About Writers, blogging, book promotion, Uncategorized, world-building, Writers Co-op, writing technique

Stayin’ Busy

– by Mimi Speike

I’ve been busy this week. I’ve written two pieces on Medium.com. I’ve just about decided to create a personal publication there that will display my non-Sly work and also present opinion pieces, most (but not all) writing-related. I wrote a guest-piece for The Story Reading Ape. It’s up as of Sunday. I’m doing a final read-though on my entry for Booksie’s First Chapter contest (deadline June 15). You’ll find the notice on Facebook.

I’ve gone through my files, found very old art, scanned it, and am going to take it into Illustrator to add to/manipulate. I see one image as the anchor for a cover illustration.

I’ll do one more edit on Sly, then I will let go of book one. I have finished reading Dear Dark Head, a history of Ireland, Palmerston, a bio of Lord Palmerston, Prime Minister of England in the mid-nineteenth century, and I’m well along on The French, Portrait of A People  (the nit-pick information in here, fabulous, and, a riot.) I am so enjoying this. The relationship of the French to food, I can certainly use some of that. My Archbishop has a French chef who he adores.

I’m doing my usual highlighting of great usage, starring the really super bits. A few items will be hilarious inserted into my baptism scene. (Already a screwball delight, if I do say so myself.) My cat is loving it. He never knew a baptism would be so much fun. (Nor did I.) I have haunted certain sites, like Catholic Answers, for a few years now. So much so that I’ve gotten pop-up messages: We notice that you visit us often. Would you care to donate? I’ll blow their minds, credit them in my footnotes.

This week: back to the art. The art is what’s holding me up.The apps have changed so much since my stone-age versions, the simplest tasks, I can’t get them done, not easily. I have to get my ass down to Barnes and Nobel and buy the books.

My firm belief is, we can’t wait for the world to come to us. We have to push, and push, and push for attention. But I’m not shoving my book in people’s faces, I’m writing humorous pieces with bouncy headlines that I hope many will want to investigate.

Where will it get me? I’ll keep you posted.

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Well, my post was displayed on the front page of Story Reading Ape for all of nine hours. There are so many members there, apparently writing their hearts out, that I am already pushed off the front page (into previous posts) by nine other pieces posted today. Lots of participation there, you can get lost in the shuffle.

 

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About Writers, blogging, inspiration, Uncategorized, Writers Co-op

Why Write

– by Morgan Smith

I don’t know why I write.

The internet is filled to bursting with writers, and with on-line writing groups. I’m in a lot of those groups, and I read their stories, and bios, and Twitter posts on motivation.

To a man and woman, they seem to have known that they were writers from the moment they first encountered a book. To a man and woman, they know that writing is as necessary and natural to them as the oxygen-to-Co2 exchange they perform 12 or so times per minute.

I still don’t know why I write.

I know why I wrote my first novel. You can read about in detail here:

https://morgansmithauthor.wordpress.com/2015/11/09/the-genesis-of-a-novelist/

But TL;DR? Someone dared me to.

I think the next novel was just scratching a vague itch over a throwaway sentence in the first one (the bit about Keri being given her grandmother’s old chainmail shirt) and hearing from everyone in the self-publishing field that more books equal more sales.

The memoir? That was just me entertaining myself on cold winter nights in hotel rooms, because my job required me to go to and stay in every out-of-the-way small town in my province, and there was, literally, nothing else to do after 6pm.

(Well, I could have gotten drunk. Many of my co-workers did. But since the job also required me to be awake, dressed, and coherent at 6 AM (!) this seemed unwise.)

But even at that point, I didn’t think of myself as a writer.

Hell, even after deciding to self-publish, I had a hard time thinking of myself as a writer.

On the other hand, I have realized that I was “writing” all along: I just didn’t get it down on paper.

I created characters and sent them on adventures, but only in my head. Keri, Caoimhe, and now Tamar: these were people I had actually known and lived through vicariously in my imagination, for literally YEARS, as a way to get through long and boring hours of mindless employment. Like many another person in North America, I’ve had to take jobs that not only gave no personal satisfaction – they could be done using less than 3% of the brain power it takes to chew gum.

