Plane, May 6, 2022

This Show Case features three pieces submitted in response to our sixteenth Writing Prompt: Plane. You can see responses to each prompt in the drop down menu for this page. Try an item. They are all delicious. We hope they stimulate your mind, spirit, and urge to write. Maybe they will motivate you to submit a piece for our next prompt, which you can find on the Show Case home page.

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What I Did on My American Vacation

by Boris Glikman

America is a big country far away. I went there on a fast plane which flew so fast that when I arrived in America it was still the previous day. And so the plane must have flown faster than the speed of light because when you travel faster than light you go back into the past. 

I visited New York City first. It is a big town with many people in it. Lots of people walked past me on the streets there. They probably didn’t know who I was because when I said “G’day” to them they didn’t say anything back. I visited the Atlantic Ocean when I was in New York City. An ocean is like a lake but a bit bigger.

I also went on a long choo-choo train to other places there. I looked out of the window when I was on the train and saw trees and houses, but because they were rushing past me so quickly I couldn’t see them properly. I don’t know why they were in such a hurry. In our country trees and houses usually stay in the same one place. 

People in America are not Australian people, but they speak English like us. But because they haven’t learned how to speak the language properly, they speak with an accent. The words are the same but they don’t pronounce the words the right way.

When I was in America I finally met my friends, whom I’d previously met on the computer. Their voices sounded the same, but they looked different. It was a big shock to me because I was expecting them to look like their photos: flatand standing or sitting in the same one pose, with the same smile or other expression on their faces. But instead they were like three-dimensional walking, talking cardboard cut-outs, moving about and changing their face expressions all the time. They must have used that new movie technology to make themselves look 3-D, except that I didn’t have to wear those special glasses I wore when I went to see that new 3-D movie. 

I heard all kinds of things about America before going there and so I really wanted to find out what America was hiding from me. So I tried grabbing America by its legs, turning it upside down and giving it a good shake so thatall the secrets America had stashed in its hidden pockets would come tumbling down at my feet. But unfortunately America wouldn’t budge.

Then I took my chances on a big jet plane, never let them tell you that all airlines are the same. Some airlines are better than others, and so I flew home on another plane that was different from the plane I flew on to America. 

I met many nice people in America and I want to go back there soon.

On a Wing and a Prayer

by Mimi Speike

Maisie’s problem with Hollywood can be summed up in these few words: she was seen as a gimmick.

Paramount was determined to make money off her. And they did. First it was the dancing on tabletops. Then, the series of sheik flicks, tussling with Rudolph Rodentino on sand dunes in Malibu. Schulberg worked that giggle hard. King Tut’s tomb had just been found. Egyptian was hot

Then someone had the idea to put her into a biplane. 

Amelia Earhart was flying high. She was all over the papers. Maisie the barnstormer was a big hit with the kiddie audience, and with the mamas as well. 

Maisie took the broad-brush scripts and pushed them in many directions, injecting cardboard characterizations with real life. (She did this with any role she was given.) Text frames interspersed with the action (the method of the silents), said one thing. Her eyes, her attitude, often said something else entirely. She was given to breaking that fourth wall, to looking directly into the camera, smirking in the midst of a clinch.

In her fly-girl films, she played Olivia Wilde, a society girl-aviatrix, wearing gorgeous clothes when she was not in her flight suit. Maisie attracted a following of adult females who wanted to see what she would wear this time. Natacha Rambova, her costume designer, went all out for her.

By the time I met her, she’d gone through the money she’d once pulled in, and was next to on-the-street. I never had money. It was par-for-the-course for me. We managed to enjoy ourselves nonetheless. We both loved to be surrounded by beautiful things. We decorated our walls with our own art. And we hit the thrift stores. All the entertainment you could wish for, for next to nada. One time we spotted a crochet-airplane in a thrift on Second Avenue. Maisie’s eyes lit up the moment she spied it. I snapped it up. It cost me all of $1.99.

It was filled with fuzz. I slit the top, scooped out some of the innards, made a space for her to nestle into, overstitched the raw edge. I hung it above my bed, with felt clouds and moon and a few stars. Maisie had the sweetest little bed you ever saw. She loved it! I could reach up and rock her, lulling her to sleep.

I sang lullabies to her: Hush-a-bye, don’t you cry, go to sleep my little Maisie.

She’d lean over the side of her plane and squeal: Screw that shit, lady. I can do better than that. And she’d sing to me. All kinds of ditties, but most often, variations on a Cole Porter tune:

My sorrowful story, it needs to be told. 

There’s not much these days doesn’t leave me damn cold . . .
except for . . . I’ll say it again, just in case 

you forgot it . . . except for your fabulous face.

I get a kick every time I see you standing there before me.

For I can see you certainly do very much adore me.

(She was right about that, and she knew it)

Hey, I get no kick from champagne. 

Mere alcohol doesn’t thrill me at all.
So tell me why should it be true 

that I get a kick out of you?

She made up new verses all the time. I never knew what she was going to come out with. But she always ended with this one:

Oh, I get no kick in a plane. 

Flying too high with some guy in the sky

is my idea of nothing to do. 

