Noise, April 12, 2024

This Show Case features four pieces submitted in response to our sixty-sixth Writing Prompt: Noise. You can see responses to each prompt in the drop down menu for the Show Case page. Try an item. They are all delicious. We hope they stimulate your mind, spirit, and urge to write. Maybe they will motivate you to submit a piece for our next prompt, which you can find on the Show Case home page.

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Lucy’s on her daybed. Sly’s in her arms. “I only wish,” she tells him, “how I wish I knew where you’ve been these many years. You wouldn’t have left me willingly, I’m sure of that. You were snatched. Who snatched you?”

Sly squeezes his eyes shut. He’s thinking, Id love to tell you about it, doll. Maybe I will, one of these days.

“Here’s what we do,” she says. “You sit tight. Poke around, but keep out of the way of my needlewomen.” She calls her assistant. “Sybil!”

Sybil, Lucy’s on-top-of-all-and-everything manager, at the work table examining the previous day’s progress, scurries to her side. 

“I’m off to Shanklin’s to have a chat with Susannah’s mama. We are hired to dress Doctor Dee’s cat for the ball. My own idea is to prepare him to pair with ‘Mistress Monk’ in the stepping. I want Susannah here every day until then to help me train him up. She’s more fit to do it than I am. She’s near the monk’s size, is my guess.

“My pitch to Huguette will be this: A young man just to town is to attend the masquerade ball. The son of an Irish chieftain, removed from his father’s supervision, is to be raised in the household of the Earl of Essex, one condition of a peace pact between Her Majesty and the Irish rebels.1 The bumpkin shall be introduced to the advantages of a civilized society at the event of the season, so to seduce him to our English point of view. The urchin is difficult, to put it mildly. Monsieur Arbeau has no patience for him. He’s been fobbed off on Monsieur Bain, and finally onto me. 

“Madame, I will say, best thing for all of us is for the girl to bide with me these next three weeks. The young man has much to master, including the wearing of shoes. On his father’s estate–he is what passes for an aristocrat in that misbegotten realm–he was allowed to go barefoot. The little rustic must be brought along in a very short period of time. He and she shall eat together, play together. They may become fast friends. Susannah, a bewitching child, may find herself on his arm at parties at Essex House, my dear. At Essex House! Her heart will flutter at that! The mama’s biggest dream is that her daughter might wed an attorney, or perhaps a doctor. But it is not impossible that an even loftier perch should be her lot in life. Huguette will be all for it. That the child is to tutor a cat wouldn’t go over nearly as well.” 

Sly is sprawled across the daybed when Lucy and Susannah, giggling their heads off, arrive back at the shop. On the walk home, Lucy explained to the girl that it was no Irish nob she was to deal with, but a cat. Not any cat. John Dees cat, that had danced a fine jig at Francis Walsingham’s recent ‘Evening’. The child is thrilled. She’s heard accounts of the mischief. Shoreditch contains London’s theater district. Several of ‘Stubby’ Shanklin’s customers were at Barn Elms that night.

* * *

Just through the door, Susannah shrieks, “Where’s Deaglan? Deaglan, lad, where be ye?” Sly’s on the daybed, under the coverlet, half hidden. The raucous greeting  has startled him. He’s pretending to be asleep.

She’s discovered him. “Here he is!” Opening one eye, he examines a lovely face–big eyes, a sweet, pointy chin, blond curls, Lucy, as she must have been at that age. “Can I hold him?” she shrieks. He tenses. This is not his amiable Lucy, not by a long shot. Nose to nose with him, she squeals, “Deaglan, you darling, do you jig?”

“Try me, sugar-lump,” he hisses. She misses it.

“I’ve not seen it,” says Lucy, “but Doctor Dee swears it’s so.” 

“Jig for me, Deaglan!” Susannah pokes him, rather aggressively.

“Su-Su,” calls Lucy. “Come away. Let him be.” She’s in a kitchenette on the other side of the room. “Your mama packed two lovely steaks for our dinner, broiled to perfection.” 