So maybe I was a writer all along?

No. I think I was Walter Mitty.

I think almost everyone is.

I’m just self-esteem-ey enough to think I can sell this stuff to other people.

But not so ego-driven that I can’t see it as the plain, unvarnished truth: I am not special. I’m not a sacred talent.

I’m just another girl with a laptop and internet access, and the nerve to throw my stuff onto Amazon..

Long may we wave.

About the Author
Morgan Smith has been a goatherd, a weaver, a bookstore owner, a travel writer, and an archaeologist, and she will drop everything to travel anywhere, on the flimsiest of pretexts. Writing is something she has been doing all her life, though, one way or another, and now she thinks she might actually have something to say.

In progress: A Trick of the Light – Book Three of the Averraine Cycle
(Please don’t ask me when this will come out. The protagonist is in a very sticky situation just now, and I don’t know how or when she’ll get out of it.)

Follow Morgan on social media:
Facebook: https://www.facebook.com/morgansmithauthor
Twitter: https://twitter.com/morganauthor1
Blog: https://morgansmithauthor.wordpress.com
Website: https://theaverrainecycle.wordpress.com/2017/06/18/welcome-to-averraine/

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About Writers, blogging, book promotion, humor, Uncategorized, Writers Co-op, writing technique

Drunken Discourses of the Unusually Perturbed

by Margret A. Treiber

A beta reader recently asked me if I was tripping while writing one of my short stories. I had to laugh because, for the most part, I write completely sober.

Frequently, I’ve considered getting bent and sitting in front of the keyboard. I figured some really righteous shit could pour out of my already twisted mind with the aid of a chemical boost. I mean, I write all manner of altered dimensions as it is. Imagine what madness I could produce on some kind of bender!

No such luck.

An intoxicated Margretbot is a slacking Margretbot. As hard as I might try, there is no way to prod any words out of my brain and into written word while I’m “beyond reason”. I can get to the waters of inspiration, my muses whispering in my ear with enthusiasm and gusto, but I can’t get the crap out of my head and into a file. So I sit there, giggling, my own personal entertainment being played and replayed which I am unable to share with the universe at large.

But what if I could? What if these wonderful musings could be somehow captured in print? It would be awesome! Would it not?
Then I reflect on the drawing of BigBrainia and the map of the giant penis that hung on the wall of my post-college apartment bedroom.

Knowing the massive potential for creativity among myself and my roommates, we plastered a large piece of craft paper on my wall to jot down all our amazing ideas so they would not be lost to sobriety. And yes, it was so freaking hysterical when we were toasted and giggling on the floor of my room.

In fact, it was magnificent.

We had quotes and drawings, maps and diagrams, and depictions of all the kings of imaginings you would expect to come out of the head of young, twenty-something, liberal arts grads in their first apartment.

The problem – it barely made any sense when we were sober. Wasted again, it was the most glorious written document in existence. Nursing the hangover, we squinted at it trying to figure out what penis map actually meant.

So, after reflection and consideration, I realize that although I write like I’m stoned, I’ll probably never write while I’m stoned. It would never work. Yeah, maybe if I was lucky, a handful of drunkards and meth heads may get a giggle but are meth heads really known for their eBook consumption?

So for now at least, until I’m in a nursing home on forced medications, all my crazy shit is coming to you unfettered and clean. Yes, this is how I think “normally”.

I leave the plastered pros to those better equipped to pull it off.

Margret’s prolific writings:
http://themargret.com/
(tread with caution)

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About Writers, blogging, book promotion, book reviews, book sales, editing, Flash Fiction, Google Ads, humor, inspiration, Legal, Literary Agents, Literary critique, Magic and Science, mythology, publishing, reading, Research, Satire, scams, self-publishing, Stories, Uncategorized, Welcome, world-building, Writers Co-op, Writers Co-op Anthology, writing technique

An Invitation to Blog

The Writers Co-op is looking for a few good bloggers. Anyone in the writing life is welcome to submit a blog. If you have something to say about writing, editing, publishing, marketing or just want to share news of your latest effort, we’re interested. Submit a new blog, or, a link to your current blog page.

