldoror, if your piece is ‘beautiful as the chance meeting on a dissecting table of a sewing machine and an umbrella,’ there’s every chance that we’ll love it.