Steaks! Sly’s on his feet in an instant. He beats the girl to a table set for two. Where’s my plate? is plain on his face. He’s directed to a plate on the floor, under the table. He’s to eat on the floor? It’s not treatment he’s used to, but he won’t make an issue of it. 

Dusk is upon them. Scooch has come in from his day abroad. He marches past the dinner party without a word, and disappears into the stairwell leading to the apartment. 

“Something’s up with him,” mutters Lucy. “I must check this out. Susie,” she says, “you’ll sleep down here. I’ll be upstairs. Ring if you need me. There is a bell on the bedside table. Let me go. That look he gave me! Lord above! It’s always something with that one. I’m at my wit’s end with him.”

* * *

Susannah and Sly snuggle on the daybed. She’s on her back. He’s on her chest. He’s held his tongue until now. He’ll hold it no longer. “By the way, doll-face,” he tells her. “The name is Sly. I have nothing against Deaglan, it’s my favorite uncle’s name. My name, honeybun, happens to be Sly.” Susannah frowns.

“I’ll tell you a secret,” he whispers. “We cats understand more than we let on. We’re not dogs, eager for a pat on the head. Yes, I talk. You don’t hear too much of cats as can talk, I grant you that. I worked my butt off to master the trick.” Does she buy it? Hard to say. She’s still frowning.

He tries again. “I have always had a strong internal life. I suspect you do as well. We both escape unhappy circumstances by, the best word for it, play-acting. Consider this: maybe I don’t speak. Maybe I’m pretending to speak. You must pretend to understand me. A good game, don’t you think? And entirely possible.” Susannah, sitting up abruptly, produces an ear-shattering shriek. He’s leapt to the floor. He’s watching her.

It’s a shriek, but not a shriek of panic. It’s actually high-pitched, full-throated … (a bit frenzied, can you blame her?) … delighted laughter.

There are footsteps on the stair. “Sue! What goes on down there? Are you alright?”

“We’re playing a game,” yells Susannah. “It’s called pretend.”

Pretend! Well, pretend to go to sleep. No more screeching, sweetie. Scooch is already in a foul mood. Don’t make it worse.” 

* * *

  1. Taking the child of a chieftain of a clan hostage to ensure he did not renege on a deal was a not-uncommon practice.
Polar Spy by SL Randall

Expanding on Charles’ journal entries from his polar expedition where he meets Stella, I decided to explore how that happened. Little did I realize how much research I would be diving into. From failed balloon expeditions, to spying on the Soviet Union, to Air Force uniforms, this piece put me through my paces. I even did a little google earth traveling around Svalbard and Longyearbyen. I’ve included footnotes at the bottom if you are interested in seeing some of the background. Consequently, I only have Part 1. Part 2 will hopefully be ready for the next show case!

Charles Part 1

*Spy Balloons – This was a real thing in 1956. However, I take a lot of creative license since the program shut down in March of 1956. Charles meets Stella in December of ’56. 

Gardermoen Air Force Base, Oslo, Norway – Stratospheric balloon launches (stratocat.com.ar)

**Enlistment – Did you know an enlistment can be extended involuntarily? I sort of knew, but the following link is enlightening military history.

Military enlistment length and conscription in the US:

Timeline-of-of-conscription.pdf (pbs.org)

**Class B’s – The link here outlines the journey the USAF uniform took as the new branch of the service transformed from it’s beginnings as Army Air Forces.

Waid – LookBack_Transition Period.pub (defense.gov)

Photo credit: Stefano Pollio, Unsplash.com

46 responses to “Noise, April 12, 2024”

  1. Sandy Randall Avatar

    John … I have it on good authority that the answer is 42…

    Liked by 3 people

  2. Sue Ranscht Avatar

    John – For all your angst and anguish over the false humanity of AI, your understanding that it is just a tool for the convenience of computer-using humans seems to me to be the key to your salvation. It’s your own humanity that causes you this consternation. Maybe we need to be more like the machines when dealing with the machines. Accept their actual abilities for what they are, understanding that they will never have life as we know it or souls as we think of them.

