About Writers, book promotion, book reviews, book sales, Publisher's Advice, publishing, Uncategorized

Advice for Authors and Writers

Hi everyone. I’m Andrea Dawn, owner of Tell-Tale Press. We publish short stories on our website that are free to read in the genres of fantasy, horror, mystery/crime and science fiction. We also publish anthologies and novels. Right now we have our anthologies available on Kindle, but we’ll be producing print books soon. And we always, always pay our authors! If you want to learn more about Tell-Tale Press, our website is www.telltalepress.net. Submissions are currently open for short stories, so be sure to check out the submissions page! You can also follow us on Facebook and Instagram: www.facebook.com/telltalepress and #TellTalePress.

I posted this list on my personal Facebook page and was asked to send it on so more folks can read it. So here you go! I’m still learning about the publishing world, but in the past few months I have learned some extremely valuable information that I think can help everyone. So, these are some tips for getting your work out into the public and how to get published. I’m not scolding you or trying to name and blame. These are simply tips I think really can help.

  1. OTHER AUTHORS ARE NOT YOUR AUDIENCE. If you want to make friends with authors and collaborate, maybe beta read for each other, or just whine about the writing world in general, that’s great. No problem there. But they are writing too and are also trying to get their work out there, and most likely they won’t have time to read your book as they’re too busy writing. Your audience is instead readers. Find online book clubs, groups that talk about books. Look for reviewers who do honest reviews for free or a small fee (but be sure they are legitimate sources). Start a blog and post it in those reader groups. And in the real world, you can do things like donate your book to a library and include lots of information on how to follow you. You can also contact local bookstores and ask to do a reading and book signings. Be proactive to find readers, not other authors.
  2. DON’T USE MESSENGER OR EMAILS AS AN ADVERTISING TOOL. I am not joking: I literally will unfriend and/or block someone when they send me a link to their book immediately after I’ve approved their friendship. Using Messenger to solicit is like the Jehovah’s Witnesses of social media: no one wants you knocking on their door to tell you things you haven’t asked about. And don’t do it with emails, either, unless someone has signed up for a newsletter from you. I don’t mind if people send me an Invite to like their page, though.
  3. LEAVE EDITORS AND PUBLISHERS ALONE. Don’t message a publisher or editor saying someday you’re going to write a great novel, and they’re going to publish or edit it! First, you’re assuming that the publisher or editor would even want to work with you or like your work. Second, it’s nothing but buzzing in our ears. “I’m gonna” means nothing to us. We need product, not promises. If you want to set goals for yourself, do so by creating a calendar or Vision Board. Don’t use our inboxes to do it.
  4. ONLY SEND IN SUBS WHEN PUBLISHERS ARE OPEN TO SUBS. And most importantly…
  5. FOLLOW THE SUBMISSION GUIDELINES EXACTLY. I don’t know if I can get any clearer on those two facts.
  6. YOU GOTTA SPEND MONEY TO MAKE MONEY. Ads on Facebook have really worked for me. I haven’t tried ads on other social media platforms yet, but I will. I find that free advertising–such as those giant book websites that will post your ad for free–garner no sales. And figure out where your money is going to be most effective for your genre. Do most horror lovers find their book recs online? If so, where? And a great place to advertise: local cons. Readers truly do love meeting authors. You will find that you can gain more followers and support when you are face to face with a potential reader. And to that end…
  7. KNOW WHAT VENUES WORK FOR YOUR GENRE. If you are selling extreme horror, then the sidewalk fair that happens each month in the church parking lot is probably not the place for you. Or if your genre is fantasy romance, the Halloween con won’t be a good idea either.
  8. GIVING YOUR BOOK AWAY DOES NOT SELL MORE BOOKS. I know one publishing company that constantly gives away books. So why should I ever buy a book from them when I can just watch their page and sign up for a giveaway? Especially since their page isn’t closely followed by their fans and it’s very easy to be the only person who answers their trivia questions or shares their post. And this company is also screwing over their authors; they’re not getting any money for the books they give away, and therefore the author doesn’t get his/her cut. So side tip: watch out for those kinds of publishers as well. They won’t be doing you any favors as an author.
  9. GIVEAWAYS FOR A CERTAIN AMOUNT OF BUYS DOES WORK. Let’s say you have a trilogy, and the final book is coming out. Tell folks if they pre-order your book, you will give them the previous two books for a single discounted price. Or perhaps you’ll give away book 1 for free on Kindle. Now THAT is incentive to buy!
  10. LEARN TO ORGANIZE. Learn how to budget your time and money. There are lots of online tips for how to do both of these things. Even DIY shows can help with this–of course, we all know Marie Kondo is wrong about only having thirty books, but she still has great tips that really can help organize our lives. We don’t have to be the stereotypical “starving artist”. It just means that we must train ourselves to be better at where our money and time goes.
  11. ENGAGE. I have learned from watching authors over the past few years that trying to be secretive and private does not work. It doesn’t get your work out there, and no one is going to advertise for you for free. Or if they do, they won’t do it for long. Then I see those people try to randomly engage here and there, and they get no response. No one wants to know who you are if you’re not engaging with your audience–there is no longer that mystery of “who is that author?” going around like there used to be in the 90s. Or I see people try to create a new persona online that is separate from their real self. But then you get tangled up in what you told who and where and on what page… it can get very frustrating for you. I’ve learned that in social media, you must make connections. And the best way to do that is to be truthful. Be friendly. Be yourself. Talk about movies you like, other books you like, ask questions of people, like what’s your favorite dinosaur! You don’t have to tell your deepest, darkest secrets, but you can share cat pics and tell funny stories about your dog or spouse. If you touch on politics, remember that not everyone’s going to like you, and it’s okay for them to not like you and not want to buy your books. The key is that you will find your own audience by being yourself, and it WILL be worth it.
  12. STAY OFF SOCIAL MEDIA. Okay, after talking about how to engage and interact, I tell you to stay off social media? What I mean is don’t waste time just scrolling along and randomly liking and commenting. Maybe set a timer for yourself on how long you’re on social media. Do advertising as you need, and engage as you need, and then move on. You can also set yourself a schedule: Every day from X to Y I will engage on social media, and that’s it. We all fall into the rabbit hole that is clicking away at everything, so learn how to step away so you can get to work on writing and advertising.
  13. HAVE FUN. Writing should be enjoyable. If you’re not having a good time, then reevaluate why you’re doing this. Be sure to make time for yourself as well–keep your health up and go outside here and there. You will find that it will only make your time on the computer even better!