Members should post their blog in the draft section. Others should submit their their blog or link to GD <at> Deckard <dot> com. Blogs are posted every Monday or Thursday morning on a first-come basis.

Remember that readers are likely to be people in the writing life interested in learning from one another. Sharing our successes, failures, insights, knowledge and humor is a big part of the life we lead.

I look forward to hearing from you.

– GD Deckard, Founding Member

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About Writers, Stories, Uncategorized, Writers Co-op, writing technique

Playing the Field with Syd

Sydney Alvin Field (1935-2013), acclaimed as “the guru of all screenwriters,” was a leading American screenwriter and author who wrote several influential books on screenwriting.

by Linda Myro Judd

Have you ever been the recipient of helpful comments and critiques that come dribbling in one at a time? And do you have a muse who lives with you? I have to admit that I sometimes write things backwards, chronologically, and sometimes inside out. I’ve become better over the years at catching these pieces of writing before they get too far out of hand. But when I’m all excited about what I’m writing these habits creep in. My writing partner, who still wants to be careful of my toes during these exciting times, will dribble his edits to me. We’ve edited each other’s writing over three anthologies. His writing is powerful and less wordy than mine. He doesn’t like to beat around the bush. But I have a knack for tackling word flow. I love the pattern and rhythm of words. So we’ve learned from each other.

 Lately, I’ve been using writing contests as a source for writing deadlines. Since I work best under deadline, I figured that if I could actually finish my short story before a deadline arrived then I would submit my work. With that personal stipulation in mind, I sailed past three deadlines before I got to the one that brought my work up to speed.

During the past year, I wanted editorial feedback to coalesce and so I asked several more writing friends to help. And I still got a little here and a little there. It was time for some professional help.

Over the past couple of years I’d been reading Syd Field’s book, Screenplay, The Foundations of Screenwriting, for my bed time reading when I could read for an hour. If I’m too tired when I start to read, I’ll fall asleep too fast and don’t remember what I’ve read. So I played the field with Syd, I loved his writing style, and friendly banter. He conveyed his experience and wisdom in a folksy, yet concise way.

Even though Syd focused his book on the screenplay, his ideas are great for book writers too. I’m a short story writer, so I was curious if he could help me. Short stories are an American invention, a slice of time, usually one scene, with few characters and mostly about one incident, one plot point. So I read Syd’s book with this filter in mind.

Chapter 5, Story and Character, helped me the most with my short story. “There are really only two ways to approach writing a screenplay. One is to get an idea, then create your characters to fit that idea. Another way to approach a screenplay is by creating a character, then letting a need, an action, and, ultimately, a story emerge out of that character.”

In this chapter, Syd walked through how he and his students created a character and then proceeded to create a story based on that character. This was one of his favorite classes to teach. Can you imagine the energy created by having such participation in class? This second approach appealed to me, where character development dovetailed into story development.

 As I read more of Screenplay, I found it didn’t matter what I was writing. Syd’s style of imparting his experience is so inclusive, and entertaining, about storytelling that any writer can use his wisdom. He gives examples left and right. He emphasized knowing the ending of your story before you start writing. He talked about Chinatown, and the three screenplay rewrites that took place. Each had a different ending that affected the start of the film.

I finally read enough to know that I needed to be specific about what I wanted for feedback from my live-in muse. I also had a pending deadline, only two weeks left! So I got on his case for dribbling his feedback and that I wanted it all at once. He warned me that I wouldn’t like it. But I said go for it. Well he was right. I frowned, but I pulled up my big girl panties, and got to work. I had a lot to do.

Over the last six months I had expanded my original short story. The new stuff had my famous out of order writing handicap. With Syd’s help, I looked at how to formulate the order of the action. I moved major pieces around, and found that little blips were cleaned up from the reordering. My knack of sentence flow expanded to a bigger scale. I was excited.