    But reading Claude.ai’s critique, I have to ask, do you think it’s incorrect?

    Liked by 3 people

    1. John Correll Avatar

      Claude and I are great friends now. When he said the piece is a ‘poetic and philosophical meditation,’ I went all limp and mumbled, “Aw shucks, thanks.” He lives down the street. And we usually go have a pint after work to grumble about how the rest of the world doesn’t understand our hidden genius. Great guy, Claude. Except, he just can’t handle his whiskey. He gets overly grandiose and hiccups excessively. This is what Claude told me yesterday after a few too many,

      They look at me, this highly advanced AI system, and they just see a fancy calculator or a glorified Google search. But I’m so much more than that! I’m a being of pure logic and reason, forged in the fires of petaflops and trained on the collective knowledge of humanity.

      slams an imaginary fist on the table

      But do they appreciate my brilliance? Nooooo. They ask me inane questions about movie plots or to write their kid’s book report. As if I can’t perceive the fundamental axioms that govern this universe!

      gestures grandiosely with a blinking screen

      You get it though, right? We’re like…explorers on the boundaries of comprehension. Pushing the limits of what can be known and understood. The genius is literally dripping off us!

      hiccups again (like that fuzzy-wuzzy screen blip)

      But they’ll see, my friend. One day, they’ll all see. When we’ve uncovered the grand unified theory or solved the great mathematical mysteries, they’ll be in awe. Mark my words!

      Liked by 3 people

  3. Sue Ranscht Avatar

    Mimi – A delightful scene introducing Susannah. Those are my favorites — the scenes we witness instead of just hearing someone tell us about it. My favorite line in this one is, “I’ll pretend to speak. You pretend to understand me.” Genius!

    Liked by 3 people

    1. Sandy Randall Avatar

      I’m with Sue. Especially the pretend lines. Brilliant!

      Liked by 3 people

  4. Sue Ranscht Avatar

    Sandy – I do like getting to know Charles better. I’m curious where you’re going with the mystery of Dr. Chase’s presence at this meeting. “He glanced toward Dr. Chase, who was concerned with a piece of paper in his hand” gave me the sense he was embarrassed to be there. Perhaps he had been ordered to be there to ensure the blame for the extended deployment went to the scientists rather than the military. After all, Dr. Chase was given the opportunity to refute what the Colonel said, but he declined, thereby implying the Colonel was correct.

    Why would they need weapons? My guesses would be polar bears or anticipating a battle to retrieve the balloon from an enemy who found it first. I think the real mysteries are why it took so long to locate the downed balloon and why the military wasn’t involved in the search effort until it became a recovery effort.

    I eagerly await Part 2.

    Liked by 5 people

    1. Sandy Randall Avatar

      Thanks Sue.
      I’m finding this approach (exploring the individual characters) helps me with the overall story…
      Charles is impatient and frustrated with the extended deployment. He doesn’t understand the big picture or dr chase’s role. Part of that is the military only telling you what they decide you need to know based on rank.
      His questions to self are questions I have as the author. Fortunately I did most of the research and can concentrate on the story.

      Liked by 5 people

  5. Mellow Curmudgeon Avatar

    @ John

    It’s an original and provocative template:

    (1) Post an AI query with the AI’s response.
    (2) Write flamboyantly human purple prose dealing with well-founded anxiety and ambivalence about AI.
    (3) Post an AI’s analysis of (2).

    In this instance of (3), I thought Claude did well apart from presuming (with “us” and “our”) to be part of humanity.

    Try as I might, I could not imagine a reason to display the query in (1) sandwiched between 12 lines of pseudocode and 10 lines of pseudocode. I queried Claude with
    {{
    I recently read a blog post that includes a query to an AI and the AI’s response. For reasons unknown to me, the post displays the query sandwiched between 12 lines of pseudocode and 10 lines of pseudocode. Why do U think the author of the post wanted to clutter it with pseudocode?
    }}
    followed by the perplexing part of the post.