Links:
http://www.telltalepress.net
Submissions are now open: http://www.telltalepress.net/submissions
http://www.facebook.com/telltalepress
Instagram: #TellTalePress

Andrea Dawn
Tell-Tale Press Owner & Editor
http://www.telltalepress.net

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Will Hard Copies Outlast eBooks?

Duh. Of course. And now that The Rabbit Hole, Volume Two, is out in hard-copy, it’s time to add a real book to your library.

And, how else would you expect to add an Ian Bristow cover to your art collection? Someday, his work will show up on Antique Roadshow and your grand-kids will wonder, wow, why didn’t I inherit one of those?

Buy it here:
Amazon.com link: https://www.amazon.com/dp/1691225355

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For the Love of Love

  • by Sara M. Zerig

I turned up the radio as the DJ shared a story about a man who married his childhood crush in his seventies. His new bride had been married and widowed, the DJ said, but the man had never married before because he’d never wanted anyone else for as long as he could remember. I thought of King Edward VIII, who abdicated his throne for forbidden love. I thought of Marc Antony and Cleopatra. Westley and Buttercup. Jim and Pam. These legendary romances, real and fictitious, swirled around in my brain as the DJ segued into a love song I don’t recall but no doubt sang along to.

It’s a safe bet that I wasn’t the only listener who was charmed by that story. This is why most epic main characters have a solitary love interest. Why sitcoms either center on a couple or have romantic storylines. Why love songs dominate the airways. We can’t get enough of it.

However the love story varies, we’re enthralled. Whether it’s the belly butterflies of instant attraction or the slow burn of affection that builds over time … whether the couple is comprised of twin souls or polar opposites …  whether their love story is laced with drama or humor or both … we’re all rooting for our hero/heroine to find and keep that one true love.

Epic love stories are increasingly rare in the real world.  These days, temporary relationships engineered to look good on social media are the norm. Mr. & Mrs. Right have been replaced by Mr. & Mrs. Right Now. If your current relationship has hit a rough patch, there’s an app that will simply point you to someone else – someone who takes a better couple-selfie or uses more clever hashtags. But deep down, I have to believe the people behind those posts want the MJ to their Peter Parker, the Edward Cullen to their Bella Swan. At the end of the day, there is no online-pic-worthy substitution for the genuine love of and dedication to another person. The discovery of one’s soul mate. The belief that, no matter what life throws our way, if we have loved and been loved, our life has real purpose.

We all love love.

Want to escape to a fantasy world where love and magic reign? Download “Unearthed” by Sara M. Zerig:
Currently FREE on Smashwords: https://www.SMASHWORDS.com/books/view/957190
https://www.AMAZON.com/s?k=unearthed+by+sara+m+zerig&crid=341F3VSWR2JWT
https://www.BARNESANDNOBLE.com/w/unearthed-sara-m-zerig/1133395548
Also on APPLE iBOOKS