But I get a kick out of you.

No one has ever told me I have a fabulous face. It wasn’t just a phrase to her. She meant it. I could see it in her eyes.

/ / / 

I’m always prowling the flea markets, hunting Mulot items. (I’m the foremost collector of Mulot memorabilia in the country, have I told you that? Got something to sell? Contact me.)  

One Sunday morning I found a set of Bliss dollhouse furniture, box and all! It was a stretch financially, but I had to have it. In the box was a teeny teddy-bear, just the size to sit in the cockpit of the plane that floats over my bed to this day.

Without my glasses on, Bear looks like my long-gone friend up there. (Maisie departed this vale of tears in 1988.) I was alone in my dinky apartment until Bear came along.

He doesn’t sing to me, of course. I sing to him: 

I get a kick every time I see

your face right there before me.

That’s my bedtime ritual, the closest I come to a prayer. I sing it to Bear every blessed night. He’s not talkative like Maisie was, but he hears me. He gives me a wink every once in a while, I swear to God.

It’s nice to have a housemate again. I’ve been alone for too long.

Somewhere and Back

by S.T. Ranscht

Danian put his fingers in front of his eyes and blinked to brush his lashes against them. Yes, his eyes were open. But he saw nothing. It was the same nothing he saw with them closed. Total, endless, nothing — as black and unseeing as unconsciousness.

Spreading his arms, he reached for the steel chrysalis he knew curved around him, but was just far enough away that his fingers would never find it as long as he lay suspended in the fluid he couldn’t feel because it was the same temperature as his naked skin. He couldn’t feel the frictionless cords that anchored him in the center of the tank, either. There was nothing to hear, nothing to taste, nothing to smell. Sensory deprivation was the point, after all.


Above the underground complex Danian and his colleagues called home, life struggled against the planetary degradation it had amplified and accelerated. Famine-infested children with crusted, sunken eyes, spindly appendages, and distended bellies lay motionless against their mother’s arid breasts, their cracked lips unable to close. On the other side of the world, wildfires and storms unknown to history swelled in deadly waves to wipe out cities, farms, and wealth, leaving destitution and disease. The strongest adults raced death to escape their deteriorating civilizations, inciting violent unrest in neighboring areas richer in clean water or fertile soil or temperate clime.

Their only hope for salvation lay in the complex buried beneath their desperation.


Danian gave himself to his training. Relaxing his brain to the altered state of mind, not wandering, but freed to travel with intention, his awareness expanded beyond the confines of his body, his container, his physical bonds to this world, into the unbound universe.

His deliberate path sheared across the psychic plane in an astral arc aimed at one particular rock among many orbiting a small star still young enough to enable life on the rock for many thousands of generations. Danian’s task was to observe, record, and report its suitability for colonization. Everyone in the complex had ventured out in this manner many times before only to report disappointment. He had learned to carry no expectation except to fulfill his duty to his fellow beings.

The yellow star he sought was insignificant compared to many, but burned warm and steadily. The planets orbiting closest to it were too close to serve Danian’s purpose, and several were too far. A few offered promise, but he focused on his target, a spinning ball within a tattered wrap of clouds that chilled him with moisture as his waveform passed through them to approach the surface on the nightside of the globe. Salty smelling oceans separating dark continents passed below with no artificial lights to betray advanced civilizations. He dared to hope he’d found a new home.

Emerging into the dawn, the water dazzled his sight. In his capsule, his heartbeat rose. Land masses covered in red, green and brown, gray and white, revealed snow tipped mountains, trees, and arable land releasing its earthy scent as he zoomed in. Even closer, he followed a sparkling wide river where graceful creatures crossed on four legs in undulating herds from forest to grassy plains. Hope became happiness and he smiled in the dark.

Glittering waterfalls drew his attention to a broad valley between the arms of rolling hills beyond a range of smaller mountains. Slowing his approach, he saw them. Clusters of rustic shelters constructed of mudbound wood and stone, huddled together at the edges of lakes reflecting cloudless deep blue. Each trickled tangy wisps of smoke through a hole in its thatched roof.

His smile vanished. He watched. He listened.

The beings who lived here walked on two legs and worked with their hands. They had language. They appeared primitive, their pale brown skin covered with softened animal hides, decorated with colorful feathers hanging from the long dark fur on their heads. By law, their presence precluded his own people’s settlement.


Every time his awareness journeyed, his heart ached to see what was happening on his own planet. Their time was short. Already, the vessels orbited the planet, prepared to ferry its survivors to a new home. They waited only for a report that the way was clear.

Danian could issue such a report and the migration would begin. By the time they arrived, the indigenous people may have developed more advanced technology, but they would still lag far behind the new arrivals. And there would be no turning back. Ultimately, the First People would become extinct. There was no path for both to tread together.


The tank’s seal opened and the chamber’s dim lighting dimmed further through Danian’s nictitating membranes. His scaly mauve skin shed the last drops of the suspending fluid as he prepared to deliver his report about the third rock from the sun.


19 responses to “Plane, May 6, 2022”

  1. Sue Ranscht Avatar

    Thank you, Boris and Mimi for your creative dedication.