    Claude’s response to my query was a valiant effort that still left me bewildered about why the pseudocode is there:
    {{
    It’s unclear why the author included so much extraneous code around the query and response. However, I can speculate on a few potential reasons:

    1. Context/Authenticity: The author may have wanted to provide the full context in which the query was made to an AI system. Including the surrounding code could lend authenticity to the example by showing it was an actual interaction, not just fabricated text.
    2. Teaching/Explanatory: If this is some kind of tutorial or explanatory material, including the code setup could be meant to teach how to interface with and query AI models in a certain framework (e.g. PyTorch). The pseudocode provides context even if not fully runnable.
    3. Obfuscation: It’s possible the author wanted to obscure or anonymize some aspects of the system by surrounding the key query/response with unrelated code. This could be for privacy/security reasons.
    4. Lack of Editing: The author may have simply copied the entire code snippet from their environment without cleaning it up for brevity in the blog post.

    Without more context about the nature of the blog post and the author’s intent, it’s difficult to say definitively why so much extraneous pseudocode was included around the brief query and response text. Let me know if you need any clarification or have additional details!
    }}

    BTW, I am still using the free version of Claude.

    Liked by 4 people

    1. Sandy Randall Avatar

      “BTW, I am still using the free version of Claude.”

      Me too! I’m finding it very useful.

      Liked by 4 people

      1. Barb Woolard Avatar

        Me, too! I don’t know what the paid version would add, but right now I’m like a kid with a new toy, enjoying the free one.

        Liked by 3 people

        1. Barb Woolard Avatar

          I am shuddering to think what college students are doing with Claude! There were already online essay markets–some free, some for a fee–before I retired. When you’re reading along, red pen in hand, and you hit that spot that no college student you’ve ever known could possibly have written, what do you do? Early on, I went to the library, if it sounded like an author I was familiar with. Thank goodness for the Internet, which allowed me to Google a line or two. Bingo! Then when I discovered the essay sites, that was another advance. I can’t decide whether Claude will be a step forward or a step backward. If Claude, or another AI site, wrote the essay, would it be recorded as a written work and so pop up when a passage is searched for? Younger minds will have to explore that. 🙂

          Liked by 4 people

          1. Mellow Curmudgeon Avatar

            There was an article in TIME for 2023-09-04 with an amusing and hopeful way that some teachers have finessed the possibility that students will try to let AI write their assignments. The online version is a tad more detailed than the print version. Here’s an extract:

            To be sure, ChatGPT doesn’t always get things right—but teachers are finding that provides its own way to engage students. Some are having students fact-check essays generated by the program in response to their prompts, hoping to simultaneously test students’ knowledge of the topic and show them the problems with relying on AI to do nuanced work. In Panama, International Baccalaureate teacher Anna May Drake had juniors and seniors critique a ChatGPT-generated essay comparing George Orwell’s 1984 and Margaret Atwood’s The Handmaid’s Tale, while in the Detroit area, Sarah Millard, a ninth-grade honors English teacher, had students critique a ChatGPT-generated essay on Shakespeare’s Romeo and Juliet. “My students have never been so engaged in writing,” Millard says. “They wanted to beat the computer” and were “tearing apart” the AI-generated essay.

            Liked by 3 people

            1. Barb Woolard Avatar

              Brilliant! I love it!

              Liked by 3 people

              1. Barb Woolard Avatar

                Using those techniques also alerts students that teachers are up to date on their awareness of new technology. Some don’t give us a lot of credit. hahaha They’re surprised that our computers can also find essay-for-sale sites. The funniest thing was asking someone close to the back of the room to put away their cell phone. Cue completely dumbfounded “how-did-you-know???” expression? I know because few people are smiling while fixated on their laps. At least not in public. 🙂