Unearthed

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A cosy dinner for three

– by Jim Webster

+++I suppose that in one way, poets and painters have one specific thing in common. We sketch out the original work, then we work away at it until it is mostly finished. Finally comes the endless tweaking to get it just right. So if I mention that Julatine Sypent can be something of a perfectionist you can imagine that this latter part of the process takes some time.
+++This isn’t something that ordinarily matters. A twee cottage isn’t going to get bored if you sit painting it for a full week. On the other hand when he moved to portraits, some sitters grew restive. Still it wasn’t as if Julatine hid this aspect of his personality. Nobody who hired him to paint them could claim that it came as a surprise. Everybody in society knew that if you wanted your likeness painted by Julatine, you emptied your diary for a full week.
+++Yet outside the circle of well-heeled patrons of the arts Julatine’s foibles were not really known. Obviously this isn’t normally going to be a problem as those less well monetarily endowed aren’t the people who tend to commission him. Yet late one morning he was in the Silk Merchant’s Repose. This is one of the better taverns, the food is excellent and the company tends to be polite. Not only that, but the owner, Omartan, aspires to keep improving it.
+++Julatine was dining alone and sitting at the table across from him was Bolfinch and the two Millan sisters, Winny and Saleni. If I remember aright Bolfinch was courting Winny and Saleni had come along as a chaperone. Or perhaps it was the other way about? Or perhaps he was courting both with nobody quite sure who was chaperoning whom?
+++Still Julatine was immediately captivated by the scene and sketched it hastily on in a notepad. Then he summoned Omartan and offered to paint the scene for him, pointing out that such a vision of attractive young ladies, good food, and good fellowship would inevitably encourage people to come to his establishment. A price was agreed and then Julatine approached the three diners. With the prospect of a free lunch next day they agreed to return, and promised to wear the same outfits.
+++Next morning found Julatine with easel in place and all his impedimenta around him. The diners took their seats and began eating. Julatine blocked everything out and after a mere three hours pronounced himself well pleased with the result. He instructed everybody to be back in their places next day at the usual time.
It has to be admitted that Winny and Saleni abandoned Bolfinch and fled home. This was to ensure that they had time to wash and try their clothes so they would be at their best tomorrow when Julatine had promised he would start painting in the detail. Bolfinch went late to work, and moaned to his colleagues about the problems caused when an artist gets involved in your courtship.
+++Next day the trio were back in place. But unfortunately word had got round. Thus Silk Merchant’s Repose was crowded. Julatine was incensed, all those people standing in the way meant that the light was wrong. Indeed so crowded was it that when he reached out to put some more brown on his brush, he found himself painting with onion gravy he’d inadvertently acquired from the plate of a diner who had cleared himself a space by the simple expedient of pushing Julatine’s paints off the table. For Julatine this was the last straw.
+++Omartan, the owner, knew nothing of this. He was working upstairs in his office. Now even there he could keep his finger on the pulse of affairs below him. A raised voice, angry shouting, the crash of crockery, would all have him downstairs in an instant. But all was quiet. It was only after a while he realised it was too quiet. He stood up and opened the door of his office. Instead of the low hum of conversation and diners concentrated mainly on eating, interspersed with the occasional scraping of a chair or perhaps the slightly louder tones of somebody ordering their meal, there were no sounds at all.
