I bought a watch. It’s an automatic watch, the kind with no electronics. It’s all wheels, springs, levers, gears, screws, jewels, a dial and three hands working together in a case with a bezel, crown, crystal, two lugs and a wristband. The sum-total-effect of hundreds of parts is to cause the hands to advance 86,400 seconds a day.
That’s a lot for a little machine, isn’t it?
The purely mechanical nature of the watch calms me because it is predictable. Move along, my watch tells time, there is nothing new to be seen here. The watch is from the old world of Isaac Newton – everything is put together by hand. It grounds me for world-building.
When I have an idea for a story, I have to build the world in which it occurs. The idea has a life of its own, but I have to create the background for it. A good background is one that seems natural, meaning, what is not described can be assumed by the reader. The watch itself reminds me of a time before Clerk Maxwell inspired Einstein’s special theory of relativity. The world was logical, not quantum. Just like the intricate mechanical train of the watch’s parts, everything in Newton’s world connected. And this, really, remains the world we actually live in today. Readers are comfortable with logical plots. So, I build a world out of natural assumptions people assume to be true, and I introduce the story idea in a train of connected plot bits.
I call the watch a muse because it reminds me that for a story to work, the plot has to be put together by hand, adjusted to fit perfectly and made to work with everything else in the story-world.
It’s a great muse.
P.S. This thoughtful blog was inspired by my Lady who asked,
“You bought what!?”