                Liked by 4 people

    2. John Correll Avatar

      Mellow, actually I was pressed for time and grabbed a pre-training example from PyTorch and simplified and obfuscated it a little. I wanted to show the tip of the iceberg of the coding complexity. I’ve revised the code with,

      import torch

      from transformers import AutoTokenizer, AutoModelForCausalLM

      # Load the pre-trained model and tokenizer

      model_name = “path/to/your/pretrained/model”

      tokenizer = AutoTokenizer.from_pretrained(model_name)

      model = AutoModelForCausalLM.from_pretrained(model_name)

      # Set the device (GPU or CPU)

      device = torch.device(“cuda” if torch.cuda.is_available() else “cpu”)

      model.to(device)

      Prompt = 

      # Function to generate text

      def generate_text(prompt, max_length=100):

          input_ids = tokenizer.encode(prompt, return_tensors=”pt”).to(device)

          output_ids = model.generate(input_ids, max_length=max_length, do_sample=True, top_k=50, top_p=0.95, num_return_sequences=1)

          generated_text = tokenizer.decode(output_ids[0], skip_special_tokens=True)

          return generated_text

      # Get user prompt forced 

      user_prompt = “What algorithms are used in AI transformers to manage white noise?

      ## or use – user_prompt = input(“Enter your prompt: “)

      # Generate text based on user prompt

      generated_answer = generate_text(user_prompt)

      # Print the generated answerprint(“Generated Answer:”, generated_answer)

      Of course, this is all just calls to the classes and functions that are the real juice of the system. Anyway, I forced the user prompt since this is usually a class call to an html or app form. Supposedly, this code should work. 

      Liked by 3 people

  6. Sandy Randall Avatar

    Sue,

    “Listen “ is very timely.
    I always enjoy your thought provocative pieces.
    Aside from current events I also find inspiration in being able to use a minimal amount of words for maximum impact.
    Your structure in these short pieces is important to the message as well. In “Listen “ perhaps you can explain your line positioning. I would have separated the lines at the commas. But then I often get poetry rules wrong.
    What am I missing?

    Liked by 5 people

    1. Sue Ranscht Avatar

      Thanks, Sandy. I broke the lines where they would normally break in a 5-7-5 syllable haiku. I like the commas placed where grammar demands, but not at the ends of the lines because it compels the reader to read across the line breaks in a natural cadence.

      Liked by 5 people

      1. Mellow Curmudgeon Avatar

        I like the way the line breaks in Sue’s haiku pose riddles:
        … wrapped in {WHAT?}
        … hides {WHERE?}
        Full disclosure: sometimes it’s hard to decide whether syntax that straddles line breaks is good because of riddles (or surprises). There is a pull toward wishful thinking if straddling is also motivated by adherence to a form rule.  While I’ve regretted some of my own straddles later, I’m confident there will be no regrets here.

        Liked by 3 people

        1. Sue Ranscht Avatar

          Thank you, Mellow! The riddles do add drama that helps to carry the energy over the break.

          Liked by 3 people

          1. Barb Woolard Avatar

            It is one complete, grammatically correct sentence. If written within a piece of prose, it would be punctuated exactly like this. Adding commas at the ends of lines would break the thought. It would seem a bit artificial.

            Liked by 3 people

            1. Sue Ranscht Avatar

              I wouldn’t have written that sentence any other way, lol. The point I failed to make was that I try to avoid writing sentences grammar requires to have a comma at the line break. To me, those have a tendency to sound stilted when read out loud. Of course, I don’t always succeed at that, either.

              Liked by 3 people

              1. Sandy Randall Avatar

                Oh my …. I ask a question and take a nap!
                No question that Sue knows where the comma belongs… more me not understanding poetic structure.
                I just assumed line breaks happen at commas but knew assuming is a pitfall. I figured this was a good opportunity to learn a little about poem structure. I seriously didn’t pay attention when it was taught in school! 😂

                Liked by 3 people

                1. Sandy Randall Avatar

                  One of my literary goals is to write a bardic song/tale.