+++Omartan made his way cautiously downstairs to discover his establishment empty save for Julatine and his three sitters. It appears that Julatine had noticed Chesit Quince amongst the spectators. So Julatine had paid him to empty the place and keep it empty. Given that Chesit can carry an anvil under one arm and has stopped runaway horse teams dead in their tracks, this he achieved with no difficulty at all.
+++Omartan could take no more. He demanded that Julatine let customers in so he could continue to run his business. Julatine at this point got on his high horse, accused Omartan of being a gore-bellied gut-gripping hedgemott with no artistic sensitivities. He told him to finish his own painting, grabbed his assorted equipment and stormed out.
+++That evening Ingenious Trool dropped in for a meal, heard the story, and offered to take the painting home and finish it. It was he who added the three diners in the background purely from his imagination. Thus one of them is Lancet and one of them is me. The third, a bearded gentleman apparently asking the clean shaven Lancet for a loan is Sinian Var, reputed to be the wealthiest usurer in Port Naain. Trool also painted the expression of the face of Bolfinch. (The latter admitted later that Trool had caught his emotions perfectly) He also added the cat, which folk felt was a stroke of genius. Omartan was overjoyed, paid Trool with a number of excellent free meals and everybody was happy.
+++Save of course for Julatine, who when he heard his painting had been finished, had his lawyers (the Beenchkin partnership) sue Trool for stealing his painting. Beenchkin sent Trool a bill for one hundred alars to compensate their client. Trool had never possessed a tenth of that sum, so merely offered them the picture back in compensation. The Beenchkin clerk replied frostily that the picture was barely worth a hundred vintenars, never mind a hundred alars. They wanted their money. Unfortunately for them, this letter came into the hands of Julatine who was mortified to see the low value placed on his work. Outraged, he hired a lawyer from the Zare family to sue the Beenchkins. Finding themselves sued by their own client the Beenchkins countersued.
+++At this point Julatine acted with real genius. He approached the court and pointed out that as he was suing lawyers he demanded a blind bench. This term needs some explaining. Because there is a fear amongst the laity that when lawyers are being sued by the laity, magistrates (also lawyers of a sort) might be intimidated into supporting their own kind rather than giving a fair hearing to the lay person who is paying for it all. Thus a ‘blind bench’ is empowered. Three magistrates sit, but they sit behind a screen so that nobody will ever know who gave judgement. Lawyers hate this. If you think magistrates can be capricious when the world is watching them, just imagine how they act when they have anonymity. Julatine was awarded his blind bench. Immediately Beenchkin and Zare both settled out of court, paying large sums to both Julatine and Trool on the understanding that nobody would ever talk about the incident ever again.
—————————————————————————————————————————————-

Should you wish to know more about Port Naain and Tallis Steelyard you might fancy reading Tallis Steelyard. Playing the game, and other stories.

https://www.amazon.co.uk/Tallis-Steelyard-Playing-other-stories-ebook/dp/B07PV1N7XZ/

https://www.amazon.com/Tallis-Steelyard-Playing-other-stories-ebook/dp/B07PV1N7XZ/

As one reviewer commented, “Another great collection of short stories about Port Naain poet Tallis Steelyard. This is the second collection I’ve read, and I enjoyed it as much as the first one – if not more so. The individual stories are amusing, and a little quirky, and well suited for a quick read to disconnect from reality after a long day.
Heartily recommended.”