I’ll keep reading Screenplay for more insights. Syd’s a good teacher. Everyone who offered feedback helped me see the pieces of my story that needed help. Syd gave me the grand picture of how to rewrite my story.

My hope to write a book has been rekindled. I see a glimmer of rewriting a couple of my longer stories into novels. It’s just a matter of time to gain speed on story development. My muse doesn’t like to read about writing, doing is his style. I tend to eat up books on writing, but I’ve been choosy about who I’ll use as a reference. There is one other writer who has great tools for digging out important events for writing memoirs. Keep doing research and putting pen to paper, or, fingers to keyboard!

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About Writers, blogging, inspiration, Stories, Uncategorized, Writers Co-op, writing technique

Vonnegut on Writing Great Short Stories

“Find a subject you care about and which you in your heart feel others should care about. It is this genuine caring, and not your games with language, which will be the most compelling and seductive element in your style. I am not urging you to write a novel, by the way — although I would not be sorry if you wrote one, provided you genuinely cared about something. A petition to the mayor about a pothole in front of your house or a love letter to the girl next door will do.”

“As for your use of language: Remember that two great masters of language, William Shakespeare and James Joyce, wrote sentences which were almost childlike when their subjects were most profound. ‘To be or not to be?’ asks Shakespeare’s Hamlet. The longest word is three letters long. Joyce, when he was frisky, could put together a sentence as intricate and as glittering as a necklace for Cleopatra, but my favorite sentence in his short story ‘Eveline’ is this one: ‘She was tired.’ At that point in the story, no other words could break the heart of a reader as those three words do.”

“English was Conrad’s third language, and much that seems piquant in his use of English was no doubt colored by his first language, which was Polish. And lucky indeed is the writer who has grown up in Ireland, for the English spoken there is so amusing and musical. I myself grew up in Indianapolis, where common speech sounds like a band saw cutting galvanized tin, and employs a vocabulary as unornamental as a monkey wrench. [ … ] No matter what your first language, you should treasure it all your life. If it happens to not be standard English, and if it shows itself when your write standard English, the result is usually delightful, like a very pretty girl with one eye that is green and one that is blue. I myself find that I trust my own writing most, and others seem to trust it most, too, when I sound most like a person from Indianapolis, which is what I am. What alternatives do I have?”

“My teachers wished me to write accurately, always selecting the most effective words, and relating the words to one another unambiguously, rigidly, like parts of a machine. They hoped that I would become understandable — and therefore understood. And there went my dream of doing with words what Pablo Picasso did with paint or what any number of jazz idols did with music. If I broke all the rules of punctuation, had words mean whatever I wanted them to mean, and strung them together higgledy-piggledy, I would simply not be understood. Readers want our pages to look very much like pages they have seen before. Why? This is because they themselves have a tough job to do, and they need all the help they can get from us.”

Source: Kurt Vonnegut Explains “How to Write With Style”
http://www.openculture.com/2014/11/kurt-vonnegut-explains-how-to-write-with-style.html

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About Writers, blogging, inspiration, Uncategorized, Writers Co-op

Inspiration’s Elbow

Inspiration is the gentle pressure that sends writers into a fictional world of interesting people and situations. These nudges are as varied as creativity can make them. We know it can be anything, come from anywhere or nowhere. It’s unpredictable. Some writers might get a good idea if they were busy falling down an elevator shaft.

J.R.R. TOLKIEN was grading college exam papers, and midway through the stack he came across a gloriously blank sheet. Tolkien wrote down the first thing that randomly popped into his mind: “In a hole in the ground there lived a hobbit.” He had no idea what a hobbit was or why it lived underground, and so he set out to solve the mystery.*

As he lay on a sofa after dinner, LEO TOLSTOY had a vision of an elbow. The image expanded into a melancholy woman in a ball gown. The mysterious lady haunted Tolstoy and he eventually decided to write her story, Anna Karenina.*

(*See more examples by Celia Johnson https://www.writersdigest.com/whats-new/the-ideas-that-inspired-the-hobbit-animal-farm-8-other-famous-books)

What has nudged your creativity? Where have some of your own ideas come from? Tell us in the comments?

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