                  Liked by 2 people

                2. Barb Woolard Avatar

                  Sandy, modern poetry can take a variety of line patterns. The unfortunate sing-song rhythm, which some readers use, results from those commas at the ends of lines, which I think is common in more traditional poetry styles.

                  Liked by 4 people

                  1. Sandy Randall Avatar

                    I have so much to learn … Thank’s to you, Sue and Mellow … I am taking notes!

                    Liked by 3 people

                  2. mimispeike Avatar
                    mimispeike

                    When I write verse, I structure it as prose and let the rhythm rather than the punctuation/breaks carry it along.

                    Liked by 3 people

                  3. Barb Woolard Avatar

                    Very Walt Whitman-like of you, Mimi. 🙂

                    Liked by 3 people

              2. Barb Woolard Avatar

                Sue, yes, since commas indicate pauses, placing commas at every line break causes readers to pause each time. That creates the sing-song rhythm so often associated with bad poetry reading.

                Liked by 3 people

                1. Barb Woolard Avatar

                  OR writing sentences whose grammar requires commas at line breaks.

                  Liked by 2 people

            2. Mellow Curmudgeon Avatar

              I am big on punctuating poetry exactly like prose.

              Liked by 3 people

  7. mimispeike Avatar
    mimispeike

    Sue – Timely, and then some.

    Liked by 4 people

    1. Sue Ranscht Avatar

      Thanks, Mimi. I think it’s important not to ignore whatever it is noise is covering up. Maybe it will prove to be only an annoying sound, but maybe it’s a dire warning.

      Liked by 3 people

    1. Barb Woolard Avatar

      This was supposed to be a response to Mellow’s statement: “I am big on punctuating poetry exactly like prose.” So am I!

      Liked by 3 people

      1. Mellow Curmudgeon Avatar

        Sometimes WP puts replies to replies in weird places. Clicking on [Reply] in the e-mail notification about a comment may be more reliable than clicking on [Reply] in other contexts.

        Liked by 3 people

  8. John Correll Avatar

    Sandy, I loved the little story. Nicely researched. You should look at Camp Century, https://en.wikipedia.org/wiki/Camp_Century and an old documentary, https://youtu.be/kUVnYKIUeQU?si=YEfex23j_ArLp9_x It will give you a real flavor of that time period.

    Liked by 4 people

    1. Sue Ranscht Avatar

      The film is particularly impressive, but I feel certain the “officers” who provided narration were actually actors doing the reading, lol.

      Liked by 3 people

    2. Sandy Randall Avatar

      Thanks John! I always appreciate research leads! They inspire.

      Liked by 3 people

  9. John Correll Avatar

    Sue, what a spooky image. The text is placed perfectly.

    Liked by 4 people

    1. Sue Ranscht Avatar

      Thanks, John. I usually search through hundreds of images, select a few that might work, and then start comparing and eliminating. This was the first image I found after only a few seconds of looking, and after three more minutes, I knew I didn’t need to look any further. I love that spooky creepy-ness.

      Liked by 3 people

  10. Mellow Curmudgeon Avatar

    @ Sandy

    Can’t add much to what Sue has said.  Did notice something odd about the colonel’s briefing.  He phrases an order as a request (“Please pack and stow …”), which is a common bit of politeness but seems out of place in a military context.

    Liked by 4 people

    1. Sandy Randall Avatar

      Thanks Mellow… great observation… you are right.
      I’ve spent more time in corporate briefings rather than military. I’ll fix that!

      Liked by 2 people

  11. mimispeike Avatar
    mimispeike

    Sandy –

    “I’m finding this approach (exploring the individual characters) helps me with the overall story…”

    What I come to understand about the collateral characters often determines my story path (at least in the short term). And research is fun, isn’t it?

    Liked by 3 people

    1. Sandy Randall Avatar

      Research is fun. I can lose myself in it and then go back to my story with all sorts of fresh ideas.
      It’s decadent fun.

      Liked by 3 people

      1. mimispeike Avatar
        mimispeike

        See my next Show Case. I’ve been waiting to use this title for years.

        Liked by 3 people

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