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Live in the present. Write there too.

–  by Barry K. Rosen (aka Mellow Curmudgeon)

The ancient advice is still good. Live mostly in the present, with enough dwelling on the past to serve specific purposes like learning from mistakes. Also good is the much more recent advice to write fiction in the present tense, unless there is a specific reason to use the past tense.

Zen lore includes some stories with endings of the form

At that moment, __________ attained enlightenment.

Fill in the blank with the name of somebody who studied Zen for some time and finally saw the light when his teacher said or did something outrageously weird.

While my story Satori from a Consulting Gig does not presuppose any knowledge of Zen lore, it does have a surprise ending (partly inspired by those Zen stories) with my own way to fill in the blank. Using the past tense in my story’s last sentence helps make the allusion to Zen lore clear to those who might care about it.

Did I choose to write my story in the past tense because I planned to end it that way? Not consciously. I just set out to write a short story. I’ll write some fiction. I’ll use the customary past tense. Doesn’t everybody?

Not quite. I got over 16 million hits when I googled

present tense vs past tense fiction

much later, in preparation for writing this post. Before discussing some pros and cons that are out there (and some that may be new), there is a little more to be said about my story’s tense situation.

My story was written for an anthology whose editors asked the contributors to supply blurbs. I wrote a blurb in the same tense as the story, then noticed that other contributors wrote blurbs in the present tense for stories in the past tense. Why? I found the inconsistency troubling.

Another contributor (Sue Ranscht) kindly remarked that the present tense “creates a punchier tease” in blurbs than the past tense does. Indeed. Why not make the actual story (not just the blurb) be as vivid and engrossing as it can possibly be? Unless there is a specific reason to use the past tense, why not write in the present tense?

§1: Perilous Present
Written in the present tense, my newer story Entanglements begins with

Squatting over the airport, a thunderstorm supercell demolishes …

Yes, the word demolishes might be misread as (a typo for) demolished. Yes, the reader might be a little disoriented at first. Worse, the reader might suspect that gimmicky writing is camouflage for weak content. Such concerns loom large in a thoughtful page that recommends using the past tense by default and the present in some special cases. We can agree on the bedrock principle that one size does not fit all, even as we disagree amicably on where to draw some lines and how strongly to weight some concerns. That’s a respite from the train wreck of contemporary politics.

Dunno how 16 million hits in my Google search compares with how often the present tense has actually been used in good stuff. As good uses accumulate, the prudential reasons for defaulting to the past tense will gradually weaken. Of course, there will always be people who believe that the earth is flat, the moon landings were faked, and

Thou shalt write fiction in the past tense.

came down from Mount Sinai with Moses.

§2: Perilous Past
Readers (and writers!) may not be native speakers of English. As with many other aspects of language, English is exuberantly irregular in how it forms the past tense. People learn the past tense of a verb later (and less thoroughly?) than they learn the present tense. Can U hear the rumble of an approaching storm?

When offline (or distrustful of Google Translate), Pierre consults his French/English dictionary. How can he say prendre in English? No problem. Just say take. But Pierre is writing in the customary past tense. Neglecting to look up take in the other half of the dictionary, he says taked where he should say took.

Consider 3 common ways that verbs ending in -it can form their past tenses: hit/hit, pit/pitted, and sit/sat. Quick now: knit/knit or knit/knitted? Shit/shit or shit/shat?