    Boris – It seems “How I Spent My Summer Vacation” essays are shared experiences around the world. I especially enjoyed the characteristic voice. Well done.

    Mimi – I’m seeing more of the pathos the narrator feels. My impression is that she has actually become the main character as the teller of this tale, which is increasingly one of isolation and loneliness, softened by Maisie’s effervescence. My heart is touched more and more deeply.

    Liked by 1 person

    1. Boris Avatar

      Susan, I never had to write “How I Spent My Summer Vacation” essay in my school days. I think it is mainly a part of the American educational system. However, being familiar with this genre from American books, films etc, I knew enough about it to parody this kind of essay. At the same time, there are nuggets of truths in this piece, for I did indeed visit USA to meet my online friends in person, I did visit NYC, I did travel by train a lot across the country etc

      Liked by 2 people

      1. Sue Ranscht Avatar

        My “How I Spent My Summer Vacation” essays were never as amusing as the essay you’ve shared here.

        Liked by 1 person

  2. Boris Avatar

    Thank you Susan for putting together this Showcase!

    Liked by 2 people

  3. mimispeike Avatar

    I enjoyed both pieces. Boris, I love your style, and your tongue-in-cheek humor.

    And Susan, you have brought this fellow to life for me. I am in that tank with him. Marvelous job!

    Liked by 2 people

    1. Boris Avatar

      Thank you Mimi. This piece comes from a series of surreal impressions of USA that I wrote after my first visit there a few years ago.

      Liked by 1 person

  4. mimispeike Avatar

    Susan, you and I are in sync. The moment I saw ‘Question’ for the next topic, I knew what I was going to write.

    Liked by 2 people

  5. GD Deckard Avatar

    In the interest of constructive critique, I’ll question each story.

    “What I Did on My American Vacation” is humorous, Boris. But I have to ask, is it a story or a monologue and does that matter? It is, after all, an enjoyable read.

    Mimi, Maisie imagining is always a delightful romp. But is “On a Wing and a Prayer” a story or a bit of history or a blend of both plus a description by the author of the creative process? All three are fun to read about.

    “Somewhere and Back” is well told, Sue, with a good ending. But is it really the ending of a story or of a first chapter? Your ending made me want to read more.

    All of which of course begs the real question: What is a story?

    Liked by 2 people

    1. Sue Ranscht Avatar

      I adopt the conventional definition of a story as having a beginning, a middle, and an end. I think that’s the primary difference between a story and a description or a reporting of facts — although a report could also be a story. (So are the best monologues, I think. And certainly history is full of stories.)

      I’ve concluded that every story, real or imagined, is like life. Although each begins as its creator’s concept, it’s just an idea until telling brings it to life. Each story’s told beginning is merely an arbitrary point in time in an already ongoing series of events. One person’s death might end their part of a story, but as long as time flows on, even that death may continue to impact the larger story that encompasses it. But all stories continue.

      Like infinite nesting dolls from the inside out.

      Liked by 3 people

    2. mimispeike Avatar

      My pieces about Maisie, read in sequence, are a story that’s going somewhere. Just where, I can’t say.

      Liked by 2 people

      1. GD Deckard Avatar

        I know exactly what you mean. I love that journey!

        Liked by 2 people

    3. Boris Avatar

      Glad you enjoyed my piece, GD. As I explained in an earlier comment above, this piece was written as a deliberate parody of the “How I Spent My Summer Vacation” kind of essay that kids have to write in school. So, I suppose you could say that my piece is in the essay genre, written in a naive, child-like voice.

      Liked by 2 people

      1. GD Deckard Avatar

        Hey, are you going to help Sue with the Critiques project? Your feedback could be useful.

        Liked by 2 people

        1. Boris Avatar

          GD, Sue sent me an email about this and I wrote back to her, explaining my current situation. She is welcome to share my email exchange with her with you.

          Liked by 1 person

  6. Mellow Curmudgeon Avatar

    @ Boris: First paragraph is LOL and the rest is both funny and a welcome prod to memories of some funny gags in the first Crocodile Dundee movie.

    Liked by 3 people

    1. Boris Avatar

      Glad you found it amusing, Mellow.

      It’s funny, but the connection with “Crocodile Dundee” never occurred to me as that movie never made much of an impression on me. So, I can honestly say that that movie was no influence on this piece.

      However, now that you have mentioned it, I suppose you could look at this piece as an updated version of “Crocodile Dundee” for the modern, internet age, although the voice that I was aiming for was that of a naive young student rather than that of a Crocodile Dundee-like character.

      Liked by 2 people

  7. Mellow Curmudgeon Avatar

    @ Mimi: Maisie piloting a crib toy airplane is a delightful image.  I like having less interwoven historical detail and more characterization of Maisie the narrator.

    Liked by 3 people

    1. Mellow Curmudgeon Avatar

      OOPS!  Lost the “and” between “Maisie” and “the narrator”.  My bad.

      Liked by 3 people

  8. Mellow Curmudgeon Avatar

    @ Sue: Here’s hoping Danian and friends are better stewards of the third rock than *Homo sap* (not abbreviated) has been.

    Liked by 3 people

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