There are a few verbs with 2 ways to form the past: an irregular usual way and a regular way for a special usage:

Starting a road trip, the team flew out to Chicago.
Swinging at the first pitch, the batter flied out to left field.
The picture was hung in a prominent place.
Nathan Hale was hanged as a spy on 1776-09-22.
This last nuance is subtle enough to trip up some native speakers.

§3: Perilous Past Perfect
Pierre is back. The draft of his story has a short paragraph about some taking that happened at an earlier time. Not fond of flashbacks, he has a good reason to put this paragraph as late as it is, not earlier in the narrative.

Sadder but wiser after being corrected by a ten-year old whose first language is English, Pierre refrains from writing had took for the past perfect for the verb take. He looks up the actual past participle and writes had taken.

Pierre’s pluperfect paragraph is grammatical but clunky. What to do? Rewrite the main narrative in the present tense and the clunky paragraph in the past. That will be a chore, but such a clear and distinct idea deserves the effort. Descartes would approve.

§4: John and Jane Get Tense
John has been writing screenplays that often use flashbacks. Now he wants to write a novel and still likes flashbacks. He realizes that readers would be confused if nothing but a paragraph break separates what the characters do and experience “now” (from their viewpoint) from the start or end of a flashback. There is a lot of sensible advice out there about things like narrative transitions to and from flashbacks, but John wants to stay closer to his cinematic roots. He uses the present tense for the main content and the past tense for the flashbacks. If he also switches to a noticeably different font for the flashbacks, that might be enough in most places (after narrative transitions for the first few flashbacks).

Jane has been writing historical fiction and using the past tense to make it look like history. Now she wants to write fiction with a first-person narrator and package it as a rather one-sided conversation with an implicit listener. She plans to keep the past tense for the main content and add some present-tense remarks, often in response to what the listener has presumably just said. The present-tense remarks will be frequent and incongruous. The narrator will tell a self-serving version of a sequence of events in the past tense while accidentally revealing the darker and/or funnier truth in the present tense.

I warned Jane that readers (especially impatient thick-headed guys like me) may just take the narrator to be ditzy and bail out early. But Jane is game to try. If she does make it work, I know a good place to submit her story.

§5: Recurring Rabbit
Rabbit
The Rabbit Hole is a series of anthologies of weird stories, with a troika of editors. Volume 1 came out in 2018, Volume 2 is scheduled to come out on 2019-10-01, and the editors hope to continue annually. Maybe Jane can contribute to Volume 3.

My story Satori from a Consulting Gig in Volume 1 is just 2 pages long, so even those who dislike it may still be glad they bought the book for $2.99 as an e-book or $12.50 as an ink-on-paper book.

While every extended narrative in Volume 1 uses the customary past tense, Volume 2 will have at least one story told in the present tense. No, the editors’ fondness for weird stories does not extend to a fondness for weird writing. As originally submitted for Volume 2, my story Entanglements did have some weird writing at the end that seemed unavoidable to me. Editor Curtis Bausse suggested a strategy for avoiding the unwanted weirdness, and the strategy worked. There was no fuss at all about my use of the present tense. That is as it should be.

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About Writers, blogging, book promotion, inspiration, Stories, Uncategorized, Writers Co-op

True Gamer Anthology – Stories by Gamers for Gamers

An untapped market of $152,000,000,000 (that’s billions of dollars) a year with over two billion active participants? Maybe. I suspect most writers are unaware of it.

Games today require an immersive story line. Howard Hughes is featured in Fallout New Vegas. Apparently, Howard survived the nuclear war as a human-robot hybrid living deep underground in a vat of biomedical brew. He controls the city, not for money, but because he wants power over others so he can create a post-apocalyptic world in his own image.

The average video game writer salary is $82,935.
https://www.quora.com/How-much-do-video-game-scriptwriters-make-in-a-big-company
(Forget Fan-fiction, except for fun. Logically enough, it is difficult to make money based on something someone else has created and copyrighted.)

Voice actor dialogue is first-rate. Linda Carter – yep, Wonder Woman – wrote and sang the songs for her own in-game character. Magnolia, the sultry lounge singer in Fallout 4 sings good jazz, too. Google her sometime:
https://www.youtube.com/watch?v=S39BnYdGD6Q

We are beginning to plan an anthology of true gamer stories. You are invited to join us. Imagine, real stories that happened in fantasy. We think some of those two billion gamers will want to read it. Only the game gods know what we will find. Love stories, of course. And death. I once played with a drug enforcement agent who came online one day and just wanted to be with “friends.” She was quite upset. She had had to shoot someone in real life. In-game is where she went for consolation. Expect extremes. I remember a lady from the earliest days of online gaming who logged into the game from the maternity ward. She wanted everyone to meet her new baby. That was -truly 😃 – memorable role play as we sat at our keyboards around the world, grinning and being happy for the mother. Expect delight.

To produce an anthology of true gamer stories we will need agents to explore the game forums and find true stories, writers who are also gamers to write their own stories, ghostwriters for players who are not writers, editors of course, and a publisher to format the story and put it on Amazon in time for next Christmas season. You may be any one or more of these and how this effort is organized is up to the people doing the work. Those who are still here this time next year will be the agents, writers, editors and publisher of what can be a ground breaking effort.

Join us. Go to the Facebook Group, “True Game Stories.”
Or email me, GD<at>Deckard<dot>com.

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The PC Censor

Does political correctness censor your writing? I ask because I woke this morning with the realization that my WiP is purely politically incorrect. Badly so in parts. I thought about dropping the project until, fully awake, I remembered that everything I’ve written is fact, not opinion. It is not fiction based on my experiences as a medic during the Vietnam War, it is a telling of those experiences.

Every writer worth more than their sales knows that truth, however one defines it, is beholden to fact but not to the expectations of public opinion. I have to wonder though, to what extent my writing is influenced by wanting people to like it, to not offend others by a truth that I define.

The nature of the beast is the problem. War is not easily described to people with preconceived notions about how good people should behave towards other good people. Young men and women see the world differently from the way they learned to see it when they are serving in a war hospital eleven thousand miles from home. Perception overwhelms upbringing. The daily smells of blood and iodine disinfectant around open gunshot wounds in dying men cannot be processed the same way as feelings hurt by an offensive remark.

Words, as used here and now, are not meant to convey the reality of there and then. The words of war (hmm, I’ll have to make that a chapter title) are determined by the exhaustion of compassion, the need to wall off the horror, and to cling to a useful sanity in an insane world. Acceptance of reality is required to save lives. The death rate of wounded soldiers in Vietnam was 1.9% because the men and women involved coped with reality.

How they coped is my story. This WiP sat in my mind for years while I searched for words that don’t exist. When I began, I found myself writing from the point of view of the people involved, and with no regard to how that might affect today’s reader wrapped in a comfort blanket of moral smugness. Having thought it through, (thanks for reading this) I’m determined to continue. The soldiers understood that death requires forgiveness. I am not going to apologize for their stories.

+++“I was taking a guy to x-ray in a wheelchair. Shot-up, just off a medivac. We go by the gift shop and he says, ‘Stop! See that nurse? I want to eyeball-fuck her.’ I stopped.” He shrugged.
+++“Who was she?” Captain Kelly asked with humor in her eyes.
+++“Jenkins, from O.B.”
+++“Oh. That didn’t take him long then.” She turned serious. “I understand. You see death, you want life.” Sucking in a breath, she pushed her chair from the table and stood. “Back to it.” He took in the redhead walking away. Kelly was on the dialysis team and regularly watched young men die because their kidneys had been left on the battlefield. When she was on call at night, Captain Kelly was notified by waking the doctor on call that night.
+++– from Code Blue and Little Deaths

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